Presenting our past
The Library and Museum of Freemasonry’s Director, Vicky Carroll, tells Edwin Smith about some of the most important – and suprising – objects in UGLE’s collection, and explains how she’s taking them to a wider audience
Having worked at some of the best-known museums in the country, Vicky Carroll took up the role of Director of the Library & Museum of Freemasonry in November 2017. She admits that her target – of doubling the Museum’s audience within five years – is ‘ambitious’, but Carroll’s credentials suggest that she’s the right person for the job. Having studied natural sciences at Jesus College, Cambridge, she stayed on to complete a Masters and then a PhD in cultural history before beginning her career at the prestigious V&A Museum in London. She went on to work at the Science Museum, the William Morris Gallery, Keats House in Hampstead and the Guildhall Art Gallery. Her passion, she says, is to give impressive collections the audience they deserve. ‘It’s seizing those opportunities to make stories and heritage more widely accessible, so that more people can benefit from them and enjoy them in a richer, deeper way.’
What was it about the role at The Library and Museum of Freemasonry that appealed to you?
When I first found out about the job, I didn’t actually know a huge amount about Freemasonry or the Museum itself. But the subject was intriguing and I wanted to find out more. I think that’s typical of a lot of people: they might not really know much about Freemasonry, but there’s a mystery there which makes it appealing. I think having that public curiosity is always a great starting place for a museum.
What did you make of the Museum on your first visit?
I was really struck by the quality of the collections; not just the Museum collection, but the Library and the archive as well. The richness and beauty of the objects was compelling. You can see why it’s been named as one of just 149 ‘designated collections’ by the Arts Council of England. [These are exceptional collections that ‘deepen our understanding of the world and what it means to be human’.] The combination of the public interest in the topic and the strength of the collection meant that there was a huge opportunity to engage a much wider audience – with the collection, with the stories, with the history of Freemasonry.
‘A lot of people don’t know much about Freemasonry, but it has a mystery which makes it appealing. I think that having that public curiosity is a great starting place’
Can you talk about the standout objects in the Museum?
We have documents showing the foundations of Freemasonry. They’re very important from a historical perspective. On display is a first edition of Anderson’s Constitutions from 1723. It’s the first time that what it meant to be a Freemason was officially recorded. Even older are the Old Charges. These are rule books for stonemasonry and go back to the 1500s. There is also the Articles of Union, the deed marking the unification of the Antients and the Moderns Grand Lodges in 1813.
We’ve got Winston Churchill’s apron, along with objects associated with royalty – as there have been so many royal Freemasons. An exhibit you can’t miss on entering the Museum is the huge gilded Grand Master’s throne made for the Prince Regent, who later became George IV. But just as important are the humbler objects with stories to tell. We have masonic jewels made from scrap materials by prisoners of war. And our ‘Suitcase Stories’ display explores how Freemasonry has shaped the lives of individuals from different walks of life.
Have you discovered anything about Freemasonry that has surprised you since you started the role?
I didn’t realise that there were – and are – female Freemasons. I was particularly struck by a display of mid-20th-century jewels from the Women’s Grand Lodge of Germany. They’re decorated with New Age symbolism and the craftsmanship is stunning.
What do you want visitors to take away when they leave?
There are a lot of misconceptions about Freemasonry. Many people simply don’t know what it is. We want to help our visitors gain a clearer understanding of Freemasonry’s origins, traditions and values, and an insight into what Freemasonry has meant for individuals and our society up to the present day. For members, the Museum is a great way to show family and friends what Freemasonry is all about.
What attracted you to a career in museums in the first place?
It was something I became interested in whilst I was doing my PhD, when I was volunteering in various museums in Cambridge. One of the things that attracted me to it was the ability to reach a broad and diverse public audience and engage them with arts and heritage. Academic research is immensely valuable, but it has more of a niche audience. Whereas I was interested in creating things that had a wider public appeal.
‘For our special exhibitions, we’ve been very proactive in engaging with the press – in line with what UGLE is doing more broadly’
How do you give exhibitions as wide an appeal as possible?
