London Fashion Week and Fashion Scout return to Freemasons' Hall
The fashion world descended on Freemasons' Hall in Covent Garden last week for the most important date in every fashionista's diary: London Fashion Week.
Up-and-coming designers rubbed shoulders with young models hoping for a head start in the industry, while photographers and bloggers buzzed through our corridors taking it all in.
Here are a few of our favourite photos taken during the festivities, thanks very much for the photographers for their kind permission in reproducing their images!
Some fantastic images taken in and around Freemasons' Hall over the past week, during London Fashion Week and Fashion Scout!
Keep checking this page for more photo updates.
And a big thank you to the following for letting us use your images:
From living in New York to showcasing her final university collection at Graduate Fashion Week (GFW), young designer Rebecca Swann is already making footsteps in the fashion industry
But things are set to get even better for the former Nottingham Trent University student, as she has been chosen to take her handmade garments to the catwalk at London Fashion Week (LFW).
The 23-year-old says: 'After showing at GFW in May I was approached by a company a month and a half later called Fashion Scout London. They invited a handful of students to take our collections to London and show it to a panel of judges. The prize was to showcase at their show at London Fashion Week.'
After being selected as one of the final few, Rebecca is now busy preparing to showcase three of her outfit designs on September 12 to 16 at the Freemasons’ Hall in Covent Garden, as part of the Graduate Showcase.
Freemasons' Hall welcomes back London Fashion Week for 2014!
The great and the good of the fashion world were out in force over the past week for London Fashion Week. Here are a few images of what went on in and around Freemasons' Hall.
Behind the scenes
As the masonic adviser in the private office, John Vazquez is the Mr Fix-it of Freemasons’ Hall, providing all the expertise, support and sometimes regalia to make sure that lodge meetings go without a hitch
Q: How did you come to work at Freemasons’ Hall?
A: Before I was called up to national service in Spain in the 1970s, I was working for a retailer in Oxford Street. My mother used to work at Freemasons’ Hall cleaning the Grand Temple and when I returned to the UK, she said there was as a job going as a porter. I took the role in 1980 and thought I’d eventually get back into retail management, but here I am thirty-three years later. I got to know the people and enjoyed it. Back then it was very family oriented and sometimes you felt that you’d rather stay in the Hall than go home.
When I first walked into the building, I thought how wonderful it was – I was amazed by it and still am. It’s not what you expect; there are lots of cubby holes and even now I’m discovering new things. My favourite place is room seventeen; everyone likes the Grand Temple and room ten, but I like room seventeen’s old-fashioned wood panels and the antique furniture.
‘I am still amazed by the Hall. It’s not what you expect; there are lots of cubby holes and even now I’m discovering new things.’
Q: What was your first lodge?
A: I became a member of the staff lodge, Letchworth, after the bylaws had changed to allow ‘downstairs’ staff to become full members. I then joined the half English, half Spanish St Barnabas Lodge. It was a dying lodge, maybe fourteen or so members, but it’s up to around fifty-two now. I get to meet such a wide variety of people – that’s the great thing about Freemasonry.
Q: When did you start helping to run events?
A: After becoming foreman porter, my job changed to deputy lodge liaison officer. When Nigel Brown came in as Grand Secretary, it developed into the role I have now: using my knowledge to look after the masonic events in the building. From Grand Lodge through to Provincial lodge meetings, I’m always in the background making sure everything is working.
My job is to ensure each day is perfect. I help set up rooms, making sure all the props are there, as well as providing advice. I want to make all the masons watching feel comfortable and for them to walk out with a smile on their face, saying what a wonderful day they’ve had. I’m a calm person and I say to people when they come for a meeting, ‘Don’t worry. If I look anxious, then start worrying, but until then assume everything’s OK.’ I try not to get too stressed.
‘I don’t have an average day, it’s not like working in an office. One side of my job is practical – it’s a good thing I was in the Scouts.’
It doesn’t matter who you are, I will treat you in the same way. It goes back to the principles of Freemasonry and it’s a wonderful thing about the Craft. You do get individuals who think they’re special and need reminding of where they are, that this is not their building: it’s mine and they should behave! I’m lucky that I’ve been here a long time and people know me, so if I say something is going to happen, then it will.
Q: How would you describe your job?
A: I’m a Mr Fix-it. I don’t have an average day and it’s not really like working in an office. One side of my job is practical, like replacing broken chairs, and I’m responsible for all the regalia, making sure it’s clean and repaired – it’s a good thing I was in the Scouts. But my job is also about understanding Freemasonry, knowing what you can and can’t do in a ceremony. If I know I can’t do it, then I know someone else probably can’t either. A lot of people do take my recommendations, but it’s only advice.
