Freemasons’ Hall had a special guest on 10 December 2018 when UGLE’s Grand Master, HRH The Duke of Kent, paid a visit to view the ‘Brothers in Alms – Peace Through Sacrifice’ exhibition
The Grand Master was taken around the exhibition by the Curator Brian Deutsch, which showcases a photographic history of war and peace in the first half of the 20th century.
The exhibition, which will run until Summer 2019, is displayed on the second floor of Freemasons' Hall.
The heart of the hall
With 11 November 2018 marking the 100th anniversary of Armistice Day, the Library and Museum of Freemasonry looks at how a record of the masons who gave their lives in the First World War came to be immortalised in bronze and stained glass
Walking up the grand staircase in Freemasons’ Hall on Great Queen Street, you may have noticed a casket sitting beneath a stained-glass window. It contains the Roll of Honour for the masonic dead of the First World War and, in the area known as the ‘Shrine’, sits at the heart of this art deco landmark that began life as the Masonic Peace Memorial.
First considered in a meeting of Grand Lodge on 2 December 1914, the Roll of Honour was described a year later by Sir Alfred Robbins as ‘a permanent memorial of active patriotism displayed by Freemasonry in the momentous struggle still proceeding’. The Roll of Honour would give the names of brethren of all ranks who had laid down their lives in the service of their country, based on returns made by lodge secretaries.
On 27 June 1919, an Especial meeting of Grand Lodge was held at the Royal Albert Hall to celebrate the peace. A message was read from the Grand Master, HRH The Duke of Connaught, in which he appealed for funds,
to create a perpetual Memorial of its [i.e. the Craft’s] gratitude to Almighty God…[to] render fitting honour to the many Brethren who fell during the War. I desire that the question of the Memorial be taken into early consideration… The great and continued growth of Freemasonry amongst us demands a central home; and I wish it to be considered whether the question of erecting that home in this Metropolis of the Empire, dedicated to the Most High, … would not be the most fitting Memorial.
Following an international architectural competition in which 110 schemes were submitted to a jury chaired by Sir Edward Lutyens, a design by HV Ashley and F Winton Newman was chosen and building work began in 1927. The new Masonic Peace Memorial was dedicated on 19 July 1933, with the theme of the memorial window in the vestibule area outside the Grand Temple being the attainment of peace through sacrifice. Its main feature is the figure of peace holding a model of the tower facade of the building itself. The lower panels depict fighting men from ancient and modern times, civilians and pilgrims ascending a winding staircase towards the angel of peace.
SHRINE TO THE FALLEN
Five years later in June 1938, the Building Committee, in its final report, announced that it had given instructions for a Memorial Shrine and Roll of Honour to be placed under the Memorial Window. At the Grand Lodge meeting on 5 June 1940, by which time the country was again at war, it announced that the work had been completed.
The Memorial Shrine was created in bronze by Walter Gilbert (1871-1946). Its design and ornamentation incorporated symbols connected with the theme of peace and the attainment of eternal life. It takes the form of a bronze casket resting on an ark among reeds, the boat indicative of a journey that had come to an end. In the centre of the front panel a relief shows the hand of God set in a circle in which rests the soul of man. At the four corners of the Shrine stand pairs of winged seraphim carrying golden trumpets, and across the front are four gilded figures portraying Moses, Joshua, Solomon and St George.
The Roll of Honour is guarded by kneeling figures representing the four fighting services at the time it was designed (the Royal Navy, the Royal Marines, the Army and the Royal Flying Corps). On either side of the Shrine are the bronze Pillars of Light decorated with wheat (for resurrection), lotus (for the waters of life) and irises (for eternal life) with four panels of oak leaves at their base. The Roll of Honour displayed at the Shrine on a parchment roll includes more than 350 names not included in the Roll of Honour book and additional lodge details for about 30 names already known.
The Library and Museum of Freemasonry provides regular guided tours of Freemasons’ Hall, offering visitors the chance to see first-hand the beautiful craftsmanship of the Roll of Honour and the Shrine.
Tracing the past
An artist and engraver who specialised in pen and ink work, John Harris created a set of tracing boards that are still used in ritual today
The principles of Freemasonry are communicated using symbols during the ceremonies and then afterwards by illustrated lectures. Early lodges used to draw these motifs on the floor of their lodge room and wash them off after the meeting. By the late 1700s, floor cloths and symbolic tablets for the master’s pedestal were being used. Then from the early 1800s a set of three tracing boards in a variety of sizes and materials became the standard, to help to illustrate one of the three ceremonies.
