The nave of Canterbury Cathedral welcomed around 1,000 masons, their families and friends for a service to celebrate the bicentenary of Royal Arch Masonry
On Saturday 21 September, a unique event was held at Canterbury Cathedral that not only marked a special milestone in masonic history but also demonstrated a great affinity between Freemasonry and the cathedral’s stonemasons. Freemasonry has its roots in the lodges of medieval stonemasons and to this day supports the training of apprentice stonemasons at the cathedral.
The occasion was a combined celebration for the Provinces of East Kent, West Kent, Sussex and Surrey, each led by their respective Grand Superintendents, Geoffrey Dearing, Jonathan Winpenny, Kenneth Thomas and Eric Stuart-Bamford. The significance of the event was acknowledged by the presence of the Second and Third Grand Principals, George Francis and David Williamson, respectively. Russell Race, the Metropolitan Grand Superintendent, and David Boswell, the Grand Superintendent of Suffolk, were also in attendance, as was the Sheriff of Canterbury, Cllr Ann Taylor, who represented the city and people of Canterbury.
The Archdeacon of Canterbury, the Venerable Sheila Watson, conducted the service, with the grand setting and the superb King’s School Crypt Choir adding to the memorable ambience. The Archdeacon referred to the long connection between the cathedral and Freemasons, in particular the gifts of the Chapter House east window and the Coronation window. She paid tribute to the masonic principles of unity, fellowship and service to the community, and spoke of ‘service beyond ourselves’, a virtue embraced by the Church and Freemasonry alike.
ME Comp HRH The Duke of Kent, First Grand Principal, presided over the Celebratory Bicentenary Convocation of Supreme Grand Chapter and the dinner later that evening at the Savoy.
The Bicentenary Celebrations for Supreme Grand Chapter started with a demonstration of the new ceremony of exaltation by the Metropolitan Grand Stewards Chapter, which was followed by a celebratory luncheon in the Grand Connaught Rooms, presided over by the Pro First Grand Principal, ME Comp Peter Lowndes
An address by E Comp J. M. Hamill, PGSwdB at the Convocation of Supreme Grand Chapter held on 16th October 2013 to celebrate the Bi-centenary of “pure Ancient Masonry”
Your Royal Highness, Most Excellent First Grand Principal, and companions, the 27th December this year will see the bicentenary of one of the most important events in the history of the Craft: the union of the premier and Antients Grand Lodges of England to form the United Grand Lodge. It is because of events which took place in the negotiations leading to that event that we are able to hold this celebration today. Because of those events, which forged an indissoluble link between the Craft and Royal Arch, we now have that uniquely English relationship between the two which we characterise as “pure ancient Masonry”.
Today is not the occasion to go into the origins of the Royal Arch, suffice it to say that evidence clearly shows that it was being worked in England, Scotland and Ireland by the 1740s and from the mid – 1750s there is increasing evidence for the degree being worked in Lodges in England under both the premier and Antients Grand Lodges. The premier Grand Lodge became uneasy with their lodges working the Royal Arch as they did not recognise it as an integral part of their system. That attitude had hardened by 1767 when the then Grand Secretary, Samuel Spencer, wrote to a brother in an English Lodge in Frankfurt that “the Royal Arch is a Society we do not acknowledge and we hold to be an invention to introduce innovation and to seduce the brethren”. Quite how he squared that view with the fact that he himself had been exalted the previous year history does not record!
It was because of this attitude that in July 1766 senior members of the premier Grand Lodge who had been meeting as an independent Royal Arch Chapter at the Turks Head Tavern in Greek Street in Soho drew up and signed the Charter of Compact by which they turned their Chapter into the Excellent Grand and Royal Chapter of the Holy Royal of Jerusalem, the first Grand Chapter in the world. It was to be completely separate from the Craft with its own regulations, Grand Officers and Chapters. The only link with the premier Grand Lodge was that the Chapters would draw their membership from lodges under that body. Uniquely, the new Grand Chapter was to have a dual existence for in addition to being the regulatory body for the Royal Arch, it continued to meet regularly as a private Chapter exalting new companions.
