Victoria Cross Remembrance Stone
27 June 2019
Unveiling and Dedication, The Grand Master HRH The Duke of Kent
Ladies, Gentlemen and Brethren,
It is an enormous pleasure for me to be here today to unveil the Victoria Cross Remembrance Stone at Freemasons’ Hall.
One of the oldest social and charitable organisations in the world, Freemasonry’s roots lie in the traditions of the medieval stonemasons who built our castles and cathedrals. Which is why it is so fitting that this stone – commissioned by Granville Angell, Past Assistant Grand Sword Bearer – has been carved by Worcester Cathedral’s first female stonemason, Emily Draper. She beat forty-five other applicants to win this apprenticeship, which was jointly funded by the Worcestershire Freemasons and the Masonic Charitable Foundation.
Emily’s grandfather was a Freemason at a Lodge in Devon, whilst her Great Uncle was one of the Freemason Victoria Cross recipients we are honouring here today. I would like to express our thanks to Emily for all her dedication and hard work that went into creating the Remembrance Stone.
We would also like to show our appreciation of the expertise that went into producing this work by presenting you with this set of stonemasons’ tools to aid you in your future projects.
I have recently returned from visiting my cousin, Princess Elisabeth, in Belgrade. Whilst there I attended the 100th Anniversary gala for the foundation of the Grand Lodge of Yugoslavia – a region whose troubled legacy extends back through the centuries, as well as our own military involvement in the recent past.
Serbs, Croats and Slovenians were well represented and this is just one example of how Freemasonry brings peoples together and provides a safe space for those with very different outlooks to support and learn from each other.
Having served in the Armed Forces for more than 20 years I understand the common values shared by Freemasonry and the Services – camaraderie, respect, integrity – and the ideals of service and tradition.
It is an extraordinary fact that 14% of all Victoria Cross recipients have been Freemasons.
It is now time to unveil this splendid stone. It will stand as a tangible reminder of those Freemasons awarded the Victoria Cross. I am sure you will agree that this Remembrance Stone is a fitting tribute to their service and sacrifice.
On song at Worcester Cathedral
Thanks to a donation of £200,000 from the Province of Worcestershire, a new link has been forged between local masons and the magnificent Worcester Cathedral following the rededication of the cathedral’s refurbished Song School building.
The money was mostly part of a large legacy left by Derek Bullivant, who was active in the Province.
The Song School houses the choirs’ rehearsal rooms, library and storage facilities and was in a sad state of repair. The rededication, which took place outside the door of the Song School, followed an Evensong Service attended by Provincial Grand Master Robert Vaughan and other Worcestershire Freemasons.
I have long been fascinated by the study of the source and development of words, and with this comes a realisation that a word can be interpreted in several different ways. I mention this in relation to the challenge of explaining Freemasonry. This is something that remains at the forefront of my mind with all our communications – not least the recent successful media tour.
Due to the fact that we are not prescriptive, it is hard to explain Freemasonry while avoiding jargon. This has led us to explain our principles as kindness, honesty, fairness, tolerance and integrity. These words clearly explain our essential nature.
As you know, we had an excellent reception from local media and I have valued the feedback and support from fellow members. It is fair to say that some members were surprised at some of the words I used in interviews and this brings me back to my earlier point on how people analyse words.
Most interviews were very short, with the interviewer having researched Freemasonry on a strange website. So I used words like ‘fun’ when describing Freemasonry. I would not change the word in the context that it was said, but what I meant was that I find Freemasonry ‘enjoyable and rewarding’.
Another example of describing Freemasonry comes from one of the pieces from our ritual that ends with being happy and communicating that. ‘Happy’ is another word that can mean many things but I know as Freemasons we can embrace it.
I hope you will find something to make you feel happy among the features that make up this issue. Worcester Cathedral’s first female stonemason apprentice reveals how masonic support is helping her. As the Royal Arch marks its two-hundredth anniversary in 2013, we look at how members and the chapters are helping the Royal College of Surgeons. And as smaller charities struggle in this economic climate, we shine a light on how Freemasons are helping swimming pools stay open, challenging discrimination and supporting air ambulances. These are all stories that show Freemasonry at its best.
‘The challenge of explaining Freemasonry remains at the forefront of my mind’
Letters to the editor - No. 22 Summer 2013
Charity for all
Sir, I read with interest the last paragraph of the Grand Secretary’s forward in the last copy of Freemasonry Today.
Peter Borst, Ludgrove Lodge, No. 7766, Cheshunt, Hertfordshire
A career set in stone
Emily Draper, twenty-six, is Worcester Cathedral’s first female stonemason apprentice. Tabby Kinder finds out how Freemason support has helped Emily to carve out a dream career
Perched on a dusty block of stone, Emily is fresh-faced and buoyed from the morning’s assessment with her tutor from City of Bath College. It’s just a few degrees above freezing in the drafty workshop that leans against the south-east side of Worcester Cathedral, but Emily doesn’t seem to mind. Clasping a chisel in her gloved hand, she absent-mindedly smudges dust on her fleece with the other. ‘I didn’t know whether to dress up or not for the photos,’ she says, ‘so I just wore my normal work stuff.’