Royal Arch chapters do not usually employ tracing boards, but some older chapters do have them. These examples were produced by John Harris (1791-1873) along with his Craft versions, but were not adopted as the former were.
A LIFE OF DEVOTION
Harris was an artist and engraver who specialised in pen and ink facsimile work, notably for the British Museum, but he is best known to Freemasonry as a designer of tracing boards. He became a Freemason in 1818 and by 1820 was selling his designs of portable miniature tracing boards. In 1825 he dedicated, with permission, a set of miniature Craft boards to the Grand Master, the Duke of Sussex. This was taken as an official seal of approval and helped to increase sales.
In 1845, the Emulation Lodge of Improvement, which is the largest masonic ritual association, organised a competition to design a standardised set of boards to be used in all lodges that worked Emulation ritual. Harris won the competition and his boards can be seen in every Emulation ritual book published today.
In later life, Harris suffered from ill health and blindness. He moved into the Asylum for Worthy, Aged, and Decayed Freemasons, later the Royal Masonic Benevolent Institution, in Croydon. He is buried with his wife Mary in the town’s Queen’s Road Cemetery, Croydon. His grave was recently rediscovered and the Provincial Grand Lodge of Surrey, which now owns the plot, has provided the grave with a new headstone.
You can find several examples of Harris’s tracing boards at the Library and Museum of Freemasonry.
Freemasons’ Hall is hosting an extraordinary exhibition to showcase a photographic history of war and peace in the first half of the 20th Century
This exhibition of rare photographs spans the period from the Second Boer War through to the end of the Second World War, and features those who led and those who served on land, sea and in the air. It portrays the great landscape of the conflict across all continents and the diversity of the participants.
It includes those Freemasons who held top military positions and also highlights the great charitable work by Freemasons both during and after the war in building and supporting hospitals and rehabilitation housing, and providing pensions for ex-servicemen.
Brian Deutsch, who has curated the exhibition, commented: ‘Freemasons played a major role in both war and peace throughout the first half of the last century. From the leaders of men to the rank and file, field marshals to privates, they fought valiantly throughout all the conflicts, and supported the afflicted and downtrodden when peace came.’
One in six Victoria Crosses in the Great War were awarded to Freemasons for their valour in the face of the enemy. Deutsch added: ‘Partly as a result of this, many of their comrades in arms joined masonic lodges after the wars. I became fascinated by the stories that the pictures told and remembered many First World War pictures that came up in the research for the exhibition.’
The images illustrate the old war with cavalry and lances, through to the new mechanised war with motor vehicles, tanks and aeroplanes. It celebrates the lives of those who took part in the war – from the Royal Princes and Generals to the ordinary men and women, who served through those extraordinary times.
The exhibition is displayed on the second floor of Freemasons' Hall, and if you are interested in viewing the exhibition you should book a date and time when visits can be made. Click here to book a tour.
The exhibition will run until November 2019.
Worn for a reason
A new exhibition, Bejewelled: Badges, Brotherhood and Identity, at the Library and Museum of Freemasonry will explore the role of jewels, how they are designed and made, and what they mean to members
Jewels have been worn by Freemasons since the earliest days of Grand Lodge, and for members they are part of their everyday masonic world. For non-masons, however, they are beautiful but mysterious objects.
Bejewelled: Badges, Brotherhood and Identity at the Library and Museum will feature some of the most beautiful and emotive jewels in the collection. It will also showcase overseas jewels that have not been seen for many years.
The exhibition will contextualise the masonic jewel, making the point that everyone has worn a badge that has meant something to them. Freemasonry is not an exception in wearing jewels, but it is one of the most significant organisations to do so.
Bejewelled: Badges, Brotherhood and Identity opens Thursday, 20 September 2018. Admission is free.
It's the start
With an emphasis on professionalism and transparency, President of the Board of General Purposes Geoffrey Dearing wants to take Freemasonry to a new level of alignment
How would you describe your masonic progression?