When we started hosting non-masonic events at the Hall, the Grand Tyler Norman Nuttall and I used to organise them. As demand increased, the external events were given to Karen Haigh to oversee and I now work closely with her to make sure our masonic and non-masonic events don’t clash. When we first held things like Fashion Week here, there were a few raised eyebrows from masons coming to the Hall, but I think they’re used to it now.
Q: Have things changed since you joined in 1980?
A: Freemasonry has opened up quite a lot, as much as people think it hasn’t. When I first came here you weren’t allowed to go to the Library and Museum unless you were a mason or accompanied by one. While basic masonry hasn’t changed, the people around it have. Younger masons are looking at things in a different way, which is good.
Freemasonry was here before I came and it’ll be here after I’m gone – just like this building. To me it’s a privilege and honour to come and work here. It was fantastic to be part of the two hundred and seventy-fifth anniversary celebrations in 1992 at Earls Court. There was a lot to organise; we had to set the arena up as the Temple and two lodges, but we got it done. It’s the same with the three hundredth celebrations. I won’t panic and I’m actually looking forward to it. We will make masons proud.
Twice a year, Freemasons’ Hall plays host to shows for London Fashion Week, with press from around the world in attendance. Ellie Fazan finds out what happens when fashion and Freemasonry come together
Visitors to Freemasons’ Hall on London’s Great Queen Street are being greeted by a stylish young woman bedecked in a studded leather jacket. With a clipboard in one hand and wristbands in the other, she is very much in charge.
Upstairs in one of the 21 lodge rooms, frantic preparations are under way for design duo Leutton Postle’s Spring/Summer 2013 show. It is not a scene you would expect to find in Freemasons’ Hall: there is an impossibly tall model having her make-up done wearing nothing but underwear and sparkly high heels, while a team of assistants hurriedly make final adjustments to various hairstyles and outfits.
In the midst of it all, two young women are trying to control the chaos. They are Jen and Sam, otherwise known as Leutton Postle, and this is their third show at Freemasons’ Hall. Their work is being showcased by Vauxhall Fashion Scout – an initiative that offers young designers a space to show their collections. ‘Hello, we’d love to stop and say hi but…’ Before they can finish, they are swept away in a sea of assistants.
‘The building hosts such a vibrant and eclectic mix of people... but it still maintains the elegance of the purposes it was built for’ Karen Haigh
The frenzied atmosphere permeates the room. The majestic corridors are full to the brim with brightly coloured clothes, with fun oversized collars, playful patchwork and lots of glitter. A photographer is shooting a catalogue for the designers today, and has set up a makeshift studio in the cleaning cupboard. Meanwhile, the cleaning lady leans on her mop looking unfazed. She watches on while the call ‘Girls in shoes please’ sends everyone into a panic.
Start the show
Outside Freemasons’ Hall, the fashion crowd is queuing around the block: it’s one of the most anticipated shows of the season, and the designers here are the ones to watch. The Temple vestibule starts to fill with guests, and techno music begins to blast. The clothes are the main attraction – big, bold and attention grabbing – but they don’t detract from the space. Three models at a time appear in the three carved archways before taking to the perfectly polished floor. The contrast between the futuristic collection and the stately, solid building is powerful.
One of the finest Art Deco buildings in England, Freemasons’ Hall has been available for use as a location for television productions and photoshoots for more than a decade. ‘One of the location managers I’d worked with on a film project asked if we hired the venue to outside events such as fashion. We hadn’t before, but I just said yes,’ remembers Karen Haigh, UGLE Head of Events. ‘That led to us piloting the first London Fashion Week shows for Vauxhall Fashion Scout in 2009. All events are special in their own way, but working twice a year with Vauxhall Fashion Scout has become part of the venue. It’s bigger than ever now and it has been wonderful to see it develop each year. It’s like being a parent!’
Offering an opportunity
Freemasons’ Hall is an integral part of London Fashion Week, placing it alongside Somerset House as one of the most important events spaces in the capital, hosting the most cutting-edge shows. The designers here are the ones to look out for. This year fashion’s punk princess Pam Hogg showed, with celebrities and fashion editors alike coming to watch.
For Karen Haigh it’s an exciting time, with no friction between the long-term residents and the temporary inhabitants. ‘The building hosts such a vibrant and eclectic mix of people during this time, but it still maintains the elegance of the purposes it was built for. It really makes me smile when members come into the building during that period and can’t hide their surprise at some of the outfits on display!’
