Thirty years in the making, a replica of the Ark of the Masonic Covenant is being crafted to serve as a permanent memorial of the Union of the two Grand Lodges. John Hamill explains its history
Sir John Soane (1753-1837) was one of England’s greatest architects. He became a Freemason in 1813 and, after the Union of the two Grand Lodges in 1813, was the first to hold the new office of Grand Superintendent of Works. As such, he was the professional adviser overseeing the maintenance and development of Freemasons’ Hall in London.
The first work he produced for Grand Lodge was what became known as the Ark of the Masonic Covenant. To bring the Union of the Grand Lodges into being, both parties had agreed Articles of Union that laid the foundations of the United Grand Lodge of England. As an important document, it was to be carried into each Quarterly Communication of the Grand Lodge by the Grand Registrar. Soane offered to produce an ‘ark’ to stand in front of the Grand Master’s throne into which the document could be safely placed while the meeting was in progress.
It was an impressive piece of furniture, triangular in shape with an Ionic, Corinthian or Doric column at each corner and surmounted by a dome topped by Soane’s signature lantern. It stood in front of the Grand Master’s throne from 1814 until 1883 when disaster struck. A fire broke out in the old Grand Temple, gutting its interior and destroying the portraits of former Grand Masters, most of the furniture and Soane’s Ark. Much was done to reconstruct the interior of the room and reinstate the paintings and furniture but Soane’s Ark was not replaced.
One of Soane’s 20th-century successors as Grand Superintendent of Works was architect Douglas Burford. He became interested in Soane’s masonic work and did a great deal of research in the archives at Sir John Soane’s Museum in Lincoln’s Inn Fields, London. There he discovered Soane’s original plans for the Ark.
Burford wrote the subject up in a paper for Quatuor Coronati Lodge, No. 2076, and hoped to persuade Grand Lodge to have a replica constructed. It has taken 30 years for that dream to become a reality.
Burford was delighted to learn that, as part of the Tercentenary celebrations, Soane’s Ark was to be reconstructed. He was even more pleased to have an opportunity to travel to York to see the work underway.
The project has been one of cooperation between the Library and Museum of Freemasonry, Sir John Soane’s Museum, the Factum Foundation for Digital Technology in Conservation and master wood carvers Houghtons of York.
The Factum Foundation is an organisation that uses digital technology to accurately record heritage items for conservation purposes, to enable facsimiles to be produced and, as in the case of this project, to reconstruct lost items.
Houghtons of York is an old family firm that uses traditional methods and materials to produce new architectural woodwork or furniture, as well as to restore and reconstruct damaged and lost items. The combined efforts of these two firms have produced a superb and accurate reconstruction of one of the lost treasures of Grand Lodge.
On completion, the new Soane’s Ark will be the centre of an exhibition at Sir John Soane’s Museum opening on 11 October. Under the title Soane’s Ark: Building with Symbols, the exhibition will discuss Soane’s membership of Freemasonry and include other masonic items from his collections.
The Ark will then be transported to the Royal Albert Hall for the great Tercentenary celebration, where it will be dedicated by the Grand Master. Afterwards it will, like the original, take its place in the Grand Temple as a permanent memorial.
Continuing a tradition of excellent craftsmanship from when Freemasons’ Hall was first built, the new washroom area outside the Grand Temple has received a special mention for the tiling
This recognition was given at the 2017 Tylers and Bricklayers Triennial Awards, which were held at Grocers’ Hall on 6th July.
Run by the Worshipful Company of Tylers & Bricklayers, the awards are held every three years to recognise projects within the area bounded by the M25 motorway that demonstrate all-round excellence in brickwork, roof slates and tiling, and wall and floor tiling.
The renovation to the washroom area at Freemasons’ Hall was completed in late 2016, with large format porcelain tiles and feature walls including stone vanity and credenza tops.
The overall winner in the Tiling category was Tottenham Court Road tube station for its Paolozzi mosaics.
Brethen of Valour
Special paving stones outside Freemasons’ Hall pay tribute to English Freemasons awarded the Victoria Cross in World War I
A set of paving stones commemorating the 64 English Freemasons who were awarded the Victoria Cross (VC) during World War I was unveiled outside Freemasons’ Hall on 25 April.
The VC is the highest award for gallantry that can be conferred on a member of the Armed Forces regardless of rank or status – and almost one in six of the 633 VC recipients during the First World War were Freemasons.