It’s often just thinking about the subject from the audience’s point of view. What reference points might that audience have that are relevant? How does the topic relate to something they already know about? Even if someone doesn’t know a lot about Freemasonry, they might know about a particular period in time, or there might be someone they’ve heard of. Also, people like to hear stories about people. More traditional museum displays might tell you about an object: what it’s made of, when it was made and so on. But often what people find engaging is who might have used it and what it might have meant to that person. And Freemasonry is great for that. It’s all about personal experience and relationships – not just physical, tangible things.
How do you plan to double the audience in five years?
Our exhibitions and permanent displays must meet the needs of the audience, while raising our public profile. For one of our current special exhibitions, Bejewelled: Badges, Brotherhood and Identity, we’ve been very proactive in engaging with the press – in line with what UGLE is doing more broadly. We’ve expanded our social media and have an e-newsletter, which people can sign up to on our website. We’re developing a new visual identity and, later this year, will launch a new website.
What’s next for the Museum?
Our exhibition programme is obviously key in attracting more Freemasons as well as members of the public to come and visit. Our newest exhibition is called Decoded: Freemasonry’s Illustrated Rulebooks. It unlocks the early history of Freemasonry through the illustrations at the front of the Constitutions. These ‘frontispieces’ tried to sum up what Freemasonry meant and its place in the world. You can see how, at various times in its early history, Freemasonry was being adapted to the local and historical situations.
Anything else to look out for?
We’re a museum, but it’s important to remember that we also have a library and an archive, so we’re an amazing resource for members who are writing lodge histories, doing preparation for a visit overseas, or researching their own family history. We’re also encouraging more students and academics to use our collection, hosting more public events, and soon we will be expanding our educational work and collaborating with artists to interpret the collection. It’s a really exciting time.
For more details, visit www.freemasonry.london.museum
Bond of brothers
Featuring Freemasons who led and served on land, sea and air from the Second Boer War to the end of the Second World War, a new exhibition at Freemasons’ Hall showcases a photographic history of extraordinary spirit, humanity and comradeship, both in war and peace
While showing visitors around the Brothers in Alms exhibition of war photographs he’s curated at Freemasons’ Hall, curator Brian Deutsch was stopped in front of an image of No. 1 Squadron by a Freemason. ‘That’s my uncle!’ the man said, pointing to a figure in a group photograph. This is the sort of reaction Deutsch hopes to inspire. ‘You might see relatives or people who were in your lodge.’
The exhibition features more than 200 images covering the war and the home front. The masonic element comes through the presence of prominent military masons such as Haig, French, Kitchener, Jellicoe and Churchill, as well as lesser-known war heroes such as Bernard Freyberg VC. There are also female Freemasons, such as Dame Florence Leach, who founded the Women’s Army Auxiliary Corps and was a member of Golden Rule Lodge, No 1. Many American participants in World War I were Freemasons, including future generals Patton and MacArthur and a young Franklin D Roosevelt. The Duke of Connaught, who was Grand Master of UGLE during the war, is also featured. But the theme of Freemasonry goes beyond the personalities involved.‘
A lot of them have connections to Freemasonry, but the theme of the exhibition is humanity and caring, which is a banner of Freemasonry,’ explains Deutsch. ‘I wanted to show how the spirit of life will ultimately triumph. A lot of that is because the comradeship during the war carried on afterwards. A lot of soldiers actually became Freemasons following the war after seeing what it meant for their officers.’
'Lots of soldiers joined Freemasonry following the war after seeing what it meant for their officers'
The exhibition highlights the charitable work of Freemasons, as well as the importance of Freemasonry to leading wartime figures. Lord Haig espoused the principals of Freemasonry throughout his career, devoting his post-war life to improving the welfare of ex-servicemen.
While the connections to Freemasonry of the war’s leading soldiers are well known, others are more obscure. There are three airmen who were the first to down a German airship on British soil. ‘They had the gavel for their RAF lodge, Ad Astra Lodge, No. 3808, made from metal taken from the airship,’ says Deutsch. Another photo shows soldiers home from the front being treated to tea at the Connaught Rooms by the Freemasons.
Photographs were selected for a variety of reasons. Many are simply excellent pictures, either in terms of composition or because they capture something particularly interesting or unusual. There are photos of elephants ploughing the Surrey fields in place of the horses being used to serve the military; there are 18,000 US soldiers replicating the Statue of Liberty on a field in Iowa to promote the sale of war bonds; there’s a homesick soldier in his trench, painting street signs for King’s Cross, Love Lane and Devil’s Dyke on Scraps of wood; there are four members of the Women’s Army Auxiliary Corps enjoying a day at the beach. There are also cameos from Sir Ernest Shackleton, Douglas Fairbanks and TE Lawrence.
