By Morwenna Brett
Editor, StopPress, the RCO’s online magazine for organists and choral directors
Even in a big city like London, it can be difficult to find organ practice facilities, particularly if you are trying to fit organ practice around the day job. The United Grand Lodge of England have recently restored and enlarged the 1933 Henry Willis organ in the Grand Temple at Freemasons' Hall, and also installed a new three-manual and pedal Viscount Classic digital organ in one of their meeting rooms there. They are generously offering practice time on these organs free of charge to RCO Members.
Freemasons' Hall is in Great Queen Street, WC2, and is well-staffed – so you can book your practice from 7am in the morning if you like, or up to 9pm in the evening, subject to availability.
I booked a session on both organs. The Willis is a joy to play, though it took some getting used to, after my small, bright, mechanical action parish machine. Plenty of warm 8' options all round as you would expect, with a pretty Cor de Nuit and Sylvestrina on the Choir. The reeds are mellow, and blend rather than stick out – apart from the 8' Grand Tuba (with its own blower in the basement) which would awaken the dead. The Crescendo pedal will take you by surprise if you confuse it with the Swell – Choir and Swell are both enclosed (though as with many English instruments, the action only really happens on the top third of pedal travel), and there is an abundance of couplers and accessories to explore.
I began with playing Bach, and of course it lacked the snap and sparkle that we have come to expect from modern organs. But try repertoire contemporary with the instrument and all makes sense. After years of trying to coax Stanford and Parry out of my own church instrument, suddenly I was doing their music justice: cruising over the keyboards in an easy legato, with loads of appropriate registration possibilities.
Freemasons' Hall is one of the finest Art Deco buildings in London, and the Willis fits the solemn and opulent surroundings – note that the gilded case above your head is new, designed for the Grade 2* listed interior by Harrison & Harrison when they enlarged the instrument in 2015.
There are regular public tours of the Grand Temple, so organists are asked to play quietly while these are on. If you want no disturbance, then book the 2017 three-manual Viscount Regent Classic which has everything you might need for a peaceful practice session.
It’s in a meeting room, but don’t be fooled – this is a large space (and the instrument is voiced accordingly), and it's warm and comfortable too! Just watch the roll top as it comes back down with a snap that could end your organ-playing career if you’re not careful.
13 March 2019
A talk by RW Bro John Pagella, Grand Superintendent of Works
Most Worshipful Pro Grand Master and Brethren
If you want to understand the responsibilities which you have as a Grand Lodge Officer you can do one of two things. Consult the Book of Constitutions, or speak to Graham Redman.
Rule 35 states – ‘The Grand Superintendent of Works shall advise the Board of General Purposes when required on any matter in connection with the building and the works. He shall furnish reports on the state of repair of the properties of the Grand Lodge when required’.
When I asked Graham if this meant that I simply had to submit periodic reports on necessary works we intended to carry out to keep this building in repair his reply was to the effect that ‘well - you may find that in practice it is rather more than that’
He was right.
I will start with Freemasons’ Hall.
You are surrounded in the Grand Temple by the centrepiece of one of this country’s foremost art deco buildings with a heritage value sustained by the fact that it remains today in use for the purpose for which it was originally designed and built. We are in the middle of a Conservation Area, and the building itself is Listed Grade 11*. What this means in practice is that anything which we do which affects the exterior of the building requires planning permission, and anything other than very minor like for like repairs to both the interior and the exterior must be notified to, and approved by, the Conservation Officer.
Planning Officers have to work within National Planning Policy Guidelines, and they are required to implement Local Plan Policies. Conservation Officers on the other hand have responsibility for protecting the heritage value of buildings of architectural and historic interest which, by their nature, are individual. They have wide ranging powers, which frequently involve subjective judgements which, even with professional advice, can be hard to predict.
Carrying out work to a listed building which requires, but does not have, Listed Building consent is a criminal offence. As I have no wish to return to address Grand Lodge on my experience as Grand Superintendent of Works after 12 months in Ford Prison I treat the need for works in this building to be approved by the Conservation Officer with the utmost care and respect.