It was a very slow burn. I helped to manage a law practice in East Kent and became a Freemason in 1974 when two of my partners, whom I respected, proposed and seconded me. I only used to go to four meetings a year as I couldn’t do more than that; I was very busy working around the courts. But I found that those four evenings were very relaxing, because you’re with different people who have a similar view of life.
I joined the Royal Arch in 1981. That was purely accidental: somebody’s son was a member of our lodge, and I got talking to his father, who turned out to be the Grand Superintendent for the Province of East Kent. But, again, I was very busy with the business, so nothing else happened until the end of the 1980s, when I was made a Steward in the Province in the Craft and the following year Senior Warden.
Along the way I spent a year as president of the Kent Law Society and became a Past Assistant Grand Registrar in 1994, which is a common office for a lawyer to take in Grand Lodge. But I wasn’t involved at all in the Province, as I had been made managing partner of one of Kent’s largest law firms. I just had no time for anything other than getting on with the business.
When did your focus change?
In 2004, I stepped down as managing partner. My firm very kindly kept me on as a consultant, and I found the change quite reinvigorating. When you’re responsible for two or three hundred people, you’re not able to do your own thing, because you are looking for consensus. I was able to go off and do things that interested me. I did a lot of lecturing on various legal-related bits and pieces and worked with some small companies.
By 2011, I had ceased to be a consultant and coincidentally received a telephone call asking if I would become Provincial Grand Master and Grand Superintendent for East Kent. I’ve never had any grand career plan; if I have been asked to do a job and think I can do it, I’ve done it, simple as that. So that’s really why I’m sitting here now – it was never my ambition.
How did you approach the PGM role?
I went in there entirely cold. I hadn’t been on the executive and knew nothing about how the office ran. But I had run a business. So, I went in there and started asking questions – it was not commercial, and there was a lot that I could bring to it that would make it work better.
I believe strongly that communication is fundamental. Most of the really big errors and some of the biggest claims as a lawyer that I’ve been involved in were avoidable. Things get to where they get to because of poor communication or, indeed, a total lack of it. So, when I started in East Kent in 2011, I supported a communications team.
We don’t tend to know enough about what Freemasons do for a living, but I found that we had web designers, we had people who really understood software and we had people connected with the media and the written word. It meant that when we had the Holy Royal Arch 200-year celebrations in 2013, we were able to interest the media, and ITV came down.
‘When you have to make big calls, you need as much information as possible in order to get it right’
How have you found becoming President?
You’re in touch with every single aspect of how the United Grand Lodge of England (UGLE) runs, which is fascinating. I’m trustee of the Library and Museum, I’m on the Grand Master’s Council and I’m involved with the External Relations Committee. All aspects of what’s happening in Grand Lodge are ultimately the responsibility of the Board. It gives you an insight into the entire picture, and very few have that privilege.
When you have to make big calls, you need as much information as possible in order to get it right. I think in order to get everything joined up, to get alignment, the communication with the Provinces is very important. What goes on outside UGLE is every bit as important as what goes on inside it, so coming from the background I’ve had, I know about what goes on around the country in the Provinces. I’ve dealt with the same problems that other Provinces have experienced; I’ve got some understanding and some sympathy.
What do you mean by alignment?
The biggest thing in terms of what I hope can be achieved is improving alignment. If you ask what Freemasonry is about, it might be expressed entirely differently if it’s in Cornwall, Durham, Carlisle or London, but it should be broadly the same message. This hasn’t necessarily been the case, because everyone’s in their own areas, not always talking to others.
After the Second World War, there was a period when you just didn’t talk about Freemasonry, and people thought that was the norm. That did us no favours at all. You’re always going to have a lot of conspiracy theorists, and if you’re not providing correct information, that’s their oxygen. If they put false accusations in enough newspapers and say it often enough, people will believe it. We have to communicate.
What role does communication play in alignment?
What you do with communications and how you address those people who are talking nonsense is important. If someone publishes a newspaper article that says Freemasons have a lodge in Westminster with many MPs in it, that’s untrue. So challenge it. You do it quietly, but you do it fairly. And you make sure there’s an audit trail. I know the truth is far less exciting, but why don’t we have transparency? Why don’t we have complete openness? Why aren’t we relaxed? Why don’t we encourage the Library and Museum to talk openly about Freemasonry to people who visit us? I think that’s exactly how it should be and how it should develop.