The Antients Grand Lodge readily embraced the Royal Arch. It had been formed in London by mainly Irish brethren who had been unable to gain admittance into Lodges under the premier Grand Lodge. In addition to the Craft some of them had taken the Royal Arch in Ireland before they came over to London. Their indefatigable Grand Secretary, Laurence Dermott, had taken the Royal Arch in his Dublin Lodge in 1746 and did a great deal to promote the degree within his Grand Lodge. When compiling the Book of Constitutions for his Grand Lodge Dermott described the Royal Arch as “the root, heart and marrow of Masonry” and “the copestone of the whole Masonic system”. The Antients believed that their lodge warrants empowered them to work any of the known degrees of Freemasonry. To do so they would simply call a meeting of the Lodge, often on a Sunday, open it in the third degree and then in whatever degree was to be worked. From extant Lodge Minute Books of Antients Lodges it is clear that by the 1790s they had developed a sequence of degrees to be worked in their lodges beginning with the three Craft degrees followed by the Mark, Excellent Master and Passing the Chair which qualified their members for Exaltation into the Royal Arch.
Clearly two such opposing views on the Royal Arch must have caused discussion during the negotiations leading to the Craft union but few records of those negotiations have survived, if, indeed, they ever existed. That some discussion took place is clear from the second of the Articles of Union agreed between the two parties, which gives the definition of “pure ancient Masonry”. That the discussions continued almost up to the point at which the document was signed is also clear for in the surviving copy of the Articles which was signed and sealed by TRHs the Dukes of Sussex and Kent and three representatives from each of the two groups of negotiators there are three material alterations in Article II.
In defining “pure ancient Masonry” Article II stated “It is declared and pronounced, that pure Ancient Masonry consists of three degrees and no more, viz. those of the Entered Apprentice, Fellow Craft, and the Master Mason, including the Supreme Order of the Holy Royal Arch.” In that form the definition has been the preamble to the Rules in the Book of Constitutions since the edition published in 1853.
In the original manuscript version it is clear that where the word three appears there had been an alteration. Whatever had been there had been scraped of and the word three had been written over it in a rather more cramped style than the rest of the writing. Similarly, the word “including” between Master Mason and Supreme Order has been fitted over some other word or words which had been scraped off and Supreme Order was originally Supreme Degree as the scraping there was not so expert and part of the word degree is still visible.
It seems clear to me that to enable the Craft Union to go ahead both sides had to reach a compromise in relation to the Royal Arch. From the definition we can deduce that the premier Grand Lodge agreed to accept the Royal Arch as an integral part of the system but were not willing to agree to its being seen as a fourth degree but were happy to it being acknowledged as an Order. The Antients were satisfied in that the Royal Arch would continue to be the completion of pure Ancient Masonry but, as events proved when the future administration of the Royal Arch was organised, had to accept that the Royal Arch would be worked separately from the Craft. Whether or not my deductions are correct one thing is certain: by both sides accepting the definition of “pure Ancient Masonry” that “indissoluble link” between the Craft and the Royal Arch was firmly established and the Royal Arch was recognised as the culmination of pure Ancient Masonry.
The definition stating that there were only three degrees and referring to the Royal Arch as an Order has subsequently led to endless discussion as to whether or not the Royal Arch is a degree and why in the ritual it is constantly referred to as a degree if in the definition it is called an Order. It may be that I am of too simple a mind but I have never understood what the argument is about. To me the Royal Arch is an Order comprised of four ceremonies: the degree of Royal Arch Mason and the three ceremonies by which the Principals are installed. Those three installations are not simply to fit companions to rule over a Chapter but, as we inform new companions, a perfect understanding of the Royal Arch can only be gained by passing through those several Chairs.
Having agreed the definition nothing further appears to have been done in regard to the Royal Arch until the union in 1817 of the original Grand Chapter and the remnants of the Antients Royal Arch. It has usually been argued that having secured the place of the Royal Arch within pure ancient Masonry the Duke of Sussex then put all his efforts into ensuring that the Craft Union was a success and only turned to the Royal Arch when the basic form and administration of the United Grand Lodge had been established. I am not sure that that was the case.
Because of the speed in which the Union had been finally settled the Grand Lodges of Ireland and Scotland were unable to send representatives to London to witness the events on 27th December 1813. The Grand Master of Ireland and the Grand Master Mason of Scotland, however, met with the Duke of Sussex in London on 27th June 1814 and together with their aids put together the International Compact, which has governed relations between the Home Grand Lodges ever since. Curiously the final document appears not to have survived and its contents are known only from a draft in the hand of William White, Grand Secretary of UGLE, and a copy in the Minutes of the Grand Lodge of Ireland when its agreement was announced to that body.