Late and unexpected interventions by the Conservation Officer can be a very real problem, as we discovered when we renewed the West Door steps. To avoid this in the future we are at an early stage in negotiations with the Conservation Officer and Historic England for an HPA, a Heritage Partnership Agreement, which will give pre-approval in principle to specified works which we are likely to carry out, often repeatedly. Examples range from future phases of repairs to the building’s steel frame ( Regents Street Disease ), through work to repair and refurbish the many original toilets in the building ( not very glamorous, but nevertheless necessary ) down to the specification of the paint to be used when redecorating some of the more elaborately embellished Lodge Rooms.
HPAs are complex, time consuming, and costly, but the prize is securing for UGLE ownership and control of the timing and phasing of major works of repair which we need to carry out.
Keeping a building in repair can require reacting to the unexpected, but for the most part it can be anticipated through planned property maintenance. We are working to a ten-year time horizon in implementing recommended works within this building so that, for example, phased repairs to deal with RSD will include routine maintenance and general repairs within the same area. As far as possible once we have access to any hard to reach area within this building, or for that matter any area, our aim is to complete all necessary work properly and to a high standard so that an early return is not needed.
I have concentrated up to this point on repair, but the more interesting challenge is working to deliver changes to the way in which Freemasonry needs to use Freemasons’ Hall to support the vision of the Craft’s place in society today which the Grand Secretary outlined at the Quarterly Communication in December.
Freemasons’ Hall is and will remain a Masonic building, but our needs are changing. Many of you will know from personal experience that most of the Lodge Rooms here in Freemasons’ Hall, with the notable exception of Lodge Room No 10, were designed to accommodate meetings with an attendance of between 70 and 80. Today average attendance is in the mid 20s.
We cannot subdivide Lodge Rooms in response to this. Their scale and proportions were an important element within the original design of the building, and we know that any attempt to change this would meet with strong opposition from the Conservation Officer.
We can, however, adapt space to form smaller Lodge Rooms from accommodation in the building designed for other uses. Examples of where this has been achieved are the conversion of two committee rooms on the Sussex Corridor to provide two Chapter Rooms, and the three Lodge Rooms created on the third floor in what was originally two caretaker’s flats.
While these changes take place we are also looking at how this building can play its part in encouraging a wider understanding of Freemasonry in society. This means improving public access, both generally and through supporting outside hire events. Both encourage improved awareness, while providing the opportunity for education through community engagement.
Improving public access, while at the same time meeting the continuing needs of UGLE as well as those of MetGL, the Library & Museum and the Masonic Charitable Foundation is far from straightforward, and we always have to keep in mind that our ideas and ambitions may not always meet with approval from the Conservation Officer if work is involved requiring Listed Building Consent.
I don’t want to overstate the problem. There are projects which receive immediate support, at least in principle.
Freemasons’ Hall, like many public buildings, fails to provide enough female toilets. The building was designed to provide toilets for the convenience of members, and the paid employees of Grand Lodge were thought unlikely to include women. How the world has changed.
We have legal obligations to provide facilities for both men and women who work in the building, and if we are serious in wanting to host events such as Letters Live and London Fashion Week we must provide facilities which are as good, if not better, than competing venues. The unisex toilets off the vestibule and those on the floor below meet this need, and as we approach the refurbishment of the Gallery Suite to improve the facilities available for Masonic use and outside hire in what was Lodge Room 1 and its ante room, we will be restoring to their original use nearby toilets on the lower ground floor. These will, however, be designed with flexible male / female use use in mind.
As I and others on the Hall Committee oversee these projects I do so in the knowledge that my responsibilities as Grand Superintendent of Works do not end at the front door.
From the very early years of Freemasonry, Grand Lodge has owned a number of buildings in Great Queen Street. These include the Grand Connaught Rooms and the Sway nightclub, together with most of the buildings opposite on the north side of Great Queen Street. They are in the same Conservation Area as Freemasons’ Hall, and many of them are listed, including several which are Grade 11 *.
A diverse property portfolio such as this is by its nature management intensive, and just over 10 years ago the Board of General Purposes received a report from the then Grand Superintendent of Works John Edgcumbe drawing attention to the possibility of selling the properties to reinvest in a modern, well let commercial property which might provide better growth prospects without the need for continuous oversight, and periodic investment in refurbishment and repair.
Mindful of the importance which heritage has to Freemasonry, and the fact that ownership provides control over the setting of Freemasons’ Hall, the decision was taken by the Board that the buildings should be retained.