Of these, 64 were under UGLE and 43 were under other Grand Lodges in the British Empire. Freemasons’ Hall itself is a memorial to the 3,000-plus English Freemasons who gave their lives in World War I.
The Grand Master, HRH The Duke of Kent, attended the ceremony for the stones’ unveiling and blessing, together with Lord Dannatt, a Deputy Lieutenant for Greater London; the Mayor of Camden; senior officers from the military services; a group of Chelsea Pensioners; and representatives from the VC and George Cross Association as well as some of the regiments in which the VC holders had served. Specially invited were the families of those who were being commemorated.
The event was open to the public, with Great Queen Street and Wild Street closed to traffic. The crowd included representatives from many of the service lodges as well as passers-by.
Music was provided by the Band of the Grenadier Guards and the North London Military Wives Choir. Radio and television presenter Katie Derham narrated the first part of the ceremony, which opened with Chelsea Pensioner Ray Pearson reading an extract from AE Housman’s A Shropshire Lad, followed by the President of the Board of General Purposes, Anthony Wilson, welcoming those attending.
Derham set the scene at the outbreak of war in 1914 with the aid of archive film showing how young men ‘flocked to the flag’ in the expectation that the war would be over by Christmas – and how the reality set in that it was not to be a short war but one that would affect every community in the country.
Simon Dean OBE paid tribute to his grandfather Donald John Dean, who, at the age of 21, was awarded the VC in 1918. Col Brian Lees LVO OBE, chairman of the Rifles, Light Infantry and KOYLI Regimental Association, and Lt Col Matt Baker, Commanding Officer of 1st Battalion, The Rifles, paid tribute to Oliver Watson, who was posthumously awarded a VC in 1918.
The horrors of the war were brought vividly to life by Sebastian Cator, a pupil at Harrow School. He read extracts from the diaries of Major Richard Willis, who had also been a pupil at Harrow, in which he described the carnage resulting from landing his men on W Beach at Gallipoli on 25 April 1915. For his part in that action he was one of the famous ‘six VCs before breakfast’ of the Gallipoli landings.
The Grand Secretary, Brigadier Willie Shackell CBE, gave an exhortation that was followed by the last post, a one-minute silence and reveille. The memorial stones were then unveiled and blessed by the Grand Chaplain, Canon Michael Wilson. The Grand Master and Lord Dannatt then inspected the stones, after which family members and other invited guests had an opportunity to view them before entering Freemasons’ Hall for a reception in the Grand Temple vestibule area.
You can watch highlights of the unveiling of the memorial to Freemasons awarded the Victoria Cross during the Great War here
A special commemorative programme for the ceremony, including portraits and brief details of the 64 brethren of valour, can also be viewed here
Letters to the Editor - NO. 38 SUMMER 2017
We will remember
I wasn’t really sure who to address my comments to regarding the Victoria Cross memorial paving stones unveiling ceremony at Freemasons’ Hall, except Grand Lodge, brethren and friends. Freemasonry stood tall and exemplified what we are about in the unveiling of the wonderful memorial to those gentlemen who were Freemasons, and who paid the final sacrifice. This was a wonderful day for Freemasonry and a day of pride for Freemasons. Thank you for allowing me to be a small part of it.
Lou Myer, Ubique Lodge, No. 1789, London
LETTERS TO THE EDITOR - NO. 39 AUTUMN 2017
Valour and gallantry
Your recent article on the honouring of World War I Victoria Cross recipients was inspiring and fascinating. Brave men indeed! I write to enquire if any similar research has been done on gallantry medals awarded relating to World War II?
A past member, Vivian Hollowday, of my own lodge, Old Worksopian, No. 6963, was awarded the George Cross in January 1941. The George Cross is the highest award that can be made for gallantry ‘not in the face of the enemy’. Viv was the first non-commissioned member of the RAF to receive the extremely high and rare honour. He was the eighth initiate into the lodge in 1958. A convivial and friendly brother, he remained a member until his death in 1977 aged 60. Living in Bedfordshire, I believe he also joined a lodge in that Province.
For good measure, Old Worksopian Lodge at the time also included two recipients of the Military Cross, George Rees and Arnold Slaney.
