As Commonwealth nations mark the armistice signed to end the First World War, Diane Clements, Director of the Library and Museum of Freemasonry, traces the origins of Freemasons’ Hall
While the peace treaties after the First World War were still being negotiated in Versailles, following the armistice on 11 November 1918, the United Grand Lodge of England began preparations for its own masonic peace celebration in London. In June 1919, guests from lodges in Ireland, Scotland, America, Canada, New Zealand and England enjoyed a week of activities, including visits to the masonic schools and the Houses of Parliament. A peace medal was issued to those who attended the special Grand Lodge meeting on 27 June at the Royal Albert Hall.
The Grand Master, HRH The Duke of Connaught, was unable to attend, but he asked Lord Ampthill, the Pro Grand Master, to read a series of messages. One of these spoke of ‘a perpetual memorial’ to ‘honour the many brethren who fell during the war’. For the Grand Master, ‘The great and continued growth of Freemasonry amongst us demands a central home; and I wish it to be considered whether the question of erecting that home in this metropolis of the empire… would not be the most fitting peace memorial.’
With individual lodges considering what form their own memorials should take, the issue was raised at the Grand Lodge meeting in September 1919. Charles Goff from Fortitude and Old Cumberland Lodge, No. 12, asked if consideration had been given to other forms of memorial – particularly a fund to support Freemasons wounded during the war or their dependants. Charles also asked whether a major building project should proceed at a time of housing shortage. Although several lodges and Provinces decided to support local hospitals, Grand Lodge elected to proceed with its new temple.
In January 1920 details of the campaign to raise funds for the new building were distributed to lodges and individual members. The target was £1 million, giving the campaign its name – the Masonic Million Memorial Fund. Contributions were to be marked by the award of medals. Members who contributed at least 10 guineas (£10.50) were to receive a silver medal and those who gave 100 guineas (£105) or more, a gold medal. Lodges that contributed an average of 10 guineas per member were to be recorded in the new building as Hall Stone Lodges and the Master of each entitled to wear a special medal as a collarette. By the end of the appeal, 53,224 individual medals had been issued and 1,321 lodges had qualified as Hall Stone Lodges.
A design by architects HV Ashley and F Winton Newman was chosen and building work started in 1927. Construction began at the western corner of the new building, where houses on Great Queen Street had been demolished, and progressed eastwards.
The new Masonic Peace Memorial, as it was called, was dedicated on 19 July 1933. The theme of the memorial window outside the Grand Temple was the attainment of peace through sacrifice. Its main feature was the figure of peace holding a model of the tower façade of the building. In the lower panels were shown fighting men, civilians and pilgrims ascending a winding staircase towards the angel of peace.
In June 1938, the Building Committee announced that a memorial shrine, to be designed by Walter Gilbert, would be placed under the memorial window. Its symbols portrayed peace and the attainment of eternal life. It took the form of a bronze casket resting on an ark among reeds, the boat indicative of a journey that had come to an end. In the centre of the front panel a relief showed the hand of God in which rested the soul of man. At the four corners stood pairs of winged seraphim with golden trumpets and across its front were gilded figures of Moses, Joshua, Solomon and St George.
In December 1914 Grand Lodge had begun to compile a Roll of Honour of all members who had died in the war. In June 1921, the roll was declared complete, listing 3,078 names, and was printed in book form. After completion of the memorial shrine, the Roll of Honour, with the addition of over 350 names, was displayed within it on a parchment roll.
The Roll of Honour was guarded by kneeling figures representing the four fighting services (Royal Navy, Royal Marines, Army and Royal Flying Corps). By the time all these memorials were complete, the country was already in the midst of another war. Freemasons’ Hall continued to operate during that Second World War and survived largely undamaged so that it can be visited today.
A digitisation project between the Library and Museum and Ancestry will make searching for masons from the past much easier
The world’s largest online family history resource, Ancestry has transcribed over two million records of Freemasons in the English and Irish Constitutions using the membership registers of the United Grand Lodge of England and the Grand Lodge of Ireland.
The names have created a searchable online database of Freemasons from the 1750s to the early 1920s. The database and images from the Grand Lodge registers are being made available via Ancestry’s website. This will provide information about individual lodge affiliation, as well as address and occupation details.
It has often been difficult to track down the names of individual Freemasons if there were no details of their lodge. Grand Lodge’s main communication was with lodge secretaries and there was no reason for the organisation itself to create an alphabetical index of members.