Maximising value by improving tenant mix, and income quality, while refurbishing and modernising the properties where necessary, became a long-term objective of the Property Investment Committee chaired by the Grand Treasurer, Quentin Humberstone. As well as being Grand Superintendent of Works I am a Chartered Surveyor with practical experience of property investment and asset management, and the valuation of commercial properties. With this background I should perhaps have expected that my work would extend beyond looking after Freemasons’ Hall to include contributing to the work of the Property Investment Committee.
Pausing at this point it is perhaps worth drawing attention to the fact that the Property Investment Committee’s investment objectives have served Grand Lodge well.
The accounts of Grand Lodge are not exactly bedtime reading, but in 2006 the north side of Great Queen Street had a book value in the region of £14.5m. By 2011 an external independent valuation confirmed that the value of the whole portfolio including the Grand Connaught Rooms, and with the benefit of investment in the refurbishment of several of the properties, had risen to £31.1m, and as at 31st December 2017 the figure in the UGLE accounts was just over £56.5m. You must wait for publication of the 2018 accounts for the corresponding value as at December last year, but I can reveal that a further increase in value will be reported.
Given the long-term commitment of Grand Lodge to holding this portfolio improvements in capital value, while reassuring, are perhaps less important than rental income. This is currently just over £2.5m pa. which contributes to the investment income which is available for Grand Lodge to maintain, repair and improve Freemasons’ Hall without making a call on individual members’ Grand Lodge dues.
Masonic ownership of land and building extends well beyond Great Queen Street to the many Masonic Halls and Centres throughout the country. These are the responsibility of their owners. Whilst Freemasonry is a Craft, running and managing Masonic Halls and Centres is a business. Over the years there have been many successes, but occasionally things have gone wrong, and the accompanying adverse publicity compromises years of hard work in promoting the reputation of Freemasonry for the better.
We have within our membership valuable knowledge and experience of how to manage a Masonic Hall and Centre in a way which is both sustainable, and financially viable. What we did not have until recently was a reference resource which brought together in one place experience and best practice. This gap was recognised by the Membership Focus Group in 2015 which set up a Masonic Halls Working Group tasked with creating a Guidance Manual to share knowledge of best practise.
Unlike the Book of Constitutions compliance with the Guidance Manual is not mandatory, although ignoring advice inevitably leaves room for criticism if things go wrong.
As Grand Superintendent of Works I am now responsible for issuing updates to the Masonic Halls Best Practise Guidance Manual. Working with a Steering Group we issue periodic updates – best practise is not static. It evolves in the light of new legislation, and widened experience. We hold annual seminars here at Freemasons’ Hall as a way of making sure that Provincial Grand Superintendent of Works and those looking after Masonic Halls and Centres can contribute their knowledge and experience to the Guidance Manual and its advice.
As Grand Superintendent of Works here at Grand Lodge I am as much a user of the Guidance Manual as my counterparts in MetGL and across the Provinces.
As you can see Graham Redman was correct when he explained to me that I would be spending my time doing rather more than simply submiting periodic reports to the Board of General Purposes on the condition of this building.
International concert organist Henry Fairs will be performing the first organ concert of 2019 at Freemasons’ Hall on Wednesday 12th June 2019, 6:15pm
Henry will be playing the splendid refurbished 1933 Willis III organ in the Grand Temple during an hour long performance.
Alongside his recital career, Henry Fairs combines positions at the Royal Birmingham Conservatoire, universities of Birmingham and St Andrews and the University of Music and Theatre Leipzig in Germany, and has won numerous prizes in international organ competitions.
The Organ Concert is free to attend, with doors opening one hour beforehand – to book your ticket, please click here.
The Organ Committee’s invitation to the Royal College of Organists (RCO) for their pupils to practice on the Grand Temple and Temple 10 organs has resulted in its first pupil, Camilla Allison, venturing to Freemasons’ Hall to take advantage of the offer
Camilla arrived to practice for her Colleague of the Royal College of Organists (CRCO) exam and, after a session on the Temple 10 organ, said: ‘I had a wonderful time and greatly appreciate the opportunity of the good acoustic, firm springs of the pedal-board and the three manuals of the instrument.’
Camilla is expected to be the first of many RCO pupils to visit Freemasons’ Hall and use the organs.
The Organ Committee expressed its gratitude to The Grand Stewards' Lodge for donating the new organ in Temple 10 as their contribution to the Tercentenary celebrations last year.