How are you different to your predecessors?
I’m hugely respectful of tradition and history, but the success of Freemasonry will come from it being able to evolve. That’s how it has managed to survive for 300 years. My responsibility as President of the Board of General Purposes is to try to ensure that we stay relevant. It is our job to look at the big picture and the messages we put forward. We’ve got to get our thinking straight at the centre and then consider how to get the messages out there, making sure that all our organs of communication are going down the same lines.
The more we communicate, the better. David Staples is going to be a very good CEO for the organisation, and I think his approach to management has not been seen before at UGLE. But that is how it needs to be in the modern world. If we get the set-up, professionalism and the operation here as good as it can be, it’s the start.
Why should someone become a Freemason?
One of the attractions of Freemasonry is that it actually takes away a lot of insecurity, because it creates stability and has very good support mechanisms. If you think about the world today, a bit of consistency doesn’t go amiss.
If we can get alignment, I think Freemasonry will become more normal, more accepted and more understood. And that’s a good thing. It’s not for everybody; a lot of people don’t like the ceremonial that goes with it, but others do.
I don’t think it’s any accident that those who have been involved in the armed services or organisations that have a certain disciplinary culture find Freemasonry very attractive. I absolutely get that, but we all have different reasons. For me it’s actually about the people. I have met some terrific people along the way, and it’s been my privilege to know them and to spend time with them.
‘I’m hugely respectful of tradition and history, but the success of Freemasonry will come from it being able to evolve’
Where do you want masonry to be in five years?
It’s a big question. I don’t have a burning ambition for massive change, but I do have a goal to improve and evolve. The basics would be that we have good alignment within UGLE, including the Library and Museum and the Masonic Charitable Foundation. They’re separate and independent operations, but they’re both masonic and are golden opportunities for communication with the wider world.
I mentioned relevance before, because if Freemasonry is going to regenerate and be here in another 50 or 100 years, staying relevant will be part and parcel of that journey. Then there’s the way in which we communicate what we’re about – we have to do this in a much better way in order to strengthen our membership. It’s a big ambition, and I’m not sure that it can be achieved in five years, but we can certainly start the process.
We have a fantastic opportunity here. Today is not going to repeat itself tomorrow, or any other time, so we need to make the most of it. I always have the ambition that, every day, something constructive gets done.
Quarterly Communication of Grand Lodge
13 June 2018
Report of the Board of General Purposes
The Minutes of the Quarterly Communication of 14 March 2018 were confirmed.
The Minutes of the Annual Investiture of 25 April 2018 were confirmed.
Death of a former President
The Board had learned with great sadness of the death on 14 May of RW Bro Anthony Wilson, PSGW, who served as a member of the Board from 1995 to 1999 and again from 2001 until 31 December 2017, during the last thirteen and three-quarter years of which he was its President.
2019: The Board recommended that the annual dues (including VAT) payable to Grand Lodge in respect of each member of every Lodge for the year 2019 shall be:
A Resolution to this effect was approved.
2019: The Board recommended that the fees (exclusive of VAT) payable for registration, certificates and dispensations should be increased in line with inflation to:
A Resolution to put this into effect was approved.
Contribution to the Masonic Charitable Foundation
Under Rule 271 of the Book of Constitutions Grand Lodge must fix each year the annual contribution payable to the Masonic Charitable Foundation. After consultation with the Trustees of the Masonic Charitable Foundation it was agreed to recommend that for 2019 the annual contribution would remain at £17 in respect of each member of a Lodge in a Metropolitan Area or a Province, or in England and Wales that is unattached.
A Resolution to put this into effect was approved.
(I) 2017 The Grand Design
The Lecturer, Dr J.W. Daniel, had informed the Board that in addition to the four official deliveries to Lodge of the Grand Design, No. 6077 (Surrey); Worcestershire Installed Masters’ Lodge, No. 6889 (Worcestershire); Old Elizabethans’ Lodge, No. 8235 (East Lancashire); and The London Grand Rank Association, the Lecture was also delivered on seven other occasions throughout the Constitution. The Board expressed its thanks to Bro Daniel for the considerable time and effort he has spent in this connection.