Chatting to a colleague, a man about twenty years her senior, Emily is charming and sincere. Her youthful presence and the jovial atmosphere of the workshop contrast with the dignified serenity of the cathedral. ‘It’s my dream job,’ she enthuses later, now in the warmth of the on-site office. Her face flushes with the pride she has in her newfound career; it’s her passion for the trade that won her the position as Worcester Cathedral’s first female stonemason apprentice.
‘I’ve got the chance to do something that is not only personally fulfilling but also makes my family proud. It’s a career close to my heart’
The right fit
Funded by local Freemasons and the Grand Charity, Emily currently splits her time between the cathedral, where she is learning the intricacies of sculpting stone under the tutorage of master mason Darren Steele, and City of Bath College, where she studies the theoretical methods of stonemasonry two days a week. When asked about her decision to pursue an apprenticeship in stonemasonry, Emily says: ‘I think it just arrived in my consciousness one day. I’ve always been interested in history, and Worcester Cathedral has always been in the back of my mind because I was brought up near here.’
Emily’s professional journey began after she completed a degree in Fine Art from The Arts University College at Bournemouth. She enrolled in the stonemasonry diploma at City of Bath College, balancing work and college while driving the seventy-five miles between the two. ‘It was a lot to deal with, especially when you don’t know whether you’ll end up with a job,’ she says. ‘It was a risk, but definitely a calculated risk. I hoped that if I worked really hard it would make me employable.’
The risk paid off when, in August last year, Emily beat forty-five other applicants to win the apprenticeship at Worcester Cathedral. ‘The head of my course recommended I went for it, but I didn’t think I’d hear back. It was nerve-wracking. When I found out I had been shortlisted, I was over the moon.’
For Darren, Emily stood out as a strong candidate: ‘We had a tremendous amount of interest in the apprenticeship, but Emily came out on top as she showed the passion and enthusiasm in stonemasonry as a career that I was looking for.’
Although Emily’s grandfather died when she was just twelve, she credits him as the main influence in her career path. ‘He was a mechanical engineer and an illustrator, so his trade was very hands-on and creative – but also industrious. It’s clear I get a lot of my passion for stonemasonry from him,’ she says. Coincidentally, Emily’s grandfather was also a Freemason at a chapter in Devon.
For Emily, the fact that Freemasons are providing the funding for her apprenticeship proves she is on the right track: ‘I’ve got the chance to do something that is not only personally fulfilling but also makes my family proud. I only have memories of my granddad from when I was a child, but my work brings me very close to him as I feel like it’s something that he would have liked me to do. It’s a career that’s very close to my heart.’
Restoring a cathedral as grand in size and splendour as Worcester is an endless task. ‘By the time you’ve gone half way round, the bit behind you has started falling apart again,’ says Darren. The work being carried out is particularly impressive because the conservation team at Worcester Cathedral does not use power tools at any stage of the restoration process. Even for the stonemason industry, Emily says, this is rare: ‘It’s sometimes frustrating, but very fulfilling creating something that matters using your hands.’
Using traditional techniques means that achieving something as straightforward as a flat surface becomes an art form in itself for Emily and her team. ‘In order to actually work something by hand and make something that is technically perfect, you have to have respect for the building,’ she says. ‘There’s an argument that you can get the same job done twice as fast by using power tools, but I think it’s important to keep traditional hand skills alive. In a building like this you benefit from having a hands-on approach as you respect the stone more. You want to make it perfect.’
In 2010, Darren and his counterparts founded the Cathedral Workshop Fellowship, a partnership of eight Anglican cathedrals – Worcester, Gloucester, Lincoln, Canterbury, York Minster, Winchester, Salisbury and Durham – created to develop the professional training of new and experienced stonemasons. This unique community, of which Prince Charles is patron, has developed a qualification championing traditional hand crafts, as well as an exchange programme to allow apprentices to move between the country’s cathedrals to try working on different types of stone. Darren has arranged for Emily to spend a fortnight at Salisbury Cathedral in the spring to hone her carving, a skill in which she has shown promise.
For the past twenty years, the Provincial Grand Lodge of Worcestershire has aimed to ensure that Worcester Cathedral always has an apprentice stonemason in training. It’s a worthy ambition but also costly – £25,000 over five years.
Provincial Grand Master of Worcestershire Richard Goddard says: ‘I think it’s very important that we support our heritage and also our roots. We have had a close relationship with the cathedral for more than one hundred and fifty years and it’s something we should continue to support.’
Emily’s first major contribution to the restoration of the cathedral is a large restorative phase on the library parapet wall. She took a sixteenth-century weather-worn coping stone and reworked and replaced it. Emily’s still coming to terms with the sheer scale of work her job entails, but the rewards of contributing to a piece of history make it more than worthwhile. ‘I thrive on the pressure of working with the knowledge that whatever I add could be there for another thousand years.’
Securing the future of the cathedral
Over the past twenty-three years, the entire exterior of Worcester Cathedral, including the chapter house and cloisters, has been systematically restored. The huge project, which began in 1988, first focused on strengthening the tower, then the cathedral’s Works Department moved in a clockwise direction around the rest of the building. The last major restoration project finished in 1874, so the task had to ensure the building could face the next hundred years. A special thanksgiving service was held in September 2011 to commemorate the completion of the work, which cost £10m in total. More than £7m was raised by public appeal and around £3m was received in grants from English Heritage, the Wolfson Foundation, the Provincial Grand Lodge of Worcester and other grant-making bodies.