The heart of the hall
With 11 November 2018 marking the 100th anniversary of Armistice Day, the Library and Museum of Freemasonry looks at how a record of the masons who gave their lives in the First World War came to be immortalised in bronze and stained glass
Walking up the grand staircase in Freemasons’ Hall on Great Queen Street, you may have noticed a casket sitting beneath a stained-glass window. It contains the Roll of Honour for the masonic dead of the First World War and, in the area known as the ‘Shrine’, sits at the heart of this art deco landmark that began life as the Masonic Peace Memorial.
First considered in a meeting of Grand Lodge on 2 December 1914, the Roll of Honour was described a year later by Sir Alfred Robbins as ‘a permanent memorial of active patriotism displayed by Freemasonry in the momentous struggle still proceeding’. The Roll of Honour would give the names of brethren of all ranks who had laid down their lives in the service of their country, based on returns made by lodge secretaries.
On 27 June 1919, an Especial meeting of Grand Lodge was held at the Royal Albert Hall to celebrate the peace. A message was read from the Grand Master, HRH The Duke of Connaught, in which he appealed for funds,
to create a perpetual Memorial of its [i.e. the Craft’s] gratitude to Almighty God…[to] render fitting honour to the many Brethren who fell during the War. I desire that the question of the Memorial be taken into early consideration… The great and continued growth of Freemasonry amongst us demands a central home; and I wish it to be considered whether the question of erecting that home in this Metropolis of the Empire, dedicated to the Most High, … would not be the most fitting Memorial.
Following an international architectural competition in which 110 schemes were submitted to a jury chaired by Sir Edward Lutyens, a design by HV Ashley and F Winton Newman was chosen and building work began in 1927. The new Masonic Peace Memorial was dedicated on 19 July 1933, with the theme of the memorial window in the vestibule area outside the Grand Temple being the attainment of peace through sacrifice. Its main feature is the figure of peace holding a model of the tower facade of the building itself. The lower panels depict fighting men from ancient and modern times, civilians and pilgrims ascending a winding staircase towards the angel of peace.
SHRINE TO THE FALLEN
Five years later in June 1938, the Building Committee, in its final report, announced that it had given instructions for a Memorial Shrine and Roll of Honour to be placed under the Memorial Window. At the Grand Lodge meeting on 5 June 1940, by which time the country was again at war, it announced that the work had been completed.
The Memorial Shrine was created in bronze by Walter Gilbert (1871-1946). Its design and ornamentation incorporated symbols connected with the theme of peace and the attainment of eternal life. It takes the form of a bronze casket resting on an ark among reeds, the boat indicative of a journey that had come to an end. In the centre of the front panel a relief shows the hand of God set in a circle in which rests the soul of man. At the four corners of the Shrine stand pairs of winged seraphim carrying golden trumpets, and across the front are four gilded figures portraying Moses, Joshua, Solomon and St George.
The Roll of Honour is guarded by kneeling figures representing the four fighting services at the time it was designed (the Royal Navy, the Royal Marines, the Army and the Royal Flying Corps). On either side of the Shrine are the bronze Pillars of Light decorated with wheat (for resurrection), lotus (for the waters of life) and irises (for eternal life) with four panels of oak leaves at their base. The Roll of Honour displayed at the Shrine on a parchment roll includes more than 350 names not included in the Roll of Honour book and additional lodge details for about 30 names already known.
The Library and Museum of Freemasonry provides regular guided tours of Freemasons’ Hall, offering visitors the chance to see first-hand the beautiful craftsmanship of the Roll of Honour and the Shrine.
On 10th November 2018, in a full Grand Temple at Freemasons’ Hall, Victoria Rifles Lodge No. 822 hosted an event to mark the Centenary of the Armistice
Victoria Rifles Lodge, based in London, is one of the 37 Circuit of Service Lodges which exist to promote comradeship and fraternal contact between military masons. Given the sacrifice of so many of members in the First World War it’s appropriate that such a Lodge should have hosted the Armistice Centenary Meeting.
The lodge’s streamlined Installation meeting, and subsequent theatrical presentation, was conducted in the presence of the Pro Grand Master Peter Lowndes. The Past Metropolitan Grand Master Russell Race and six Provincial Grand Masters were also in attendance.
The Pro Grand Master was escorted into the temple, accompanied by a banner procession featuring all the Circuit of Service Lodges. The banners and banner men filed either side of a Vickers machine gun, placed on a raised platform in the centre of the hall, manned by four Silent Sentinels, symbolising the moment ‘the guns fell silent’.