Vauxhall Fashion Scout is helping young people in their chosen fields – one of Freemasonry’s founding principles. Hand in hand they are offering young designers a space. Sam and Jen agree. ‘We couldn’t do this without their support,’ the pair say. ‘It means that as designers we can grow. We’ve learnt so much since last year.’ And what do they think of the building? ‘It’s intense! Even though we have permission to be here, it’s so awe-inspiring it makes us want to run around here at night!’
When Freemasons’ Hall hosted the launch party for West End musical Rock of Ages, Anneke Hak slipped past the celebrities to find out what goes on behind the scenes
Jeremy Clarkson schmoozes with paparazzi on the purple carpet while Ronnie Wood’s ex-wife Jo Wood mingles with friends in the foyer. Glasses clink together, Champagne flows and loud chatter fills the room as the band takes centre stage in the Grand Temple. All the while, everyone is wholly oblivious to the fact that just one hour ago their spectacular venue, Freemasons’ Hall in London’s Great Queen Street, was a picture of organised chaos.
Having hosted some of the biggest events in the British social calendar, including London Fashion Week catwalk shows, Freemasons’ Hall isn’t afraid of glitz and glamour, it oozes it. However, the Rock of Ages launch party was a very different beast.
On 28 September, the production team had only a three-and-a-half hour slot between the departure of 700 Freemasons visiting from the Provincial Grand Lodge of Hertfordshire at six in the evening, and 1,000 party guests arriving at 9.30pm. In this small time frame, they had to transform the building into a venue fit to celebrate a musical that takes audiences back to the times of big bands with big egos playing big guitar solos and sporting even bigger hair. The Grand Temple in Freemasons’ Hall needed to be fitted out with a dance floor, disco ball and stage for a rock band to perform on. No mean feat, especially considering how precious the Grade II-listed building is to hundreds of thousands of Freemasons.
Helping smooth the proceedings was Lee Batty, Production Manager at Stoneman Associates. As Freemasons left the Grand Temple, Batty’s team moved in, quickly assembling their scaffolding to start the mammoth task of hoisting the lighting and glitter ball 93ft to the top of the Temple roof, before focusing their attention on the dance floor and rock band sound check. ‘We did a little bit of prep work the day before,’ Batty reveals. ‘Well, I say a little bit, we worked eight hours to programme all the lighting, and then when we got into the venue we had to go hell for leather to get it all up and working.’
Technicalities of transformation
Of course, moving scaffolding, heavy lighting and sound equipment around an 80-year-old building, and one of the finest Art Deco creations in the country, can prove challenging. ‘I’ve not worked at Freemasons’ Hall before,’ says Batty, ‘but I’ve done events in historic palaces and English Heritage properties over the years. So I’m aware that you have to look after furniture and any element of the building that’s been there for a long time – you have to be very careful.’
As a result, every little detail is thought about months in advance, and some elaborate ideas are thrown straight out. Karen Haigh, Head of Events at Freemasons’ Hall, explains, ‘There was talk about hanging some Harley Davidsons from the ceiling at one point. I feel anything is possible, so long as I know it’s going to be safe.’
As the last piece of purple carpet is laid, the Rock of Ages signs go up and the façade of the glorious building is lit from below, Matthew Quarandon, Director of Moving Venues, makes sure all of his staff are in place to welcome the guests with food and drink, and one thing he can’t help but notice is how easy-going everything is. ‘Freemasons’ Hall seems to be very liberal,’ says Quarandon, who’s used to working in old, protected properties. ‘They’re allowing us to push cages across old stone floors and serve red wine on their marble floors upstairs.’
Most excited about tonight’s event has to be Grand Secretary Nigel Brown, who praises the great job Karen Haigh does booking events for the Hall and thinks these nights are the perfect opportunity to show the public that Freemasonry isn’t about secret handshakes. ‘Can you imagine, you’re at a dinner party and the lady next to you says, “You went into Freemason’s Hall? What did you go in for? A fashion show!”’ laughs Nigel. ‘It’s breaking all these myths and, although being teased about Freemasonry doesn’t matter much, people are often making a decision based on false impressions. I think hosting these events is changing people’s preconceptions.’
Batty admits that the mystery surrounding the organisation is a great reason to hold events like the Rock of Ages party at Freemasons’ Hall. ‘It’s nice that people come in and see it in a different light,’ he says. Karen Haigh agrees: ‘The best thing about it is that you bring a group of people that have never been in the building before and they come in and say, “Oh, wow!” It’s like opening a little package.’
So, after months of planning, which began back in June, how does it feel when it all finally comes together? ‘You get a massive buzz from the final product,’ admits Batty. ‘The response that we got when we opened the main doors to the Grand Temple was worth all the pressure.’