It will now be much easier for family historians, researchers and those writing their lodge histories to access this information.
Ancestry provides a pay-per-view or subscription service and free access will also be available in the Library and Museum. Further details are available on the Library and Museum’s website and at www.ancestry.co.uk
LETTERS TO THE EDITOR - NO. 38 SUMMER 2017
What a great article you wrote in Freemasonry Today, Issue 32, called ‘Finding Freemasons’. My mother enjoys her family history research and through the Ancestry connection she discovered that my great, great, great, great grandfather Abraham Keyzor and his cousin Abraham Murray were both initiated into Robert Burns Lodge, No. 25, on 6 December 1858.
One hundred and fifty-seven years later, I was delighted to see the lodge going strong and they very kindly allowed me to visit at their installation night on 6 February 2016.
What a night! The whole lodge made me feel very welcome and the Festive Board included a bagpipe player escorting in the Worshipful Master. There was an ‘address to the haggis’ before we tucked into a starter of haggis, and after dessert we had great entertainment with musical songs before a raffle, where I was lucky enough to win a bottle of Rabbie Burns beer.
Having the opportunity of visiting the lodge of an ancestor is something truly special and I intend to visit again in future. Hopefully, other brethren may find similar connections with older lodges.
David Bywater, Cantuarian Lodge, No. 5733, London
Two million historic Freemason records published online
Newly digitised collection offers fascinating insight into one of world’s most intriguing organisations
More than two million historic Freemason membership records have been published online for the first time, revealing the names of some of the most famous and well-connected men in British history.
Digitised by Ancestry, the world’s largest family history resource, the UK and Ireland Freemason Membership Registers 1733-1923 span 190 years and offer fascinating insight into the inner workings of one of the world’s most intriguing organisations.
Rich in detail, each record reveals the Freemason’s name, profession, residence, date of initiation or date that they joined the organisation, age at initiation and lodge location. Accordingly, this collection will be of vital significance for anybody looking to locate, or find out more about, a Freemason ancestor.
The records also feature numerous famous Freemasons, including:
Oscar Wilde – Following his initiation on the 23 February 1875, Irish-born Wilde is listed as a member of the Apollo University Lodge, Cambridge. A novelist, essayist, and one of the most popular playwrights of his time, his novels The Picture of Dorian Gray and The Importance of Being Earnest remain popular today.
Sir Henry Wellcome – Scientist, businessman, philanthropist, archaeologist and collector, Wellcome is best known for his pioneering approach to medical research. His legacy, the Wellcome Trust, continues to provide grants to pharmacology departments to educate and train young researchers.
Winston Churchill – Appearing in the records at the age of 26, Churchill was initiated into Studholme Lodge on the 26 May 1901. He went on to become a British statesman, orator, author and eventually prime minister across the years 1940–45 and 1951–55. Many credit ‘British Bulldog’ Churchill for leading the country to victory in World War II.
Joseph Rudyard Kipling – Writer, poet, and novelist, Kipling's works of fiction include children’s favourite The Jungle Book and Kim. Born in Bombay, Kipling was initiated in the Lodge of Hope and Perseverance No 782, in Lahore in 1886.
Novelists and scientists aside, further analysis of the records reveals that engineers, merchants and clerks were the most common professions of English Freemasons. Similarly, in Ireland, farmers, clerks and engineers make up the top three most frequently occurring member roles. A plethora of other professions also appear, not least 14,882 ‘Gentleman’, and even a solitary ‘Cloth Shrinker’.
'As freemasonry approaches its 300th birthday in 2017, we are pleased to be able to provide access to details of past members. The records demonstrate the extensive involvement which Freemasons have had in British society at national and local level and I hope that they will provide a fascinating insight.' - Diane Clements, Director of the Library and Museum of Freemasonry
Miriam Silverman, Senior UK Content Manager from Ancestry comments: 'We’re delighted to be able to offer people an online window into a relatively unknown organisation. Whilst we can’t reveal the inner workings of Freemason ceremonies, what we can tell you is the details of over two million historic members. So, if you want to find out more about a Freemason ancestor or locate a famous member, now is the perfect time to get online and start your search.'