The Worshipful Master, Capt James Milne, extended a warm welcome to all present and was proclaimed as Worshipful Master of the lodge for a further year. Before the lodge was closed its members voted to donate £9,000 to the Royal Hospital Chelsea Scarlets Appeal and a further £9,000 to Veteran’s Outreach Support.
The Armistice Commemoration Event then began with the entrance of seven Chelsea Pensioners to the tune of ‘The Boys of the Old Brigade’.
The Lodge Director of Ceremonies, Jamie Ingham Clark, then asked all those present wearing Hall Stone Jewels on behalf of their lodges to rise. With over 500 members standing, he then presented the Worshipful Master with the lodge’s jewel, his address epitomising the whole occasion.
He said: ‘I now have pleasure in investing you with the Hall Stone Jewel, which was presented to this Lodge by the MW the Grand Master in recognition of our contribution towards what was then called the Masonic Peace Memorial, the building we are now in.
‘The medal is suspended by the Square and Compasses, attached to a ribband, the whole thus symbolising the Craft's gift of a Temple in memory of those brethren who gave all, for King and Country, Peace and Victory, Liberty and Brotherhood.’
Actor and guest speaker Simon Callow CBE then commenced with the ‘Sound and Light show’ with readings of renowned war poetry and letters sent between a mother and a son fighting on the Western Front.
The members were then subjected to a sound and light show, with the Vickers gun at its epicentre, resembling an artillery bombardment. The barrage increased in noise and intensity becoming a completely immersive 360-degree experience. A flash and bang emanated from the gun, signalling an eerie silence and from the ceiling of the Grand Temple, a cascade of poppy petals floated gently from above.
Following the formal Act of Remembrance including The Last Post, Two Minute Silence, Reveille and Dedication, the Circuit Banners fell in and after the bugle call of ‘Men to Meal’ there was a recession in silence led by the Silent Sentinels. As the members filed out, they were each invited to place a poppy next to the machine gun as a personal tribute to the fallen. This remarkable meeting further consolidated the powerful bond that exists between English Freemasonry and Her Majesty’s Armed Forces. Lest we Forget.
On the following day, Remembrance Sunday, over 40 members of Circuit of Service Lodges participated in the official ‘March Past’ at the Cenotaph in Central London, each wearing armbands that attested to their membership.
Queen Victoria’s Rifles served with distinction in the First World War as the 9th (County of London) Battalion, London Regiment (Queen Victoria's Rifles). Its two active Battalions were awarded 27 Battle Honours.
Officers and Men were awarded: 1 Victoria Cross, (Lt Woolley was the first soldier or officer of the Territorial Force to be so awarded). 7 Distinguished Service Orders, 40 Military Crosses, 18 Distinguished Service Medals and 141 Military Medals. Of two Battalions with an average strength of some 700 all ranks each: Queen Victoria’s Rifles lost, Killed or Missing in Action, 170 Officers and 1,395 Warrant Officers, Non-Commissioned Officers and Riflemen.
Freemasons’ Hall will host its second free Organ Concert of the year when renowned organist Darius Battiwalla performs in the Grand Temple on Wednesday 14th November 2018, starting at 6:15pm
Darius will be playing the 1933 Willis III organ, featuring works by Lemare, Scott, Beethoven, Hollins and Bach and others.
Darius has given recitals at a number of cathedrals and concert halls across the country including Westminster Abbey and is a regular organist for the BBC Philharmonic Orchestra. He has been the music director of the Sheffield Philharmonic Chorus since 1997 and teaches organ, continuo and organ improvisation at the Royal Northern College of Music.
The concert is expected to last for an hour and is free to attend, with doors opening one hour beforehand – to book your ticket, please click here.
United Grand Lodge of England has been presented with a new organ in Temple 10 at Freemasons’ Hall, which has been generously donated by The Grand Stewards’ Lodge
The funds for the new organ were raised over a three-year period, through a combination of the generosity of individual members of the lodge and through donations from some of the 19 ‘Red-Apron’ Lodges which nominate Grand Stewards.
A total of £65,000 was raised to pay for the new organ, which was installed in the latter part of 2017 by Viscount Organs and inaugurated at The Grand Stewards’ Lodge installation meeting on 17th January 2018 by the then Grand Organist, Carl Jackson MVO.