(II) 2018 A Good Workman Praises his Tools: Masonic Metaphors in the Ancient World
The Prestonian Lecturer for 2018 is C.P. Noon. Four official Prestonian Lectures for 2018 have been or will be given under the auspices of: Stuart Lodge, No. 540 (Bedfordshire);
Durham Lodge of Installed Masters, No. 4441 (Durham); Derbyshire Lodge of Installed Masters, No. 8509 (Derbyshire); and Berkshire Lodge of Enlightenment, No. 9946 (Berkshire).
The Board had submitted a nomination to the Trustees of the Prestonian Fund and they had appointed Michael Karn as Prestonian Lecturer for 2019. Bro Karn stated that the title of his Lecture will be English Freemasonry during the Great War.
Arrangements for the delivery of the Lectures to selected Lodges will be considered by the Board in November and applications are now invited from Lodges. Applications should be made to the Grand Secretary, through Metropolitan, Provincial or District Grand Secretaries.
The Board desired to emphasise the importance of these Lectures, the only ones held under the authority of the Grand Lodge. It was, therefore, hoped that applications for the privilege of having one of these official Lectures would be made only by Lodges which are prepared to afford facilities for all Freemasons in their area, as well as their own members, to participate and thus ensure an attendance worthy of the occasion.
Grand Lodge of Albania
The Board reported to the Grand Lodge in March that the conduct of the Grand Lodge of Albania, in particular in relation to Kosovo, was giving rise to disharmony with other European Grand Lodges, and recommended that the Grand Lodge suspend relations with the Grand Lodge of Albania. The suspension of relations appears to have had little or no effect on the conduct of that Grand Lodge, and the Board therefore considered that it had no alternative but to recommend that recognition be withdrawn from the Grand Lodge of Albania.
A Resolution to this effect was approved.
Erasure of lodges
The Board had received a report that sixteen Lodges had closed and had surrendered their Warrants. The Lodges are: First Lodge of Light, No. 468 (Warwickshire); Ryburn Lodge, No. 1283 (Yorkshire, West Riding); Captain Coram Lodge, No. 2737 (London); West Cheshire Lodge, No. 2977 (Cheshire); Lodge of Israel, No. 3170 (KwaZulu-Natal); Home County Lodge, No. 3451 (Surrey); St Ann’s Lodge, No. 3691 (London); Sincerity Lodge, No. 4424 (North Wales); St John’s Lodge, No. 4779 (Yorkshire, West Riding); Federation Lodge, No. 4807 (Warwickshire); Constancy Lodge, No. 6359 (Yorkshire, West Riding); Onward Lodge, No. 6528 (Cheshire); West London and Electric Lodge, No. 7404 (Middlesex); Frizington Lodge, No. 8082 (Cumberland and Westmorland); Concord Lodge of Monmouthshire Provincial Grand Stewards, No. 9010 (Monmouthshire) and Humanitas Lodge, No. 9261 (Middlesex).
A recommendation that they be erased was approved.
Grand Lodge accounts for 2017
The Audited Accounts of Grand Lodge for the year ended 31 December 2017 were approved.
Election of Grand Lodge auditors
The re-election of Crowe Clarke Whitehill LLP, as Auditors of Grand Lodge was approved.
The Library and Museum of Freemasonry
Grand Lodge received a talk by Dr Vicky Carroll, Director of The Library and Museum of Freemasonry.
List of new lodges
List of new lodges for which warrants had been granted by showing the dates from which their warrents became effective
26 April 2018
9962 Sewa Lodge Sierra Leone and The Gambia
9963 Phoenix Lodge Yorkshire, North and East Ridings
9964 Artemis Lodge Sussex
A Quarterly Communication of Grand Lodge will be held at noon on Wednesday, 12 September 2018. Subsequent Communications will be held on 12 December 2018, 13 March 2019, 12 June 2019 and 11 September 2019.
The Annual Investiture of Grand Officers takes place on 24 April 2019, and admission is by ticket only. A few tickets are allocated by ballot after provision has been made for those automatically entitled to attend. Full details were given in the Paper of Business for December Grand Lodge.
Supreme Grand Chapter
Convocations of Supreme Grand Chapter will be held on 14 November 2018, 25 April 2019 and 13 November 2019.
When John Hamill joined Grand Lodge as a librarian in 1971, he had no idea that he would go on to create a communications department, driving a policy of openness that has shaped modern Freemasonry
Can you remember a life before Grand Lodge?
