From the Grand Secretary
Brother Rudyard Kipling was initiated in 1886 into the Lodge of Hope and Perseverance, No. 782, in Anarkali, Lahore, when he was only 20 years old. Eight years later, while hosting brother Sir Arthur Conan Doyle of Sherlock Holmes fame in Vermont, he wrote a poem for the Pall Mall Gazette titled ‘The Mother Lodge’. It is one of my favourites, celebrating that great masonic principle: equality. Equality without distinction of rank, race, creed, profession or class.
‘The Mother Lodge’ speaks of the various characters in that lodge, their backgrounds and their beliefs. During the height of the British Raj and all that colonial India meant, Hindus met with Catholics, Jews, Muslims and Anglicans in Lodge No. 782; officers sat with enlisted men, and accountants with railway workers. The poem contrasts the behaviours shown in public, where differences were observed by the conventions of the time, with those in lodge, where they were swept away.
In 19th-century India, just as today, brethren held strong views about a wide range of subjects. There is no doubt that Kipling’s Catholic brethren would have believed that most of the rest of their lodge would quite literally be going to hell – a very real and unpleasant place for a 19th-century Catholic! Yet their one strength seems to be their acceptance of one another, and their celebration of their shared humanity. A desire to put aside their own feelings and beliefs and to try to understand the unintelligible.
I have followed with interest the debates on social media since the United Grand Lodge of England released its gender diversity policy. At the one end, there are those who think that ‘wanting to be a tomato doesn’t make you a tomato’ through to those who would feel that changing gender should be as easy as changing your underwear.
In our great organisation, there is room for that breadth of opinion, just as there was back in a small, dimly lit and dusty masonic hall in Anarkali over 130 years ago. Freemasonry is so much bigger than what each of us believes, and we do not all have to think the same.
Dr David Staples
Outside – “Sergeant! Sir! Salute! Salaam!”
Inside – “Brother,” an’ it doesn’t do no ’arm.
We met upon the Level an’ we parted on the Square,
An’ I was Junior Deacon in my Mother-Lodge out there!
Extract from ‘The Mother Lodge’ by Rudyard Kipling
Letters to the Editor - NO. 44 WINTER 2018
we are the same
The Grand Secretary’s article in the autumn edition of Freemasonry Today took me straight back to 4 May 1999, and a ‘Discourse on Brother Rudyard Kipling’ at Blackpool Masonic Hall. This was presented by one of the nicest and kindest brothers I ever had the pleasure to have encountered in my masonic career, Past Senior Grand Deacon Jack Humphrey.The Grand Secretary’s article in the autumn edition of Freemasonry Today took me straight back to 4 May 1999, and a ‘Discourse on Brother Rudyard Kipling’ at Blackpool Masonic Hall. This was presented by one of the nicest and kindest brothers I ever had the pleasure to have encountered in my masonic career, Past Senior Grand Deacon Jack Humphrey.
Although some years have passed since this presentation and any vivid memories of the full evening have been dulled by age, one song has stuck in my mind through the years since then; ‘The Mother Lodge’. The idea was that one brother (my programme states a Royston Hartley) sang the verses, and the remainder of the members sang the choruses (in a most rousing manner if I recall correctly). To this day, I often find myself singing the first three verses (the only ones I can recall) and the chorus in my head.
Although it’s an old poem, I feel it really does emphasise just how Freemasonry brings individuals of all faiths, creeds and colours together. We, as Freemasons, were promoting equality long before it was the desire of the general populace.
Stephen Gaulter, St Aldhelm Lodge, No. 2888, Malmesbury, Wiltshire
In the autumn issue of Freemasonry Today, I must praise the Grand Secretary for his well-written welcome. As a 35-year Lewis mason, you have wisely expressed what I believe is the root essence of our brotherhood: that on the level we are all the same and stripped of colour, realised economics and religious tenants, we become true individuals, whose starting points of view are common.
And, if we can start with those common viewpoints, we can build an edifice worthy of everyone’s trust and respect.
Gerald Campbell, Past Master, Grand Lodge of Quebec and Grand Lodge of Canada
From The Hitchhiker’s Guide to the Galaxy to Spooks, the stunning corridors, Grand Temple and distinctive exteriors of Freemasons’ Hall have played a crucial supporting role on screen. Ellie Fazan goes behind the scenes
In 2009 a member of the public, concerned by the presence of American soldiers loitering on the steps of Freemasons’ Hall, phoned the police in panic. Had the relationship between the UK and US broken down? Were the soldiers about to declare the Hall a forward operations base?