The journey started when The Grand Stewards’ Lodge were looking for a suitable project they could support to commemorate the Tercentenary of the first Grand Lodge on 24th June 1717. It was during this time that the organ in Temple 10, roughly 50 years old, stopped working and so it was decided that its replacement would be chosen as the lodge’s project to celebrate the Tercentenary.
The Organ Committee decided that the new instruments specification and layout should mirror the fine renovated Willis III pipe organ in the Grand Temple at Freemasons’ Hall. The organ console is made of oak, stained to match the existing furniture, it has three manuals (Great, Swell and Choir) and a full pedal board, 55 speaking stops and a full set of couplers, together with the same number of thumb and toe pistons as are available on the Grand Temple Organ.
UGLE has established close links with the Royal College of Organists, which was founded by Freemason Richard Limpus in 1864, and now funds the RCO Freemasons’ Prize, as well as providing Freemasons’ Bursaries to cover items such as tuition fees and travelling expenses. As a result, the new organ in Temple 10 will be available to pupils who wish to practise for their exams from September 2018.
Loudly and clearly
As Freemasonry builds on the success of the Tercentenary celebrations, Pro Grand Master Peter Lowndes says there is still much work to be done in promoting its values
We now have the Soane Ark back with us in the Grand Temple. As those of you who were at the Tercentenary celebration at the Royal Albert Hall, or those of you who read Freemasonry Today, will know, the original of this beautiful mahogany piece, the Ark of the Masonic Covenant, was made by Sir John Soane in 1813. It was dedicated at the great celebration marking the union of the Antient and Modern Grand Lodges in 1813, and the Articles of Union were deposited inside.
The Ark was tragically destroyed by fire in 1883, but the United Grand Lodge of England (UGLE) commissioned an exact replica for our Tercentenary, which was dedicated at the Royal Albert Hall in October. Then, as in 1813, we placed a facsimile of the Articles of Union inside it, as well as the three Great Lights.
It was on public display at Sir John Soane’s Museum in Lincoln’s Inn Fields for the months after the Royal Albert Hall celebration, but now it has returned to its intended place in Grand Lodge. Triangular in form, it has at each corner a column of the Ionic, Doric and Corinthian order representing wisdom, strength and beauty, the three great pillars on which our lodges, including this Grand Lodge, are said to stand. I am sure that it will grace our Grand Lodge meetings for centuries to come.
STANDING UP FOR THE CRAFT
We have become only too well aware of the term ‘fake news’ in recent times, and we began this year with our own encounter with fake news. Many of you will have seen the coverage generated by the outgoing chairman of the Police Federation and The Guardian newspaper, and I trust you will have also seen our responses.
Let me assure you that UGLE will always stand up for its members, their integrity and their care for the communities from which they are drawn. It is my firm belief that policemen are better policemen for their membership of our proud organisation. However, it is not just policemen who can benefit from membership – lawyers, public servants and indeed all men benefit from the teaching our ceremonies have to offer. The time has come for the organisation to stand up and make these points loudly and clearly. Enough, brethren, is enough.
I have said it before and I say it again: I strongly believe that the future is bright for Freemasonry. We created a bow wave of optimism last year that produced a surge of interest in the Craft. We must now ensure that we maintain the momentum created and build on that legacy, and we will.
AN IMPORTANT ANNIVERSARY
This year, as you know, is the 100th anniversary of the end of the First World War. I have no doubt that many of you will be commemorating this as appropriate in your area.
The current Freemasons’ Hall was built to commemorate those masons who lost their lives in that war. It was called the Masonic Peace Memorial but changed its name at the outbreak of the Second World War to Freemasons’ Hall. We shall commemorate the end of the First World War on 10 November 2018 under the auspices of Victoria Rifles Lodge, No. 822, and I am sure it will be an impressive occasion.
‘We must now ensure that we maintain the momentum created’
Grand Lodge regularly receives special visitors, and none were more welcome than a group of Chelsea Pensioners who were greeted by then-Grand Secretary Willie Shackell and Junior Grand Warden Sir Tony Baldry
On their tour of Freemasons’ Hall, the Chelsea Pensioners were taken around the Grand Temple, saw Winston Churchill’s masonic apron in The Library and Museum of Freemasonry and visited several lodge rooms.
Each was given the latest copy of Freemasonry Today, with some taking the opportunity to have a look around Letchworth’s, the masonic shop within the hall.