John Taylor, Old Worksopian Lodge, No. 6963, Worksop, Nottinghamshire
'Rough to Smooth' exhibition will open on Saturday 24th June
Fans of developing artists will be in for a rare treat at Freemasons’ Hall from Saturday 24th June, when a new collection of art will be unveiled to mark the United Grand Lodge of England’s Tercentenary celebrations
As part of the 300th anniversary of English Freemasonry, The Library and Museum of Freemasonry is organising a unique Open Day on Saturday 24th June, of exhibitions, music and architecture. Jacques Viljoen has been appointed Artist in Residence and has created an exhibition of new artworks to celebrate Freemasonry and its continued role and relevance in society today.
‘Rough to Smooth’, which will also feature nine guest artists, presents works inspired by Freemasonry from the past, present and future, and focuses on the symbolism of Freemasons’ Hall, the themes of ceremony and rites of passage and the experiences of Freemasons in World War 1.
Visitors can tour the impressive and ornate Grand Temple, the Library and Museum and the Three Centuries of English Freemasonry exhibition. Informal music performances will also take place throughout the day: the Occasional Strings quartet in the morning, organ recitals around midday and the Art Deco Orchestra in the afternoon.
The exhibition will be open every day from Saturday 24th June until Saturday 1st July, with the exception of Sunday 25th June. Admission is free and Freemasons’ Hall will be open from 10am to 5pm, with last entrance at 4:30pm. The artwork will be displayed in the Vestibules, Processional Corridor and Corridor to the Library and Museum.
The exhibition and residency has been directed by the Director of The Library and Museum of Freemasonry, Diane Clements, who commented: ‘It has been a remarkable experience working with these talented artists and they have produced a defining set of works, which we hope the general public will come and view.’
Make sure you also follow the United Grand Lodge of England’s Facebook, Instagram and Twitter accounts in the build-up to the exhibition, as we unveil the guest artists and take a detailed look at their artwork.
To celebrate their lodge number in 2017 and the Tercentenary of Grand Lodge, the Duke of Portland Lodge No. 2017 held an emergency meeting in the Indian Temple (No. 10) at Freemasons’ Hall on Thursday 25th May 2017
Brethren and their ladies left from Goldsmith Street, Nottingham, by coach in the morning, accompanied by the Provincial Grand Master for Nottinghamshire, RW Bro Philip Marshall and other guests.
On arrival at Great Queen Street, the party, which had been joined by brethren and ladies travelling from other parts of the country, received a guided tour of the Freemasons’ Hall and the Grand Temple.
At the meeting, the Worshipful Master W Bro William Randall, invited W Bro Tim Sisson PPrJGW to take his chair in order to initiate his son George Sisson into the lodge. Bro Edward Sisson, Senior Deacon, then acted as Junior Deacon to guide his brother around the Temple.
Over 900 Knights attend the ceremony at Freemasons’ Hall
Paul Raymond Clement GCT has been installed as The Most Eminent and Supreme Grand Master of The United Religious, Military and Masonic Orders of the Temple and of St John of Jerusalem, Palestine, Rhodes and Malta of England and Wales and its Provinces Overseas – better known as the Knights Templar
The installation was conducted by the out-going Grand Master, Timothy John Lewis GCT, who had served in the role since 2011.
Over 900 Knights attended the Chapter of Great Priory, which was held under the banner of The Preceptory of St. George No. 6 in the Grand Temple of Freemasons’ Hall. Also present were a large number of visiting dignitaries from other Great Priories along with Provincial Priors and Knights of our own constitution from overseas, all of whom were personally welcomed by the new Grand Master.
Paul Clement is also the Grand Supreme Ruler of the Order of the Secret Monitor and a Past Provincial Grand Master of the Mark Degree.
14 September 2016
An address by the RW Deputy Grand Master Jonathan Spence
Brethren, I am delighted to see so many of you here today and I hope you have all had a suitably refreshing summer. I am particularly pleased to see a large number of younger masons amongst us, especially the delegations from the Provinces of Cambridgeshire and Durham, members of the Universities Scheme and especially those of the Apollo University Lodge in Oxford.
Many of you will be aware of the excellent work undertaken by the Membership Focus Group over the last two and a half years. I hope that you are all still referring to the UGLE strategy, which was a significant development resulting from the group’s work.
We have now moved to ensuring the timely implementation of the strategy and the Membership Focus Group has been superseded by the Improvement Delivery Group. This group will, rather like a well- known wood treatment product, “do exactly what it says on the tin”. Its remit is to facilitate the delivery of change throughout the Craft in order to secure a successful future for Freemasonry by meeting the needs of “modern man” while retaining our traditional standards; it is chaired by the Assistant Grand Master, the Third Grand Principal is Deputy Chairman and the membership is drawn from London and all the regional groups of Provinces.