To search the UK and Ireland Freemason Membership Registers 1733-1923 and more than 16 billion historical records worldwide, visit www.ancestry.co.uk
A part of the launch, Sir Tony Robinson took a tour of Freemasons' Hall with Dr James Campbell who was able to debunk some of the common myths surrounding Freemasonry
Robert Henderson-Bland was an actor, soldier, poet and Freemason. Director of the Library and Museum of Freemasonry Diane Clements traces his fortunes during World War I
It is 100 years since Canadian doctor Major John McCrae wrote his poem In Flanders Fields, the first line of which, ‘In Flanders fields, the poppies blow’, was to be an inspiration for the poppy as a memorial. The same year, 1915, also saw the death of one of the best-known war poets, Rupert Brooke, who wrote five sonnets in late 1914 that helped make him famous, including The Soldier. Somewhat forgotten now but also an active and frequently published poet in his time was Freemason Robert Henderson-Bland (1876-1941).
Henderson-Bland’s first war poem, published in August 1915, was inspired by the Scots Guards and includes the following lines, written before the idea of a War Graves Commission had been developed:
‘Let someone mark the place whereat they fell,
And hedge it round, for in the after-time
Their fame will draw the many who would dwell
Upon those deeds that made an hour sublime.’
Henderson-Bland was best known as an actor, working in the early 1900s with leading theatrical figures such as Lily Langtry and Herbert Beerbohm Tree. On 26 April 1912, as he records in his autobiography, he received a telephone call asking him to take the role of Jesus Christ in a new film to be made in and around Jerusalem. Directed by Sidney Olcott, From the Manger to the Cross became one of the most significant films of the silent era.
It was Beerbohm Tree who had recommended Henderson-Bland for the part, as he considered that the only man who could play Christ was a poet. Although controversial at the time, the film was eventually praised by leading religious figures, and it has since been designated culturally, historically and aesthetically significant by the Library of Congress. It was revived in London in 1926 when it was shown at the Royal Albert Hall every day for three months, and the Bishop of London supported the showing of a sound-enhanced version, stating that he considered it to be ‘a most beautiful film’.
A few months before Henderson-Bland went to Jerusalem to make the film, he was initiated in Green Room Lodge, No. 2957, one of several London lodges with theatrical connections. His raising was delayed until filming was complete, in November 1912. In November 1913, he presented a souvenir of his time in Jerusalem to the lodge – a gavel made from stone quarried ‘from Solomon’s Mines’, with its shaft made of olive wood grown on the Mount of Olives.
Theatre of war
When World War I broke out in August 1914, Henderson-Bland, aged 40, was acting in America. He returned to Britain to join the Gloucestershire Regiment, initially in Britain and then, from July 1916, in France, where he served until he was wounded in April 1918. By the end of the war he had been promoted to captain. After the war, Henderson-Bland became involved with veterans society the Ypres League, working to promote the organisation in America. He continued with his Freemasonry, joining, in 1927, another lodge with theatrical links, Drury Lane Lodge, No. 2127, where he was installed as Master in March 1937. He died in August 1941 as the result of an air raid.
Henderson-Bland knew many who died in the war. One friend, also a Freemason (Drury Lane Lodge), was poet Arthur Scott Craven, who had joined the Artists Rifles and was killed in action in April 1917. Before the war, Henderson-Bland had dedicated a book of poetry to him. He wrote the following poem after his death and it was published in June 1917:
‘O all my youth came singing back to me
When first I learnt that you were dead, my friend.
What of the years when you and I did see
In life a splendour daily spilt to mend
Our souls grown tired of trivial delights?
Not lost to you the glimpses of the heights,
For you went gladly where the worst is surely best.’
The gavel presented by Henderson-Bland to Green Room Lodge is on display as part of the Library and Museum’s Spotlight: Freemasons and Entertainment exhibition, which runs until 13 February 2016.
A book written by Library and Museum staff, English Freemasonry and the First World War, is available from the shop at Freemasons’ Hall or online at www.letchworthshop.co.uk
To preserve captured moments in the history of Freemasonry, the Library and Museum is digitising masonic films to enable anyone to view them
The Library and Museum stores and cares for collections of older records on behalf of Grand Lodge and the masonic charities. Among these are films such as a 1929 newsreel of a ceremony marking the extension at Treloar Hospital in Hampshire, and a film made for the RMBI in 1978 entitled Life in Our Homes.