That the Royal Arch was discussed at that meeting is clearly shown by its first clause which repeated the definition of pure ancient Masonry, excepting that “Supreme Order of the Royal Arch” was changed to “Supreme Chapter of Royal Arch”. It appears from the document that Ireland and Scotland agreed to the definition and were to put it to their respective Grand Lodges and report back to the Duke of Sussex. In 1814 neither Ireland nor Scotland had a Grand Chapter or any other central body controlling the Royal Arch, their Grand Chapters did not come into being until 1818 in Scotland and 1826 in Ireland. As far as can be traced no record exists of either of the Grand Masters having come back to the Duke of Sussex and it may well be that having waited to see if Ireland and Scotland would act in concert with England, and no answer having come, the Duke had to go his own way and make the arrangements which brought Supreme Grand Chapter and our present administration of the Royal Arch into existence.
There were possibly also legal constraints on settling the actual working of the Royal Arch. Under the terms of the 1799 Unlawful Societies Act Freemasonry was exempt from the terms of the Act under certain conditions but it was believed that (a) only Lodges in existence before 1799 were protected by the Act and (b) the Act only protected Lodges. It was for that reason that brethren between 1814 and 1817 who petitioned for new lodges were granted annually renewable dispensations to meet pending settlement of the terms of warrants to be issued by the Grand Master and former Antients Lodges were permitted to continue working the Royal Arch in their lodges. In 1816 a further Act began its progress through Parliament and was passed in 1817. From its terms Grand Lodge deduced that it was permissible to warrant new lodges but was still concerned about the legal situation of Chapters. It is for this reason, I believe, that on its formation in 1817 Supreme Grand Chapter ruled that for the future Chapters would be attached to the warrants of Lodges and bear the same number and name, and new Chapters would be proposed by the Lodges to which they would be attached, not by existing Chapters – thus giving them protection under the 1799 Act.
Unless long lost papers and records come to light, if they ever existed, I doubt that we will ever know the full story of what happened in 1813. What we do know happened, and we are rightly celebrating today, is the recognition by the Craft in 1813 that the Royal Arch is an integral part of pure Ancient Masonry and the forging of that indissoluble link between the Craft and the Royal Arch which we all hope will never be broken.
The latest exhibition at the Library and Museum explores the history and development of the Holy Royal Arch Degree
Coinciding with the special October Convocation of Supreme Grand Chapter, Excellent Companions: Celebrating the Royal Arch opens on Great Queen Street in the same month. Among the objects that will be on display during the exhibition is this portrait, shown right, of Henry Frederick, Duke of Cumberland (1745-1790), who was one of George III’s brothers.
The Duke of Cumberland was initiated in February 1767 at an ‘occasional’ lodge at the Thatched House Tavern, St James’ Street, and was installed as Master of the New Horn Lodge two months later. In 1771, after a short period in the Royal Navy – a career path decided by his brother – Cumberland married Anne Horton, a commoner, without the King’s consent. He and the Duchess were excluded from court but led an active social life.
Cumberland was elected Grand Master in 1782 and remained so until his death in 1790. He initiated his nephew, the Prince of Wales (later George IV), into Freemasonry in February 1787. In this portrait, Cumberland is wearing the robes and regalia of the Grand Patron of the Royal Arch, an office he held from 1774 to 1790, but which ceased to exist in 1813.
Among the many jewels that will be included in the exhibition is one designed by the renowned masonic jewel maker Thomas Harper. It was presented to Daniel Beaumont in 1800, the year that Beaumont was exalted in the Chapter of St James (now No. 2) in London. The exhibition runs from 14 October 2013 to 2 May 2014.
For more information visit the Library and Museum website
Out of the shadows
As the Royal Arch marks two hundred years of recognition, Second Grand Principal George Francis explains its evolution and sometimes complex relationship with the Craft
What is the Royal Arch?
It’s a difficult concept to explain, even to a mason. Part of the problem is that the Royal Arch developed in a way that has been forgotten. The main idea goes back to the sixteenth century, if not before. Around the Tudor period there was Freemasonry which had come from the stonemasons, and the Royal Arch was the first attempt to branch off and do something extra. We have to be careful not to call the Royal Arch the ‘Fourth Degree’; that’s just one way to explain it to an outsider, but it is a completion of the Three Degrees. It gives you new insights and is the culmination of the first lessons and meanings – it completes the journey.