The royals are a significant presence. George V is seen visiting the front, while The Prince of Wales, the future Edward VIII, is shown on a postcard used to raise money for the war effort. As the heir, he was not allowed to serve at the front, whereas his brother Albert – the future George VI – served at the Battle of Jutland. He was the last king to take part in a battle. All three were Freemasons. As Deutsch explains, ‘the Royal Family’s role was transformed by the war.’
The exhibition runs until November 2019 and is on the second-floor corridor of Freemasons’ Hall. It’s open to the public from 10am to 1.30pm, Monday to Friday. Those unable to get to London can visit www.brothersinalms.org.uk to see the entire exhibition online.
With their own distinctive terminology, structures and practices, each masonic Order is different from the others. Here Brian Price breaks down the origins, requirements and organisation of Royal and Select Masters.
When was it constituted?
The Grand Council of Royal and Select Masters of England and Wales and its Districts and Councils Overseas was constituted on 29 July 1873 by four councils chartered two years earlier by the Grand Council of New York. They organised themselves into a sovereign body under the patronage of Canon Portal, Past Grand Master of the Grand Lodge of Mark Master Masons, who was installed as the Grand Master of the Order. After World War II, the Order grew rapidly and there are now over 250 councils and nearly 5,000 members.
Where is it based?
The original councils met in Red Lion Square in London, but moved to Great Queen Street (to today’s Connaught Rooms). The Order is now administered from Mark Masons’ Hall at 86 St James’s Street, London.
Who can join the Order?
It welcomes Master Masons in good standing who are also Companions of the Royal Arch, and Mark Master Masons. Members are called Companions.
What is the emblem of the Order?
It is a stylised depiction of the Ark of the Covenant surrounded by a triangle and the first and last letters of the Greek alphabet. Beneath is a scroll bearing the motto ‘Ego Alpha et Omega Sum’ - meaning ‘I am alpha and omega’.
What is the relationship between the Craft and Royal and Select Masters?
Although UGLE’s position is that ‘pure Ancient Masonry consists of three degrees and no more’, during an address in 2007 the Grand Master, HRH The Duke of Kent, acknowledged the existence of many masonic Orders and accepted their sovereignty. He included Royal and Select Masters as one of those which had a role in providing Freemasons with additional scope for extending their research in interesting and enjoyable ways.
Is the country divided into Provinces in the same way as the Craft?
Yes, although in this Order they are called Districts. Each is headed by a District Grand Master and a team of District Grand Officers. And individual units are referred to as councils rather than lodges.
Does the Order have distinctive regalia?
It has crimson and gold regalia with a triangular apron. The Grand Officers collar and apron bear the emblem of the Order of the Silver Trowel. The Order also features some distinctive jewels.
Who runs it?
The Order is controlled by a Grand Council headed by the Grand Master, Deputy Grand Master and a Principal Conductor of the Work. The current Grand Master is Most Illustrious Companion Kessick Jones.
Isn’t it sometimes called the ‘Cryptic Order’?
The four core degrees (with ceremonies based on the Old Testament Solomonic legends) are Select Master, Royal Master, Most Excellent Master and Super Excellent Master. They are sometimes referred to as the ‘Cryptic Degrees’, and the Order as ‘Cryptic’, as the traditional history of the Degree of Select Master references the underground ‘crypt’ of King Solomon’s Temple in Jerusalem, which also features in Royal Arch and other masonic ceremonies.
I have a friend who’s a member overseas. Is he allowed to visit here?
So long as he’s taken the four core degrees of the Order in a recognised jurisdiction – subject to invitation, of course. However, in many jurisdictions, the degree of Most Excellent Master is not a ‘Cryptic Degree’ but part of the Royal Arch.
Pro Grand Master Peter Lowndes welcomed five recipients of the Grand Master’s Order of Service to Masonry (OSM) for a special lunch at Freemasons’ Hall on 21st February 2019
OSM recipients Sir John Welch, Charles Grace, Edward Ford, Professor Aubrey Newman and Keith Gilbert were in attendance for the first event of its kind. They were also joined by Dr David Staples, Grand Secretary, and Quentin Humberstone, Grand Treasurer.