Former head of the East Anglian Film Archive David Cleveland was asked by the Library and Museum to undertake a survey of the film reels to identify duplicates, and to advise on methods of destruction for some of the duplicate material.
Current recommendations are for the transfer of reel film to digital media for long-term preservation. The process is costly but the Library and Museum has received support from London’s Screen Archives (LSA), which transferred 16 film titles to digital media at no charge, courtesy of the British Film Institute’s Unlocking Film Heritage Digitisation Fund. The digitisation was completed by Prime Focus in London’s Soho.
All 16 titles will be accessible with full descriptions at the LSA website. After copying, the reel films are kept in specialist storage at the London Metropolitan Archives. With half of the film titles in its collection now available online, the Library and Museum is working on ways to preserve the rest of its film collection.
Films can currently be viewed at the BFI Player portal: http://player.bfi.org.uk/search
The latest exhibition in the Library and Museum starts this week on Monday 8 June and turns the spotlight on Freemasonry and entertainment
During the 1700s, as Freemasonry grew in popularity, it began to attract new members from increasingly diverse social backgrounds. Masonic lodges had always attracted men whose work could take them anywhere in the country, such as mariners and merchants, who would find security and friendship within the fraternity. The stage was no different and throughout the 1700s, there are many examples of members of the theatrical or musical professions enjoying or seeking membership of lodges. The 1800s saw the development of 'class lodges', which were lodges for men with a common interest, background or occupation.
In 1863 Maybury Lodge No. 969 was formed for Freemasons connected to the Royal Dramatic College in Woking, a home for retired actors. This was the first of many lodges associated with the theatrical profession that would open in the next 100 years.
This exhibition examines over twenty lodges associated with theatre, music and entertainment from lodges for Victorian pantomime stars in London's Drury Lane to musical hall bohemians in Birkenhead.
Throughout the exhibition you will also find items relating to many theatrical and musical 'stars' of their time: ventriloquists, actor managers, the original Charley's Aunt, music hall and vaudeville comedians, composers and conductors, a star of the silent screen and two rock music legends.
Start: 8 June 2015
End: 13 February 2016
The happy means
We hear a great deal about diversity and inclusivity these days but, as Director of Special Projects John Hamill explains, they are in the foundations of Freemasonry
There are many theories about the origins of Freemasonry. The one that I favour suggests that it was formed and developed by a group of men who, knowing what divided people, were looking for a means of bringing men of diverse backgrounds together. They wanted to discover what they had in common and find out how to build on that commonality for the good of the community.
The period in which Freemasonry was developing – the late 1500s and 1600s – was one of great religious and political turmoil. Those differences split families, eventually leading to civil war; the execution of the king; a republic under Cromwell; the restoration of the monarchy; and the beginnings of our present system of constitutional monarchy.
Religion continued to impact people’s lives long after the turmoil. Under the Test Acts, those who were not members of the established church could not take public office or public employment, or enter the universities or Parliament. Roman Catholics and Jews could not even move more than 10 miles from home without a licence from the magistrate.
Once Grand Lodge was formed in 1717 and began keeping central records, evidence emerges of the diverse nature of lodge membership. In 1723, 1725 and 1728, Grand Lodge asked its lodges to submit returns of members, which were copied into the Grand Lodge’s first Minute Book. When the Premier and Antients Grand Lodges began to keep central registers, the horizon expands still further.
In recent years, work has been done relating such membership lists to the poll and rate books, as well as the Huguenot and Jewish archives. It has shown that the London lodges were diverse and inclusive, with significant representation from the Huguenot, Jewish and non-conformist populations in London.
Having worked at times on a daily basis with the 18th- and 19th-century membership registers during my 28 years at the Library and Museum, I can state unequivocally that the membership of English Freemasonry has always been a microcosm of the society in which it exists. There is a myth that Premier Grand Lodge was mainly an aristocratic and upper-class organisation; while its Grand Masters were noblemen or Royal Princes, its registers show that lodge members were a cross section of the community in which the lodge met.
Nor was race a bar. In 1784 a group led by Prince Hall and describing themselves as ‘free blacks’ from Boston, Massachusetts, applied to Premier Grand Lodge for a warrant, which was granted under the name of African Lodge, No. 459.