This group will be “bedding in” for the next year, but will be reporting to Grand Lodge at the Quarterly Communication in September 2017. There is a considerable amount of work to do and we wish them all well in their endeavours.
Brethren, the Tercentenary celebrations have already begun and I am very pleased to see the variety and breadth of events that are planned to mark this significant milestone in our history. Events are being planned throughout the English Constitution.
So far well over 100 events are scheduled ranging from Cathedral Services, Race Meetings, and Classic Car Rallies; Family Fun Weekends, supporting Youth Activities, to Dinners and Balls, including “The Grand Ball” which will take place here next September and will see this Grand Temple converted into one of the largest dance floors in LondAs the premier Grand Lodge it is appropriate we also celebrate this achievement with the other Sovereign Grand Lodges around the world, which we will do with the event at the Royal Albert Hall. I very much hope there will be a full cross section of our membership, including Master Masons, from London, Provinces and Districts and elsewhere overseas attending the meeting at the Royal Albert Hall.
As you are all aware 2017 will start with the broadcast in January of the Sky observational documentary. I have been fortunate enough to have been part of the small group that has seen all the programmes and whilst, for confidential reasons, I am unable to say more about their content, I can assure you our privacy has been respected entirely for those matters that ought to remain private for our members.
Brethren, it has become very noticeable that the times in which we live are described with some use of either uncertain or uncertainty, or a variation thereof. Uncertainty is used to describe many aspects of our national life almost as a default mechanism. In many ways our predecessors who were there at the foundation of the Grand Lodge would have felt a certain affinity and seen possible parallels with their own time, although they would probably have used the word turbulent to describe the second decade of the eighteenth century.
In their case the uncertain times included significant change with a new ruling dynasty following the accession of King George I in 1714, a significant rebellion from supporters of the old dynasty defeated in 1715 and an incipient share scandal with the South Sea Bubble gently inflating until the spectacular bust. In those and, indeed , in the intervening uncertain times of the subsequent three hundred years, the principles of the Craft have withstood the test of time and are as relevant today as they were then.
We may now restate them in more modern language as integrity; honesty; fairness; kindness and tolerance, but their essence is unchanged and we should all be justly proud of them and, needless to say, act in accordance with them.
To finish, I will quote King Frederick II, or The Great, of Prussia who said his support of the Craft came from its objectives being, “ the intellectual elevation of men as members of society and making them more virtuous and more charitable”. I do not think that his view can be bettered.
Freemasons’ Hall organ concerts
The next in the series of organ concerts on the newly inaugurated Willis organ in the Grand Temple of Freemasons' Hall is being given by international concert organist, Jane Parker-Smith.
She will be playing works by Elgar, Vierne, Langlais, Cochereau, Bowen and César Franck.
14th December 2016, 5pm
60 Great Queen Street
Book your free tickets now at: http://bit.do/TempleConcert
Jane Parker-Smith biography
Described as ‘the Martha Argerich of the organ’ (Paul Driver, The Sunday Times), Jane Parker-Smith is internationally recognised by the critics and public alike for her musicianship, virtuosity, entertaining programmes and electrifying performances. An innate interpretative ability, prodigious technique and flair for tonal colour are the hallmarks that make Jane Parker-Smith one of the most sought-after organists in the world.
Her studies at the Royal College of Music in London were crowned with a number of prizes and scholarships, including the Walford Davies Prize for organ performance. After a further period of work with the eminent concert organist Nicolas Kynaston, a French government scholarship enabled her to complete her studies in Paris with the legendary blind organist Jean Langlais, perfecting the knowledge and understanding of twentieth-century French organ music for which she is today internationally renowned.
She made her London debut at Westminster Cathedral at the age of twenty, and two years later made her first solo appearance at the BBC Promenade Concerts in the Royal Albert Hall. She has since performed in concert halls, cathedrals and churches throughout the world.
She has recorded a wide range of solo repertoire for RCA, Classics for Pleasure, L’Oiseau Lyre, EMI, ASV, Collins Classics, Motette and AVIE. In addition, she has collaborated with the renowned Maurice André in a duo recording of music for trumpet and organ. She has performed numerous times on radio and television with special feature programmes on the BBC, German and Swiss television.