Instituted in 1945, the OSM is an acknowledgement of exceptional service to Freemasonry and is the highest honour the Grand Master can confer on any member of the Craft.
The Order is a neck decoration in the form of a Garter blue ribbon from which hangs the jewel of the Order. The jewel is of silver-gilt, being a double-circle with a pair of compasses extended on the segment of a circle, and the letters O S M; beneath it is the motto In Solo Deo Salus “In God alone is our safety”.
Read the OSM citations of each of the recipients:
Quarterly Communication of Grand Lodge
12 December 2018
Report of the Board of General Purposes
The Minutes of the Quarterly Communication of 12 September 2018 were confirmed.
HRH The Duke of Kent KG was nominated to be Grand Master for the ensuing year.
Annual Investiture of Grand Officers – 24 April 2019
So that sufficient accommodation can be reserved for those Brethren who are to be invested and their friends, admission to the Annual Investiture is by ticket only. Brethren to be invested for the first time may invite to be present with them three qualified Brethren, and those to be promoted two qualified Brethren.
Allowance having been made for such an issue and for those whose presence in the Grand Lodge is essential, a few seats will remain. Written application for these seats may be made to the Grand Secretary between 1 March and 31 March by Brethren qualified to attend the Grand Lodge:
- Past Grand Officers;*
- Wardens (not Past Wardens);
- Past Masters qualified under Rule 9 of the Book of Constitutions.
Applications should state clearly the name, address and Lodge of the Brother concerned and under which of the four categories mentioned his application is made. If necessary, a ballot for the allocation of seats will be held in early April, and tickets will be posted to successful Brethren on or about 5 April. Brethren who have been unsuccessful will be so informed.
Possession of a ticket will not, of itself, ensure admission – Brethren who are not Grand Officers will be required to hand their tickets to the Scrutineers before examination by them in accordance with the usual practice at Quarterly Communications.
Past Grand Officers should sign the Attendance Books in the Past Grand Officers’ Room, and give up their tickets before being admitted to the Grand Temple. Grand Officers taking part in the procession will sign in the Grand Officers’ Room.
* Metropolitan and Provincial Grand Masters, all other Present Grand Officers, including Grand Stewards, Deputy Metropolitan and Provincial Grand Masters, and Assistant Metropolitan and Provincial Grand Masters should not apply in this way as they will be invited specifically by letter about a month before the day of Investiture and asked to indicate on a reply slip whether they intend to be present. Similar arrangements are made for District Grand Masters who are known to intend to be in the UK on 24 April and this can be extended to others, if they write indicating their wish to attend.
Masonic Year Book
The next edition of the Masonic Year Book, 2019–2020, will be available next autumn. The charge will be £15 per copy, plus postage and packing where appropriate. It is not proposed to produce a new edition of the Directory of Lodges and Chapters during 2019. Copies of the 2018 edition will still be available from Letchworth’s shop.
Every Lodge is provided access to an online version of the Masonic Year Book and Directory of Lodges and Chapters free of charge via the designated website. The Board emphasises that this information should be available to all the members of private Lodges and not regarded as for the exclusive use of the Secretary to whom, for administrative reasons, access is provided.
Metropolitan and Provincial Lodges
Access to the online version of the Masonic Year Book and Directory of Lodges and Chapters is provided to Secretaries of Lodges.
Access to the online version of the Masonic Year Book and Directory of Lodges and Chapters is provided to Secretaries of Lodges in the Districts as well as to Secretaries of Lodges abroad not in a District.
Prestonian Lectures for 2019
The Board has considered applications for the delivery of the oﬃcial Prestonian Lectures in 2019 and has decided that these should be given under the auspices of the following:
Dean Leigh Masters Lodge, No. 3687 (Herefordshire)
Norfolk Installed Masters’ Lodge, No. 3905 (Norfolk)
Leeds and District Lodge of Installed Masters, No. 7918 (Yorkshire, West Riding)
West Sussex Masters Lodge, No. 8963 (Sussex)
The Lecturer, W Bro Michael Karn, PAGSwdB, states that the title of the Lecture will be: English Freemasonry during the Great War.