Although the Slave Trade Act of 1807 had abolished the trade in slaves, it was not until the Slavery Abolition Act of 1833 that owning a slave was made illegal in the colonies. In 1840 the English lodges in Barbados petitioned Grand Lodge for a change in its Book of Constitutions. The rules required each candidate to declare that he was ‘free born’. The lodges in Barbados stated that they had a number of educated blacks who would be good Freemasons but had not been born free. Without argument, Grand Lodge simply removed the word ‘born’ from the declaration to enable them to join.
When lodges began to proliferate in India in the 19th century, as well as in Africa and Asia in the early 20th century, they were not expatriate lodges. Rather, they welcomed the local populations and, particularly in India, were the one place that Europeans, Muslims, Sikhs, Hindus and Parsees could meet together and build bridges between their communities.
By being diverse and inclusive, Freemasonry indeed became, in Dr James Anderson’s memorable phrase of 1723, ‘the happy means of conciliating friendship amongst those who must otherwise have stood at a perpetual distance’.
‘There is a myth that Premier Grand Lodge was an upper-class organisation; while its Grand Masters were noblemen, lodge members were a cross section of the community in which they met.’
In the spotlight
Opening in June, the Library and Museum’s latest exhibition looks at the longstanding links between Freemasonry and entertainment
The association between Freemasonry and the entertainment profession during the Victorian period is well known. The connection was embodied by men such as Sir Augustus Harris (1852-1896), actor and theatrical impresario, lodge founder and Grand Treasurer.
He and his circle of theatrical figures feature in a revealing press cartoon from 1891 (above).
Harris was particularly associated with the Drury Lane Theatre, where he staged elaborate pantomimes. He was a founder of Drury Lane Lodge, No. 2127, in 1885, which met in the theatre itself. After his death in 1896 at the age of 44, his wife married Edward O’Connor Terry, another actor, theatre proprietor and Freemason. Terry’s initials are shown entwined on the founder’s jewel for the lodge that was formed in 1898 and named after him.
Terry was a Past Master of Lodge of Asaph, No. 1319, which formed in 1870 and met in the afternoons to permit its membership of musicians and actors to continue with their regular jobs in orchestras and theatre in the evenings.
Spotlight: Freemasons and Entertainment
The exhibition runs from 8 June 2015 to 13 February 2016, Monday–Friday, 10am–5pm.
Admission is free
Freemasons’ Hall is closed over the Easter period and there are no tours on Friday 3rd April, Saturday 4th April or Monday 6th April 2015
The Library and Museum will be open as usual from 10am to 5pm Monday to Friday except for the Easter closure.
Letter from Spandau
Correspondence sent over a hundred years ago reveals what life was like for masonic prisoners in Ruhleben camp. Director of the Library and Museum of Freemasonry Diane Clements opens the archive
On 18 December 1914 an extraordinary document arrived at Freemasons’ Hall in London addressed to Sir Edward Letchworth, the Grand Secretary. It began: ‘We, the undersigned brethren, at present interned with other British civilians at the concentration camp at Ruhleben, Spandau, Germany, send hearty good wishes to the Grand Master, officers and brethren in Great Britain, hoping that we may have the pleasure soon of greeting them personally.’
Among the ‘undersigned’ was Alexander Cordiner from South Shields, master of SS Heworth, a cargo ship berthed near Hamburg when war broke out in August 1914. He was just one of more than 10,000 British nationals living, working or on holiday in Germany who were interned by the German government as enemy aliens.
Many were taken to the Ruhleben camp at Spandau, west of Berlin. The camp was situated on a racecourse with barracks built in and around the stables to house the 4,000-5,000 internees. Ruhleben was run by the inmates who quickly established a church, library, sports and social clubs, a postal service and camp magazine.
The letter was written by Walter P Goodall of Lodge of Freedom, No. 77, Gravesend, and accompanied a list of more than a hundred Freemasons. On 13 February 1915, he sent a second letter with another forty-five names. Together, they detailed Freemasons who were members of lodges in England, Australia, Egypt, Hong Kong, Ireland, Scotland, South Africa, South America, the United States, the West Indies and even Germany.
In August 1915 another internee, Percy Hull, wrote to Grand Lodge to advise that there were now about two hundred Freemasons there, the majority receiving few if any food parcels. His letter helped to launch a campaign to support the internees. Alfred Robbins, President of the Board of General Purposes, welcomed the formation of what became known as the Ruhleben Fund, stating: ‘They are prisoners of war only in the sense of being detained during wartime; and their case is particularly hard because their businesses have been ruined and they and their families brought near to destitution.’