Highlights in her concert career have been performances in major venues and international festivals such as Westminster Cathedral, Westminster Abbey, St Paul’s Cathedral, Royal Festival Hall; Royal Albert Hall, London (both solo and concerto performances); Three Choirs Festival, City of London Festival, Bath Festival and Blenheim Palace (Winston Churchill Memorial Concert) in the UK; Jyväskylä Festival, Finland; Stockholm Concert Hall, Sweden; Hong Kong Arts Festival; Roy Thomson Hall, Toronto, Canada; Festival Paris Quartier D’Été, France; Festival Cicio El Organo en la Iglesia, Buenos Aires, Argentina; Festival Internationale di Musica Organistica Magadino, Switzerland; Cube Concert Hall, Shiroishi, Japan; Athens Organ Festival, Greece; Severance Hall, Cleveland, Davies Symphony Hall, San Francisco and Walt Disney Concert Hall, Los Angeles, USA; Sejong Cultural Centre, Seoul, Korea; Esplanade Concert Hall, Singapore, Symphony Hall, Birmingham, UK; Mariinsky Concert Hall, St. Petersburg, Russia and ZK Matthews Hall, University of South Africa, Pretoria.
In 1996 she gave four solo concerts at the American Guild of Organists National Centennial Convention in New York City. She was also a featured artist for the AGO National Convention in Philadelphia in 2002, for the AGO Region II Convention in New York City and the AGO Region V Convention in Columbus, Ohio in 2007, for the AGO National Convention in Nashville in 2012 and most recently for the AGO Regional Convention in Fort Worth, Texas in 2015.
Jane Parker-Smith’s extensive concerto repertoire has brought her performances with many leading orchestras, including the BBC Symphony and the BBC Concert Orchestras, the London Symphony, the London Philharmonic and Royal Philharmonic Orchestras, the Philharmonia, the City of Birmingham Symphony, the Royal Stockholm Philharmonic, the Athens State Orchestra and the Prague Chamber Orchestra. She has worked with conductors of the stature of Sir Simon Rattle, Serge Baudo, Carl Davis, Vernon Handley, Matthias Bamert and Richard Hickox.
Miss Parker-Smith is an Honorary Fellow of the Guild of Musicians and Singers and a member of the Incorporated Society of Musicians. She is listed in the World Who’s Who and the International Who’s Who in Music and in 2014 was chosen as one of ‘The 1000 Most Influential Londoners’ by the London Evening Standard newspaper.
Refurbished Grand Temple pipe organ wins silver industry award
Hayles and Howe are very proud to be able to showcase and highlight their involvement in the installation of a new organ case in the Grand Temple of the Grade II * listed Art Deco, Freemasons' Hall in London
'The organ case takes pride of place and is very well executed,' said the judges. 'One might suggest the enriched mouldings – made of composite resin – is not a plastering award entry, but the skills used in taking copies of existing enrichments and adapting them to make new ones certainly are plastering skills.'
The commission was to create a new organ case in composite resin replicating the detailed enrichments of the two original organ cases situated on the side walls of the temple. The new organ casing though wider and projecting further forward than the originals successfully fulfilled this brief creating a focal point in the Grand Temple.
The Hayles and Howe team took great care in taking over 12 thixotropic moulds from the enrichments on one of the original organ cases. The Bristol workshop replicated the detailing in plaster, remodeling ornament to create master moulds prior to casting all the required positives in composite resin.
The Hayles and Howe project manager and site foreman liaised closely with Laurence Beckford, Carver, Howard Bros Joiners and Adam Architecture to ensure the project was completed on time and within budget.
Charles Grace, the client’s representative said: 'We are very glad to have had the expertise of Hayles and Howe on this important project. I have been most impressed with the skill these craftsmen showed in taking moulds of very intricate and delicate decorations, and we are all delighted with the end result.'
Henry Willis and Sons built the original organ casings in 1933. The new section supplements and greatly improves the sound of the refurbished main organ, thanks to the skills of the organ builders, Harrison and Harrison of Durham.
Notice of the silver award was given in the Magazine of the Finishes and Interiors Sector
Striking the right chord
Freemasonry Today caught up with renowned musician Thomas Trotter as he practised on the Grand Temple’s newly refurbished pipe organ for its inaugural concert
The pipes of the Grand Temple organ positively gleam as Thomas Trotter runs through the programme for a special concert to be held in the Temple the next day. The organ’s restoration has used enough gold leaf to cover the surface of a tennis court and introduced a new organ chamber in the centre of the Temple’s east wall. As he practises, Trotter’s hands dance over the three manuals while his feet expertly work the pedals beneath to create an epic sound from Bach’s Toccata in F.