‘We were filming with Matt Damon for Green Zone,’ remembers Karen Haigh, Head of Events, who has overseen the film career of Freemasons’ Hall thus far. While things can get surreal, her first priority is to ensure filming does not obstruct the Hall’s primary function. So while Matt Damon was saving the world downstairs, meetings were going on upstairs as usual.
Karen has been working with Jenny Cooper from Film London to promote Freemasons’ Hall as a location. Funded by the Mayor of London and The National Lottery through the British Film Institute, and supported by the Arts Council England and Creative Skillset, Film London operates as the city’s film agency. It works to promote London as a major international production centre, attracting investment from Hollywood and beyond.
The agency looks after the capital’s most iconic backdrops, including The Savoy hotel and King’s Cross St Pancras station, but the Hall has also become a star, playing MI5’s base, gentlemen’s clubs and even Buckingham Palace. ‘Its versatile nature and flexible, friendly management, as well as the unique and lavish interior and central London location, have made it a firm favourite over the past ten years,’ says Cooper.
In 2012 Film London launched a tiered membership scheme, of which Freemasons’ Hall is a Gold Member, but the relationship goes back much further. Cooper explains: ‘Around seven years ago we got organisations, including the United Grand Lodge of England, to agree to work with Film London in promoting the city as a film-friendly destination.’
The response has been ‘tremendous’ with a notable rise in filming in London, where seventy-five per cent of the UK industry is now based, making it the third busiest production city behind New York and LA.
So expect sightings of US soldiers and alien landings to become more common on Great Queen Street.
‘Its unique and lavish interior and central london location have made Freemasons’ Hall a firm favourite’ Jenny Cooper
Take five: These days you’re almost as likely to see Robert Downey Jr in Freemasons’ Hall as another Freemason. Karen Haigh picks her top five films and TV shows at the Hall over the past ten years
1. Green Zone (2010)
The high-octane war thriller starring Matt Damon used the Hall as a bombed-out palace in Baghdad. For this role the building had a bit of a make-under, with debris everywhere and blown-out wires hanging from walls. ‘It was a great example of how even when a huge Hollywood production is here, our first priority is that the Hall can function for its members,’ says Karen. ‘So while Matt Damon was running around saving the world downstairs, there was a big provincial meeting going on upstairs.’
‘Johnny English was such a fun film. It was the first time I thought, This could really work’ Karen Haigh
2. Spooks (2002-2011)
Freemasons’ Hall played MI5 headquarters Thames House in this clever and compelling spy drama, focusing on the undercover work of a team of super spies. ‘It was amazing to have a starring role in such a groundbreaking TV show.
It showcased the Hall in such a fabulous way,’ recalls Karen. The only downside of being so involved in the production of the show, she says, was that the traditional end-of-series cliffhanger never had quite the same impact for her.
3. Johnny English (2003)
Peter Howitt’s action comedy parodies the James Bond franchise, with Rowan Atkinson playing an inept spy. The opening credits take a veritable tour of the building. ‘It was such a fun film and there was a lovely atmosphere. Rowan Atkinson is a British institution, and for many of our members he is the most exciting actor that we have had here,’ says Karen. ‘I think it was the first time I thought, this could really work. Film London gave us lots of support, because they knew we had potential as a film location.’
4. Sherlock Holmes (2009)
Some of the exhilarating scenes of the first Sherlock Holmes movie, directed by Guy Ritchie and starring Robert Downey Jr, were filmed in the Hall. ‘Guy Ritchie had been to the Grand Lodge before and really wanted to use it as a location,’ Karen reminisces. ‘You could see during filming that it was going to be really good.’ Karen and her team built such a strong relationship with the film-makers during shooting that the star-studded press conference was held at the Hall on the day of the premiere.
5. The Hitchhiker’s Guide to the Galaxy (2005)
Douglas Adams’ comedy tells the story of hapless Arthur Dent after aliens destroy Earth. The Grand Temple took on its first starring role, as the Nose, the base for John Malkovich’s character. ‘I carefully pick the films that shoot here,’ says Karen. ‘This film is very tongue-in-cheek and seemed a wonderful way of saying that we can laugh at what people say about us. We built a great relationship with Disney, so they held the premiere party here.’