I went off to university to read history and then went into librarianship before very quickly realising that the public library service was not what it used to be. At that time, if you had any sort of ambition, you went into administration, which is the last thing I wanted to do. Fortunately, when I was just about to start my postgraduate training, I saw an advert for a job at Grand Lodge. I came down and was interviewed, and despite the fact that I wasn’t going to be available for another nine months, they decided to appoint me.
That was in 1971, and I thought that I would probably have an interest for five or six years before moving off to some other sort of research library. But the interest never flagged, and I got hooked. Having said that, I thought I would have a quiet, academic life at the Library and Museum. If anybody had told me then about some of the things that I would be involved in over the next 45-odd years, I would have probably ordered the men in white coats.
I was the library assistant when I joined. In those days, we had a much smaller staff in the Library and Museum, but I hadn’t realised at the time that it was a very dynastic set-up. The then-librarian and curator was retiring 15 months after I joined, the assistant librarian would be taking over, and they were looking for somebody who was a potential successor to him. I had a wonderful 12 years where I could just open cupboards and drawers, look at files and read up on subjects. Then, in 1983, my mentor retired and I was appointed as the librarian and curator.
How did your job evolve in the 1980s?
As things began to change in Freemasonry, particularly changing public attitudes and growing interest by the press, we quickly realised that if we were going to better inform the public about Freemasonry, then the Library and Museum needed to have a key role. We opened up to the public in 1985 and held an exhibition in 1986. We went from being a very small group that maybe saw 7,000 or 8,000 visitors a year to managing about 28,000 to 30,000 visitors a year.
We are now regarded as a major cultural asset, as we have been roughly on this same site since 1776 – and there has been a reluctance to throw things out. We have probably got the best continuous archive in the country, and that is a huge resource for people who are interested in the history of ideas, social history and cultural history.
‘I’ve been lucky. As a retiree, I can say now that I have been one of those very fortunate people who has been paid a salary for doing a hobby’
Why did the Library and Museum decide to open up to the public?
The publication of The Brotherhood by Stephen Knight in 1984 was a real watershed moment for us. Up to that point, from the start of the Second World War, we had gradually withdrawn from society and didn’t engage with the media. In a sense, we shot ourselves in the foot; we allowed a mythology to grow, which hadn’t really been an issue before in this country. We had a pretty heavy time in the 1980s and right into the 1990s, when we were oftentimes a general whipping boy for the ills of society.
Because of the fact that I had gone out to communicate on behalf of the library, I suddenly found I was being drawn more into what is now called the Openness Policy, and I was made Grand Lodge spokesman, along with the Grand Secretary, in 1985. My introduction into the world of communication was an interview with John Humphrys, who wanted to interview somebody from Freemasonry on the Today programme. I remember it was at 7:05 in the morning, which is not my best time. I think it was something to do with the police, and I was really pushed into the deep end – there was so much going on at that time.
Does communicating with the press require a different skill set to that of a historian?
Yes and no. I was able to communicate as a result of things that happened to me during my life. I attended choir school, where we were taught how to use the voice and how to get as much out of the voice as possible. When I got involved in communications at Grand Lodge, I started to go out talking. It’s not exactly a skill – you can’t learn it. It’s something that you have inside you and that is brought out. When dealing with the media and being a spokesman, I just regarded it as being another way of telling people what we are doing.
In the late 1990s, we had a change of Grand Secretary, and it was an opportunity to do something that hadn’t been done for a couple of generations, which was to look at how the office was structured. I was doing more and more of what I would now call the communications side, and I didn’t want the Library and Museum to suffer. When I was asked if I would formally set up a communications department I said yes, but added that I couldn’t run the Library and Museum as well.
We advertised for somebody to come in for the position at the Library and Museum, with the title changed to ‘director’. We were fortunate to get Diane Clements, who did a fantastic job establishing the systems as they are now. I set up the communications department and was its director for 10 years from 1999.
By 2008, we had changed Grand Secretary and I was getting a bit stale in the role. Nigel Brown, who came in as Grand Secretary, had some expertise in communications and took it back into the private office, which I was very happy about.
‘The Pro Grand Master said at the end of 2017 that we have rebuilt confidence and pride in masonry at the grass-roots level over the past 30 years. That is a huge transformation’
What came after the communications department?