The Board, when annually inviting applications for the privilege of having one of the official deliveries of the Lectures, invariably emphasises their importance as the only Lectures held under the authority of the Grand Lodge. The Board and the Trustees of the Prestonian Fund are correspondingly keen to ensure that Brethren come forward with potential future lectures on topics which will be of interest to English Freemasons. Brethren who consider that they have the requisite skill and knowledge are accordingly invited to submit their names to the Grand Secretary, through their Metropolitan, Provincial or District Grand Secretaries.
Since the Board last reported to Grand Lodge on lotteries in December 1994, there has been no signiﬁcant change in the law on the subject, which is now contained in the Gambling Act 2005. There have, however, been some changes in the names of the various regulatory bodies and the classes of lotteries themselves, as well as minor changes to the rules applying to the various classes. The Board accordingly hopes that the Grand Lodge will endorse the following statement on lotteries, which takes into account the changes since it last reported on the subject.
There is no inherent Masonic objection to any form of lottery currently permitted by law, and a lottery with a Masonic character may, therefore, be used by members of the Craft to raise money for any lawful purpose, subject to the qualiﬁcations set out below. Such a lottery should, in general, be used to raise money only for charity, other benevolent purposes, or some other speciﬁc object not directed to private gain; no form of lottery should in any circumstances be used to defray the general running expenses of a Lodge, Metropolitan Area, Province or District.
A lottery has a Masonic character if it is promoted or run by Freemasons
- who declare their capacity as such; or
- for a purpose, or on behalf of a body, which is identiﬁably Masonic, whether or not the purpose or body includes words such as “Masonic” or “Freemason” in its title or description.
The Board considers it essential that the purpose for which any such lottery is held is clearly stated to anyone to whom chances in the lottery are oﬀered for sale.
It does not accord with the spirit of Masonic charity or of Masonic bodies that lotteries should be held which seek money under the banner of Freemasonry from other than Masonic sources (Masonic sources include anyone who has a family or other close personal connection with the Craft or with any of its members). It is therefore inappropriate for tickets for a lottery with a Masonic character to be made available for sale to the public at large.
The responsibility for compliance with the provisions of the law rests ﬁrmly on those responsible for promoting and assisting in the running of lotteries. It is the duty of such Brethren to ensure, by obtaining where necessary appropriate procedural and legal advice, that the Craft is not brought into disrepute by any failure to meet all legal requirements, or for any other reason. Advice is readily available from, among others, the Gambling Commission, local authorities, the National Council for Voluntary Organisations and the Institute of Fundraising.
The Gambling Act 2005 provides that all lotteries must be either licensed, or registered or fall within one of ﬁve statutory exemptions. The Board’s guidance on the three types of lottery most likely to be relevant for lotteries with a Masonic character is as follows:
- The Board sees no objection to “small lotteries incidental to events” (for example, a raﬄe at a dinner), provided that the entertainment is of a Masonic character.
- A “private society lottery” (for example a “100 club”) where tickets are sold only to members or visitors and the lottery is advertised only within the relevant Lodge: the Board considers that such lotteries, if appropriate for Masonic purposes, should be subject to the same restrictions as small society lotteries (see below).
- A “small society lottery”, for which registration of the organisation is required, is appropriate for fundraising on a larger scale, for example a Provincial Benevolent Fund or one of the Masonic Charities or local charities, or when a Private Lodge sponsors a special appeal. The written leave of the Provincial or District Grand Master (or, in London, of the Board of General Purposes) must be obtained at the earliest opportunity, both before registration is applied for, and again before any individual lottery is organised.
Literature which includes Masonic forms of address in promoting the sale of lottery tickets is unacceptable, even if it emanates from Associations of Friends, over which Grand Lodge has no jurisdiction.
Metropolitan, Provincial and District Grand Masters and Masters of Lodges should refuse to permit the distribution of literature or tickets which clearly infringe any of the above principles, and may refuse to permit their distribution if in their opinion the spirit of those principles is infringed.
Recognition of foreign Grand Lodges
The Grand Chancellor to move that the following Grand Lodges be recognised:
Prince Hall Grand Lodge of Alabama
The Prince Hall Grand Lodge of Alabama was originally formed as the Independent Grand Lodge of Ancient, Free and Accepted Masons for the State of Alabama on 27 September 1870, by three regular Lodges of the Prince Hall Grand Lodge of Ohio, which was recognised by this Grand Lodge on 11 June 1997.