The concert will not only be the culmination of the organ’s refurbishment but also the first of many celebratory events linked to the 2017 Tercentenary. One of Britain’s most widely admired musicians, Trotter is looking forward to playing to a full house: ‘The Grand Temple is a unique space, it’s incredibly plush and sumptuous. The carpets dampen the sound quite a lot so I’m going to have to work hard.’
A grand history
The organ was built by Freemason Henry Willis III for the inauguration of the Grand Temple in 1933.
It included numerous state-of-the-art developments that Willis had adopted following visits to the US, many of which were designed to help the instrument cope with its setting: a modern, efficiently heated building. Some 80 years of accumulated wear, however, threatened to irreparably damage the tonal accuracy of its pipes.
Thanks to funding from the Supreme Grand Chapter’s reserves, organ builders Harrison & Harrison of Durham have been able to restore the instrument to its former glory, retaining its console, mechanism and pipework. The projection and presence of the sound has been markedly improved by giving a greater degree of opening to the expressive swell enclosures, within which much of the pipework is situated, and also by removing heavy fabric hangings from the east wall.
‘The curtaining would have soaked up the sound like a sponge. Now with the marble walls exposed, the sound is reflected off into the hall. It’s like having your windows cleaned – before it would have been a bit musty and unfocused,’ says Trotter. ‘I’m thrilled that people are still spending money on their instruments and buying new ones. There are far fewer organ builders than there were 50 years ago, but the standard is as high as it’s ever been.’
‘All the comments I have received show that the audience really liked being able to see Thomas’s remarkable dexterity, as well as hear the beauty of his playing.’ Charles Grace
Past in tune with present
The refurbishment has seen the addition of a new case on the east wall, clad to match the original design. It contains a chorus of five stops, balanced to augment rather than dominate the Willis sound, and a solo stop for special occasions – the Grand Tuba. ‘In the recital I’m going to use some of the old pipes and compare it with the new stops, which have made a big difference and are quite striking.’
The Grand Temple is in good company, with the organs at Westminster Cathedral and Liverpool Cathedral also built by Henry Willis III. ‘Every organ is different, but there are certain characteristics that follow through all the Henry Willis III organs and I can hear them here,’ says Trotter. ‘There’s a certain brightness about some of the stops that are representative of what Willis was doing in the 1930s.’
As the audience take their seats in the Grand Temple the next day, there is an almost palpable sense of expectation about how the organ will sound. With Trotter hidden behind the organ, a camera positioned behind his shoulder will stream his performance onto the wall of the Temple for the audience to see. He does not disappoint.
‘I was very pleased with the way the concert was received,’ says Charles Grace, Project Manager for the Grand Temple organ restoration. ‘All the comments I have received show that the audience really liked being able to see Thomas’s remarkable dexterity, as well as hear the beauty of his playing.’
In addition to performing pieces by Bach and masonic composers Mozart and Liszt, Trotter plays Reginald Goss-Custard’s Chelsea Fayre. It’s a fitting nod to the instrument’s proud history, with Goss-Custard’s brother Harry the recitalist at the opening of the Temple organ in 1933.
Thomas Trotter has performed as a soloist with conductors Sir Simon Rattle, Bernard Haitink and the late Sir Charles Mackerras, among many others. He regularly gives recitals in venues such as the Berlin Philharmonie; Leipzig’s Gewandhaus; the Concertgebouw in Amsterdam; the Musikverein and the Konzerthaus in Vienna; and London’s Royal Festival and Royal Albert Halls. In 2012 he was named International Performer of the Year by the New York Chapter of the American Guild of Organists.
Letters to the Editor - No. 33 Spring 2016
Among your readers there may be many who enjoyed the inaugural organ concert given by Thomas Trotter last September.
This year, again as part of the UGLE Tercentenary celebrations, there will be two further hour-long concerts.
The first will take place at 5pm on Wednesday, 8 June, featuring Ian Tracey, organist at Liverpool Cathedral, in a wide-ranging programme.
As before, you will be able to see what the organist is doing, with a filmed display on the walls of the Grand Temple. Tickets (for which there is no charge) can be booked at https://goo.gl/zHW67w, and I do hope that many will take advantage of what should be another great occasion.
Charles Grace, Project Manager for the Grand Temple Organ, Freemasons’ Hall, London