Parcels of support
The Fund enabled parcels to be sent every fortnight, which provided each masonic internee with three parcels over an eighteen-month period. Grand Lodge approached Sir Richard Burbidge, the managing director of Harrods, Knightsbridge, and parcels were sent to Percy Hull for distribution. One internee, S F Sheasby, reported in 1917 to the Old Masonians Gazette that they contained tea, coffee, cake, biscuits, potted meat and oats. By December 1917, more than £6,700 had been received for the Ruhleben Fund, the equivalent of about £250,000 today.
Three of the internees at Ruhleben are remembered on a large ceramic plaque, which was originally installed in the Royal Masonic Hospital and funded by the Ruhleben internees. Charles Fryatt of Star in the East Lodge, No. 650, Harwich, was a Merchant Navy captain who was briefly sent to Ruhleben in 1916 after his ferry, SS Brussels, was captured by German destroyers.
Fryatt had successfully defended two of his ships from German U-boat attacks a year earlier and had been rewarded for his actions with gold watches from both his employers, the Great Eastern Railway Company and The Admiralty. The latter watch was inscribed: ‘Presented by the Lords Commissioners of the Admiralty to Chas. Algernon Fryatt Master of the SS Brussels in recognition of the example set by that vessel when attacked by a German submarine on March 28th, 1915.’ This inscription was used as an excuse by the German authorities to try Fryatt at a court martial and subsequently execute him.
The second name is that of Edward Russell, a merchant seaman and member of the Earl of Yarborough Lodge, No. 2770, in Grimsby who died of natural causes in the camp in December 1917. The third name is that of Alexander Cordiner, the SS Heworth master and a member of St Hilda’s Lodge, No. 240, South Shields, who had been at Ruhleben since late 1914 and died there in March 1918. The plaque is now on display at the Library and Museum of Freemasonry in Freemasons’ Hall, Great Queen Street.
Letters to the Editor - No. 30 Summer 2015
I was interested to read the article in the spring issue of Freemasonry Today about Ruhleben camp. My grandfather, John Clegg Fergusson, was a master dyer. He left Batley in the West Riding of Yorkshire with his wife and son, Alex, in the mid 1890s and settled in Germany where he was manager of the dye house in a textile mill, and was joined by his apprentice from Batley, Clifford Leach.
On the outbreak of war, my grandfather and Clifford Leach were detained in Ruhleben camp as ‘guests of the Kaiser’ – enemy aliens. It was decided to allow my grandmother and her two younger children to travel home. My grandfather was eventually repatriated in 1916 but the story did not stop there.
Clifford Leach, my father and his brother were all to become members of Trafalgar Lodge, No. 971, in Batley. Clifford Leach’s son, Harry, followed his father into the textile industry and when he was a member of a lodge in Manchester I visited him there, and he made the journey across the Pennines to visit my mother lodge in Morley.
Harry’s death a few years ago brought an end to a friendship between the Leach family and the Fergussons that had lasted for over a century, a friendship in which both Ruhleben camp and Freemasonry played a part.
James Fergusson, Lodge of Integrity, No. 380, Leeds, Yorkshire, West Riding
I greatly enjoyed your article by Diane Clements, ‘Letter from Spandau’, in the spring issue. I wish that I had known it was to appear as I could have supplied a little more information.
You may be interested to know that the Percy Hull mentioned went on to become Sir Percy, knighted for his efforts in resurrecting the Three Choirs Festival after World War II. During Hull’s internment, Dr George Robertson Sinclair (see ‘Elgar Connection’, p9 in the same issue), Grand Organist and Organist of Hereford Cathedral, died suddenly and Hull, at that time his assistant, was appointed in his place.
Not only did Sir Percy follow Sinclair into the cathedral post, he also followed him as Grand Organist. I had the honour of conducting the cathedral choir at the dedication of his memorial in the cathedral as well as the Herefordshire Orchestral Society, in which Lady Hull played.
Robert Green, Cantilupe Lodge, No. 4083, Hereford, Herefordshire
Diane Clements, Director of The Library and Museum of Freemasonry, responds:
Several people have mentioned Percy Hull’s later career. We have such limited space in Freemasonry Today that we are not able to develop articles as fully as possible but I appreciate all the information readers provide.