Grand Lodge of Paraná
The Grand Lodge of Paraná was formed on January 25th, 1941 by three regularly constituted member Lodges of the Grand Lodge of the State of Rio de Janeiro, which was itself recognised by this Grand Lodge on 12 December 2001. The Grand Lodge of Paraná’s jurisdiction is limited to the State of Paraná.
Grand Lodge of the State of Goiás
The Grand Lodge of the State of Goiás was formed on 9 June 1951 by ﬁfteen regularly constituted member Lodges of the Grand Lodge of the State of São Paulo, which was itself recognised by this Grand Lodge on 8 December 1999. The Grand Lodge of the State of Goiás’ jurisdiction is limited to the State of Goiás.
Grand Lodge of Santa Catarina
The Grand Lodge of Santa Catarina was formed on 21 April 1956 by seven regularly constituted member Lodges of the Grand Lodge of the State of Rio Grande do Sul, which was itself recognised by this Grand Lodge on 12 December 2001. The Grand Lodge of Santa Catarina’s jurisdiction is limited to the State of Santa Catarina.
Grand Lodge of the State of Roraima
The Grand Lodge of the State of Roraima was formed on 20 August 1981 by three regularly constituted member Lodges of the Grand Lodge of Amazonas, which was itself recognised by this Grand Lodge on 14 March 2018. The Grand Lodge of the State of Roraima’s jurisdiction is limited to the State of Roraima.
Grand Lodge of the State of Rondônia
The Grand Lodge of the State of Rondônia was formed on 10 April 1985, by three regularly constituted member Lodges of the Grand Lodge of Amazonas, which was itself recognised by this Grand Lodge on 14 March 2018. The Grand Lodge of the State of Rondônia’s jurisdiction is limited to the State of Rondônia.
Having shown that they have regularity of origin and that they conform to the Basic Principles for Grand Lodge recognition, the Board, having no reason to believe that they will not continue to maintain a regular path, recommends that these six Grand Lodges be recognised.
The Board has received reports that the following Lodges have resolved to surrender their Warrants: Palmer Lodge, No. 9255, in order to amalgamate with Heabrym Lodge, No. 7201 (Durham); and Blaauwberg Lodge, No. 9337, in order to amalgamate with Wynberg Lodge, No. 2577 (South Africa, Western Division).
The Board accordingly recommends that the Lodges be removed from the register in order to eﬀect the amalgamations.
Erasure of lodges
The Board has received a report that eighteen lodges have closed and have surrendered their Warrants. The lodges are:
Red Rose of Lancaster Lodge, No. 1504 (East Lancashire); Lodge of Charity, No. 1551 (Warwickshire); Epping Lodge, No. 2077 (Essex); Arthur Sullivan Lodge, No. 2156 (East Lancashire); Edward Terry Lodge, No. 2722 (London); Catford Lodge, No. 3649 (West Kent); Loyal Lodge, No. 5040 (East Lancashire); Father Thames Lodge, No. 5615 (Middlesex); Old Rectory Lodge, No. 6651 (Oxfordshire); Hurstwood Lodge, No. 6768 (East Lancashire); Syon Lodge, No. 7394 (Middlesex); Cathedral Lodge, No. 7814 (East Lancashire); Phaethon Lodge, No. 7820 (London); Alphin Lodge, No. 8461 (East Lancashire); Delphi Lodge, No. 9061 (East Lancashire); Blakewater Lodge of Installed Masters, No. 9574 (East Lancashire); Condate Cheshire Provincial Grand Oﬃcers Lodge, No. 9594 (Cheshire); and Kendalian Lodge, No. 9757 (Cumberland and Westmorland)
Over recent years, the Lodges have found themselves no longer viable. The Board was satisfied that further efforts to save them would be to no avail and therefore had no alternative but to recommend that they be erased. A Resolution to this effect was approved.
Presentation to Grand Lodge
A presentation on Risk Takers, Caretakers and Undertakers was given by VW Dr David Staples, Grand Secretary.