The Royal Arch dates back to the 1700s. Why is the bicentenary in 2013?
The people who started Grand Lodge in 1717 decided they were not going to include the Royal Arch and were going to stick to the main idea, or trunk. That’s really the start of the story, before then it’s all speculative. By 1750, another group who were also part of the main trunk said this isn’t quite how Freemasonry ought to be, that the Royal Arch was absolutely essential, so they were going to split off and do things differently. Suddenly two Grand Lodges were operating side by side and they gave one another inappropriate nicknames. The newer Grand Lodge members called themselves ‘the Antients’ (as they felt they were the real keepers of the flame) and called the other Grand Lodge ‘the Moderns’ – even though the Moderns had actually been established earlier. So you had this slight friction between them and they trundled along rather uneasily side by side.
How did the happen?
Eventually both lodges decided the situation was counter-productive and that they should join up. The Duke of Sussex was the main mover in this, heading up the Moderns, and the leader of the Antients was his brother, the Duke of Kent, who insisted that the combined organisation must have the Royal Arch as part of the journey. It wasn’t until 1813 that the Royal Arch became a formal part of the structure.
What else did the Duke of Sussex do?
One point the Duke of Sussex stipulated at the was that we should all wear the same regalia, and also that we were to use the same rituals and words. The second part never quite happened, so there are still differences in the rituals and wording used by different lodges. However, we’re greatly indebted to the Duke of Sussex; he was an interesting person and very left wing for a royal prince – he was anti-slavery, pro-Catholic (although not one himself) and pro-Jewish. These things were rather unfashionable at the time. He was very much a figurehead for the Whigs and people who wanted change. The Duke of Sussex was the one who said we are not going to be just Christian in the Freemasons, we’ll allow everybody in as long as they believe in God.
What’s the difference between the Craft and the Royal Arch?
We call the three main degrees, which have adopted the colour blue, the ‘Craft’ and we call members ‘brothers’ and ‘brethren’. Even the female masons call one another brother. In the Royal Arch, you become ‘companions’. You’ve made that additional step, you’re taking it a bit more seriously, so there’s a different atmosphere – it’s more intimate, you’re more closely linked. We meet up in chapters and have adopted the colour red as well as blue. It’s very much an eighteenth-century idea of a harmonious society.
Is the Royal Arch more complicated?
I try to get people to realise that you don’t have to understand everything that’s going on, you just have to enjoy it. There are interesting ideas and stories – some of it’s quite deep – but you don’t have to comprehend every single part. It’s quite fun exploring and finding out these things slowly. You’ve got to enjoy time with people, enjoy doing a bit of acting, listening to stories and maybe understanding something you didn’t understand before. That’s what it’s about really, doing things together.
Are more Freemasons coming to the Royal Arch?
Around forty per cent of Craft masons are in the Royal Arch and it’s a shame that it isn’t more.
Clearly there are some who really don’t want to go into the deeper meanings, which is fine because Freemasonry should appeal on different levels. But what I’m trying to express to the Craft is that you should really complete the journey, it’s not that much more time or expense and you’ll really enjoy it.
It completes the circle of understanding and the basic journey. This way of thinking is having some effect and our proportion of Craft masons is gradually rising.
How can you improve recruitment?
The problem is that when you come to Freemasonry, the Royal Arch is not explained because it’s difficult to describe. It sometimes doesn’t get mentioned until quite late on – someone might have been in masonry a couple of years before they come across it. We’re trying to change the perception that it’s just an optional extra and make sure that it’s explained at the outset. We thought at one stage we might go back to a Fourth Degree idea so everyone would be involved. It would be free of charge and there wouldn’t be any reason for not doing it. But the Royal Arch is slightly different so it shouldn’t really be an automatic stage; people ought to think about it, and we’re hoping the bicentenary will help to explain that.
What are you trying to achieve with the bicentenary appeal?
The Bicentenary Appeal is about three things: formal recognition, an appeal and an excuse for a party.
We added the appeal idea so we would have a legacy of our celebration, one that adds to the Fund we created in 1967 for the benefit of the Royal College of Surgeons. We’ve ninety thousand members in England and Wales and ten thousand abroad, and it is important when you’ve got such a big organisation to continue to show members what can be done, to not just sit back and do more of the same.
What do you do as the Second Grand Principal?