As the guitar amplifiers and purple carpet are packed up and glasses of half-drunk Champagne cleared away, all the hard work and preparation has paid off – the Rock of Ages launch party has been a brilliant success. So, the only question left now is when’s the next one?
As Freemasons' Hall plays host once again to events at London Fashion Week, Lucinda Weston talks to up-and-coming fashion designer Kirsty Ward
A feeling of serenity prevails as you walk through the Great Queen Street doors of Freemasons’ Hall in Covent Garden. With its sweeping marble staircases and ornate ceilings, this stunning Art Deco building has a refined elegance. Explore a little further, however, and you might be surprised to find a fashion show in full swing, with models marching down a catwalk to the accompaniment of a thousand flash bulbs.
A flurry of fashion darlings regularly descend upon the Grand Lodge in February to promote both new and seasoned designers to a global audience of media buyers, celebrities and style leaders as part of London Fashion Week. This year’s show saw Kirsty Ward showing her second collection from her own label. Kirsty is one of thirty designers to have taken part in the week-long Vauxhall Fashion Scout Autumn/Winter 2011 event, which showcases new and upcoming designers and runs alongside the main London Fashion Week events. Hosted at Freemasons’ Hall since 2006, the independent showcase also off ers support to new designers both through funding and mentoring, and has been described as a talent goldmine, launching the careers of Peter Pilotto, William Tempest and BodyAmr.
The Grand Lodge’s Old Board Room has been converted into the backstage area for the show and Kirsty is crouched in a corner, surrounded by rails of clothes hung next to the grandiose portraits on the walls. She is helping a model into monstrously high shoes, her petite frame cloaked in an azure kaftan and she looks calm despite the chaos around her. As makeup and hair artists speedily get to work on the models, assistants make last-minute adjustments to the clothes so that they will fit slender frames.
From over two hundred designers to apply, Kirsty was selected by a panel of industry insiders to be one of four womenswear designers to take part in the Ones to Watch show. This is a stage for new designers to gain exposure, with experts on hand to off er help at every step of the way – from creative input to production and promotion of the event.
Front of house, the Prince Regent Room is a vision in white – a long catwalk runs the length of the room with models making their entrance to pulsing music as an army of photographers clamber to get the best shot. Kirsty is the first to show her collection and the four hundred strong audience look on largely expressionless as they furiously scribble down notes.
Kirsty’s collection is a combination of sculptured sheer dresses constructed in voluminous layers to frame and flatter the female form, and statement jewellery made from plumbing materials. A selfconfessed B&Q addict, Kirsty sees jewellery as an extension of the clothes, and her pieces combine bright Perspex, copper hardware and beading in striking designs.
‘While I like to use a lot of volume and be bold, I also want my clothes to be wearable,’ explains Kirsty, believing that clothes should be approachable. ‘This season I experimented with putting jewellery in between the layers of fabric, as well as with the pattern cutting. I used a muted brown and yellow colour pallete and a lot of Aertex and mohair.’
As the Ones to Watch show comes to an end, Kirsty and her fellow designers walk hand in hand down the catwalk to rapturous applause, before rushing back stage. Catching her quickly she is in a state of elation, beaming at how well the show went, despite ‘a few shoe issues’. The journalists dash back to the media room to file copy, while the buyers are able to get up close to the collection and place orders in the Exhibition Room – Freemasons’ Hall’s very own temporary boutique for the week. The collection is a hit, getting a fantastic response from buyers.
Kirsty honed her style – or what’s known as ‘design handwriting’ in the industry – at London’s Central St Martins. This was followed by an internship at Preen London, which paid nothing but taught everything, and fifteen months designing for eminent designer Alberta Ferrettiin Rimini, Italy. Back in England and collaborating with boyfriend designer David Longshaw on a jewellery collection to much acclaim, Kirsty then decided to go it alone – for the first time giving herself completely free rein.
Despite having her own window at Selfridges’ flagship Oxford Street store in January, Kirsty is refreshingly down to earth and speaks of the many challenges in starting out in fashion: ‘I love what I do so much I would work for 24 hours a day if my body would let me, but being an up-and-coming designer there are always struggles, especially on the money side of things. My time costs nothing, but buying fabrics and producing the garments does.’
Kirsty has a family friend who sponsors her, as well as the funding she received from Vauxhall Fashion Scout, but admits she has the odd moment of doubt when she thinks about chucking it all in and running a sweet shop instead. However, spurred on by an overwhelming desire to make things and a passion for fashion design, Kirsty could be fast approaching a tipping point in her career where she is not just the one to watch but the one to wear.