List of new lodges for which warrants have been granted by the MW The Grand Master, showing the dates from which their Warrants became effective with date of Warrant, location area, number and name of lodge are:
12 September 2018
9967 Barão de Batovi Lodge, Campo Grande, South America, Northern Division
9968 Essex Cornerstone Lodge, Upminster, Essex
9969 Vectis Service Lodge, Ryde, Hampshire and Isle of Wight
9970 Swallowﬁeld Pitt Bridge Lodge, Wokingham, Berkshire
9971 Shropshire Provincial Grand Stewards’ Lodge, Shrewsbury, Shropshire
Quarterly Communication of Grand Lodge
A Quarterly Communication of Grand Lodge will be held on 13 March 2019, 12 June 2019, 11 September 2019, 11 December 2019 and 11 March 2020.
The Annual Investiture of Grand Officers will take place on 24 April 2019, and admission is by ticket only. A few tickets are allocated by ballot after provision has been made for those automatically entitled to attend.
Convocation of Supreme Grand Chapter
Convocations of Supreme Grand Chapter will be held on 25 April 2019, 13 November 2019 and 30 April 2020.
Freemasons’ Hall had a special guest on 10 December 2018 when UGLE’s Grand Master, HRH The Duke of Kent, paid a visit to view the ‘Brothers in Alms – Peace Through Sacrifice’ exhibition
The Grand Master was taken around the exhibition by the Curator Brian Deutsch, which showcases a photographic history of war and peace in the first half of the 20th century.
The exhibition, which will run until Summer 2019, is displayed on the second floor of Freemasons' Hall.
The heart of the hall
With 11 November 2018 marking the 100th anniversary of Armistice Day, the Library and Museum of Freemasonry looks at how a record of the masons who gave their lives in the First World War came to be immortalised in bronze and stained glass
Walking up the grand staircase in Freemasons’ Hall on Great Queen Street, you may have noticed a casket sitting beneath a stained-glass window. It contains the Roll of Honour for the masonic dead of the First World War and, in the area known as the ‘Shrine’, sits at the heart of this art deco landmark that began life as the Masonic Peace Memorial.
First considered in a meeting of Grand Lodge on 2 December 1914, the Roll of Honour was described a year later by Sir Alfred Robbins as ‘a permanent memorial of active patriotism displayed by Freemasonry in the momentous struggle still proceeding’. The Roll of Honour would give the names of brethren of all ranks who had laid down their lives in the service of their country, based on returns made by lodge secretaries.
On 27 June 1919, an Especial meeting of Grand Lodge was held at the Royal Albert Hall to celebrate the peace. A message was read from the Grand Master, HRH The Duke of Connaught, in which he appealed for funds,
to create a perpetual Memorial of its [i.e. the Craft’s] gratitude to Almighty God…[to] render fitting honour to the many Brethren who fell during the War. I desire that the question of the Memorial be taken into early consideration… The great and continued growth of Freemasonry amongst us demands a central home; and I wish it to be considered whether the question of erecting that home in this Metropolis of the Empire, dedicated to the Most High, … would not be the most fitting Memorial.
Following an international architectural competition in which 110 schemes were submitted to a jury chaired by Sir Edward Lutyens, a design by HV Ashley and F Winton Newman was chosen and building work began in 1927. The new Masonic Peace Memorial was dedicated on 19 July 1933, with the theme of the memorial window in the vestibule area outside the Grand Temple being the attainment of peace through sacrifice. Its main feature is the figure of peace holding a model of the tower facade of the building itself. The lower panels depict fighting men from ancient and modern times, civilians and pilgrims ascending a winding staircase towards the angel of peace.
SHRINE TO THE FALLEN
Five years later in June 1938, the Building Committee, in its final report, announced that it had given instructions for a Memorial Shrine and Roll of Honour to be placed under the Memorial Window. At the Grand Lodge meeting on 5 June 1940, by which time the country was again at war, it announced that the work had been completed.
The Memorial Shrine was created in bronze by Walter Gilbert (1871-1946). Its design and ornamentation incorporated symbols connected with the theme of peace and the attainment of eternal life. It takes the form of a bronze casket resting on an ark among reeds, the boat indicative of a journey that had come to an end. In the centre of the front panel a relief shows the hand of God set in a circle in which rests the soul of man. At the four corners of the Shrine stand pairs of winged seraphim carrying golden trumpets, and across the front are four gilded figures portraying Moses, Joshua, Solomon and St George.