My role was traditionally carried out by the Deputy Grand Master but for various reasons the roles got split a number of years ago. It means that I can concentrate on the Royal Arch. I try to visit all forty-six Provinces as well as the Metropolitan Area of London and explain what’s happening at the centre, what the challenges are for the future and encourage our members generally. It’s an opportunity to speak to the Provinces on a different level and not just go through the motions.
Is the Royal Arch changing?
We try to alter the ritual as little as possible because it’s something that people have to learn by heart – you can’t keep changing it all the time. But part of my job is to find the things that we can improve to make it more enjoyable and exciting. My job is to also get the message out there that this is for younger chaps, too, and that we can add a bit more colour and a little less formality.
Find out about the discovery of an old manuscript that could reveal crucial elements about Royal Arch ritual here.
Something old, something new
The discovery of an old manuscript could reveal elements about Royal Arch ritual that have remained hidden for almost two centuries, as John Hamill discovers
As we prepare to celebrate the bicentenary of the acceptance by the whole Craft of the Royal Arch as being both an integral part and the completion of ‘pure ancient masonry’, a significant discovery has been made about the development of Royal Arch ritual.
In a large box full of old files and papers, in a strongroom at Freemasons’ Hall, was found a packet containing a slim, foolscap-size volume, bound in red leather with a Royal Arch symbol blocked in gold on its cover. Bound into it were fourteen sheets of paper closely written on both sides.
What immediately caught the eye at the top of the first page was the word ‘Approved’, followed by the florid signature of HRH Augustus Frederick, Duke of Sussex, First Grand Principal 1810-1843, and the letters GMZ. The letters stand for Grand Master Zerubbabel, an alternative title for the First Grand Principal in the eighteenth and early nineteenth centuries. At the foot of many of the pages the Duke’s initials appear, followed by the letters GMZ, and on the last page he had written ‘Approved. Newstead Abbey Nottingham November 2 1834’, followed by his full signature.
Newstead Abbey, once the family home of the poet Lord Byron, had been sold to Colonel Thomas Wildman, Provincial Grand Master for Nottinghamshire 1823-1859, and the Duke of Sussex was staying there as his guest.
The manuscript proved to be an introduction covering the testing of a candidate for membership of the Royal Arch and the ritual for the opening of a chapter, the admission of a new companion (including the Principals’ lectures) and the closing of the chapter. Having been approved and signed by the Duke of Sussex, it leaves no reason to doubt that the manuscript was the work of a special committee he set up in 1834 to establish what were the ceremonies of the Royal Arch. And herein hangs a tale.
Striving for unity
In 1813 the original Grand Chapter gave its First Grand Principal, the Duke of Sussex, full authority to make whatever arrangements he deemed necessary and proper for the Royal Arch once the of the two Grand Lodges had taken place.
The Grand Chapter did not meet again until 1817 – I suspect because the Duke was concentrating all of his efforts on ensuring that the Grand Lodge was successful – but its administrative officers continued to keep in contact with its chapters, who continued sending in their returns and their fees.
The so-called Antients Grand Chapter, which had never been more than a committee of qualified members of the Antients Grand Lodge, ceased to exist once the Craft was achieved, but its former lodges continued to work the Royal Arch as part of their lodge business.
In 1817, the Duke of Sussex summoned the original Grand Chapter and the members of the Antients’ former Royal Arch and ‘united’ them into the United Grand Chapter, a name that lasted a very few years until the present title of Supreme Grand Chapter was adopted. The administrative links between the Craft and Royal Arch were put into place but little else was done.
In 1834, there being some doubt as to what the proper ceremonies were, the Duke of Sussex set up a special committee to investigate and recommend to the Grand Chapter what they should be. This they did and their deliberations were approved by both the Duke and the Grand Chapter. It was ordered that they should be adopted by all of the chapters then in existence and those that might come into being in the future.
‘had it been known that the Grand Chapter had a written version of the agreed 1834 ritual, a fine storm would have ensued’
The special committee was given a time-limited charter as the Chapter of Promulgation, its remit being to give demonstrations of the ceremonies in London to which chapters were invited to send representatives. Therein lies the possible reason why this manuscript disappeared from view for so long.
At that time, ritual was passed on by rote and it was a heinous masonic crime to write down or print ritual material. Indeed, a number of characters, such as William Finch and George Claret, were charged with breaking their obligations by printing portions of the ritual or catechetical lectures. Were it to have become known that the Grand Chapter had a written version of the agreed 1834 ritual, a fine storm would have ensued.