I think it was realised that I was an asset, so it was determined that I should have a job that would keep me around for when they needed to tap into my brain. In 2008, I became Director of Special Projects. I basically was the corporate memory at Grand Lodge. It is one of those roles that myself and the Deputy Grand Secretary Graham Redman do. We complement each other – there are areas I don’t know much about and he does, and vice versa. I formally dropped off the paid staff at the end of April, and Graham is continuing, but they’re still going to be benefiting from what’s in my brain after I cease formal employment.
As well as getting involved in whatever projects happen to turn up from time to time, I have been running the Grand Chancellor’s office. I had been involved with the External Relations Committee since the late 1980s and have done a lot of travelling abroad. People very kindly invited me over to talk about masonic groups, so I built up a network of contacts. The Grand Chancellor needed a staff member, so they introduced the office of Assistant Grand Chancellor, of which I was the first. Two years ago, I was promoted to Deputy Grand Chancellor, which I will continue to be, although I won’t be in the office.
As you retire, what state do you feel you’ve left Freemasonry in?
One of the most difficult parts of the Openness Policy, from back in its early days in 1984, was firstly persuading members that they could talk about Freemasonry, and secondly giving them the tools to talk about it. We had been quiet for so long, people had lost the habit of talking about it. There was a huge educational process that had to go on within the organisation to say, ‘yes, it is all right to talk about Freemasonry, but make sure you are sending out the right messages.’
I think the dividends of that approach came through last year in the Tercentenary celebrations – local media and local people were very positive about Freemasonry because members were very happy to talk about it. The Pro Grand Master said at the end of 2017 that we have rebuilt confidence and pride in masonry at the grass-roots level over the past 30 years. That is a huge transformation, and it has been fascinating to be involved in the process. Freemasonry has a far more positive future now than in, say, 1999 or 2000. If you’d asked me then, I would have been fairly pessimistic, but the things that have been done since then have really made a difference.
What is your proudest achievement?
As well as being part of the Openness Policy, I’m most proud of transforming the Library and Museum into a charitable trust, combined with working with academia to rebuild our connections there. I’ve been lucky. As a retiree, I can say now that I have been one of those very fortunate people who has been paid a salary for doing a hobby. I’ve had the most extraordinary opportunities to meet people who I couldn’t imagine meeting in other circumstances. I’ve been able to travel. I’ve made some very good friendships around the world. It’s just been fun.
Displaying gavels and a collecting box made from the propeller of a fighter plane, the Library and Museum commemorates the wartime contribution of Ad Astra Lodge’s members
In 1918, the importance of the war in the air led to the creation of the world’s first separate air force, the Royal Air Force. From the outset, Freemasons had been involved in this aspect of the war. Ad Astra Lodge, No. 3808, was formed to bring together members of the Air Inspection Directorate who had come from all over the country to design aeroplanes for the war effort.
The lodge’s gavels and collecting box were made from the propeller of one of its designs, the FE2d two-seat fighter, and the jewel showed a rotary aircraft engine and biplane. All these items are currently on show in the museum. Those who gave their lives as members of the flying services are commemorated by one of the four figures on the Freemasons’ Hall shrine.
When Ad Astra Lodge erased, its massive tracing boards, mounted on aeroplane engine camshafts, were transferred to Royal Air Force Lodge, No. 7335. This lodge, formed for RAF personnel staying in London, was granted the rare privilege of using the RAF Eagle and motto on its jewel.
Events programme launch
The Library and Museum is hosting a new programme of public events. Recent highlights included a talk on James Parkinson, the first person to describe the disease that now bears his name, and a Museums at Night event on the theme of symbols of Freemasonry. Visit the Library and Museum website for details of upcoming events.
Grand Lodge regularly receives special visitors, and none were more welcome than a group of Chelsea Pensioners who were greeted by then-Grand Secretary Willie Shackell and Junior Grand Warden Sir Tony Baldry
On their tour of Freemasons’ Hall, the Chelsea Pensioners were taken around the Grand Temple, saw Winston Churchill’s masonic apron in The Library and Museum of Freemasonry and visited several lodge rooms.
Each was given the latest copy of Freemasonry Today, with some taking the opportunity to have a look around Letchworth’s, the masonic shop within the hall.