With the seeming absence of any formal record of the special committee’s 1834 instructions, a certain degree of mythology has grown up. The discovery of this manuscript will enable us to establish what did happen and will greatly increase our knowledge of how Royal Arch ritual developed.
I am pleased to let you know that your magazine, as part of our wider communications campaign, has been shortlisted for another award – this time within the Best Corporate and Business Communications category at the ‘Oscars’ of the PR industry, the CIPR Excellence Awards 2013. This is encouraging and supports the excellent feedback we receive from members and their families.
This year is proving to be very interesting, especially with the bicentenary of the Royal Arch. It is particularly gratifying that, at the time of writing, the Royal Arch Masons 2013 Bicentenary Appeal for the Royal College of Surgeons stands at more than £1 million. And from first-hand experience and the comments we have received, the presentations by Fellows of the College have been a great success.
Writing in the official journal of the United Grand Lodge of England, I want to remind you that we value the opinions of our members. To that end, we spend a lot of effort surveying members’ views, as well as visiting and talking to members of all ages and all backgrounds throughout the English Constitution, at home and abroad. This gives us a good grasp of the issues for discussion.
Sometimes those holding minority views will be disappointed. A classic example is a tiny minority who think that by removing the need for a belief in a Supreme Being we would increase our potential for recruitment. This is an example where we think change would not be for the best. There are many other areas where we have been proactive and made changes to ensure the long-term survival of the organisation. A typical example being in the area of talking openly about Freemasonry and showing that the organisation is relevant today – and is one that members should be proud to belong to.
We all enjoy reading about masonic history, how our members have achieved great things and what they are doing to help those less fortunate in the community. In this issue of Freemasonry Today, we look at an RMBI cookbook that has helped older citizens connect with the recipes from their past and the people in their present. A profile of the Rough Ashlar Club shows how the use of social media is bringing younger Freemasons together for a friendly pint. Meanwhile, we trace the origins of the Crimestoppers initiative back to a couple of masons in Great Yarmouth. I hope you find something that makes you proud to be a Freemason.
‘We have been proactive to ensure the long-term survival of the organisation’
Realising your potential
First Grand Principal HRH The Duke of Kent welcomes new investees and reminds them of their duties as he looks forward to celebrating the Royal Arch bicentenary in 2013
Companions, I congratulate all of you who were invested with Grand Rank on Thursday, 25 April 2013. This accolade is not awarded solely for what you have achieved in Royal Arch masonry, but it also looks ahead to the potential of your future contribution. That contribution should include helping to look after the smooth running of your chapters and the happiness of your fellow members.
Recruitment into the Order is a further important task for you. However, it takes sound judgement to know when a member of the Craft is ready to complete his pure ancient masonry. As you will appreciate, this judgement applies most particularly to the Royal Arch representative in Craft lodges.
As we look forward to celebrating the bicentenary in October this year, I am pleased that the Royal Arch Masons 2013 Appeal for the Royal College of Surgeons has already passed the £1.3 million mark. This is a commendable effort and I thank those who have contributed so generously to this worthwhile appeal. For members who are intending to donate, I am informed that the appeal will continue until the end of 2013.
‘it takes sound judgement to know when a member of the Craft is ready to complete his pure ancient masonry’
25 APRIL 2013
AN ADDRESS BY THE ME First Grand Principal HRH The Duke of Kent, KG
I congratulate all of you who have been invested today with Grand Rank. This accolade is not awarded solely for what you have achieved in Royal Arch Masonry, but it also looks ahead to the potential of your future contribution. That contribution should include helping to look after the smooth running of your Chapters and the happiness of your fellow members.
Recruitment into the Order is a further important task for you. However, it takes sound judgement to know when a member of the Craft is ready to complete his pure ancient Masonry. As you will appreciate, this judgement applies most particularly to the Royal Arch Representative in Craft Lodges.
As we look forward to celebrating the Bicentenary in October this year, I am pleased that the Royal Arch Masons 2013 Appeal for the Royal College of Surgeons has already passed the £1.3 million mark. This is a commendable effort and I thank those who have contributed so generously to this worthwhile appeal. For members who are intending to donate, I am informed that the Appeal will continue until the end of 2013.
Finally Companions, I am sure you will want me to thank the Grand Director of Ceremonies and his Deputies for the skill with which the ceremony has been conducted and the Grand Scribe E and his staff for all their work in ensuring today’s success for all of us.