The Roll of Honour is guarded by kneeling figures representing the four fighting services at the time it was designed (the Royal Navy, the Royal Marines, the Army and the Royal Flying Corps). On either side of the Shrine are the bronze Pillars of Light decorated with wheat (for resurrection), lotus (for the waters of life) and irises (for eternal life) with four panels of oak leaves at their base. The Roll of Honour displayed at the Shrine on a parchment roll includes more than 350 names not included in the Roll of Honour book and additional lodge details for about 30 names already known.
The Library and Museum of Freemasonry provides regular guided tours of Freemasons’ Hall, offering visitors the chance to see first-hand the beautiful craftsmanship of the Roll of Honour and the Shrine.
Tracing the past
An artist and engraver who specialised in pen and ink work, John Harris created a set of tracing boards that are still used in ritual today
The principles of Freemasonry are communicated using symbols during the ceremonies and then afterwards by illustrated lectures. Early lodges used to draw these motifs on the floor of their lodge room and wash them off after the meeting. By the late 1700s, floor cloths and symbolic tablets for the master’s pedestal were being used. Then from the early 1800s a set of three tracing boards in a variety of sizes and materials became the standard, to help to illustrate one of the three ceremonies.
Royal Arch chapters do not usually employ tracing boards, but some older chapters do have them. These examples were produced by John Harris (1791-1873) along with his Craft versions, but were not adopted as the former were.
A LIFE OF DEVOTION
Harris was an artist and engraver who specialised in pen and ink facsimile work, notably for the British Museum, but he is best known to Freemasonry as a designer of tracing boards. He became a Freemason in 1818 and by 1820 was selling his designs of portable miniature tracing boards. In 1825 he dedicated, with permission, a set of miniature Craft boards to the Grand Master, the Duke of Sussex. This was taken as an official seal of approval and helped to increase sales.
In 1845, the Emulation Lodge of Improvement, which is the largest masonic ritual association, organised a competition to design a standardised set of boards to be used in all lodges that worked Emulation ritual. Harris won the competition and his boards can be seen in every Emulation ritual book published today.
In later life, Harris suffered from ill health and blindness. He moved into the Asylum for Worthy, Aged, and Decayed Freemasons, later the Royal Masonic Benevolent Institution, in Croydon. He is buried with his wife Mary in the town’s Queen’s Road Cemetery, Croydon. His grave was recently rediscovered and the Provincial Grand Lodge of Surrey, which now owns the plot, has provided the grave with a new headstone.
You can find several examples of Harris’s tracing boards at the Library and Museum of Freemasonry.
A system of 33 degrees
The Ancient and Accepted Rite, or Rose Croix, is one of the oldest Orders, yet many Craft Freemasons know little about it. The Grand Secretary General explains how the Rite has attracted more than a quarter of a million members worldwide
Known outside England, Wales, Scotland and Ireland as the Scottish Rite, this order takes as its founding documents the Grand Constitutions of 1762 and 1786, the latter written by a group of eminent Freemasons under the titular direction of Frederick the Great.
The first Supreme Council (as national governing bodies of the Rite are known) was founded in South Carolina in 1801, with responsibility for an area now known as the Southern Jurisdiction of the United States. A Supreme Council for the Northern Masonic Jurisdiction of the United States was created in 1813, and it is from that body that England and Wales received its warrant of constitution in 1845.
WHAT’S IN A NAME?
Documents issued with this warrant instructed that membership be restricted to those of the Trinitarian Christian faith, but today (apart from the British Isles and three other countries) all Supreme Councils around the world use the Craft requirement of a belief in a Supreme Being.
The Rite consists of 33 degrees, of which (in most jurisdictions) the three degrees of Craft Freemasonry are accepted in lieu of the first three degrees of the Rite. Of the remaining 30, different jurisdictions work different degrees, but in England and Wales just five are worked: the 18°, 30°, 31°, 32° and 33°. The only one worked in chapters is the 18°, known by the grand title of Sovereign Prince of the Rose Croix of Heredom. It is from this that the Order gets its nickname in England and Wales: Rose Croix.
EDUCATING THE MEMBERSHIP
The 18° is a profound and complex ritual, and one much loved by the members of the Order. The other four degrees are worked only at the Order’s headquarters in London. The ‘intermediate degrees’ from the 4° to the 17° are not worked in this country; however, a group of ritualists, the King Edward VII Chapter of Improvement, demonstrate one or two of them each year around the country for the education of the membership.
The 30° is roughly equivalent to Past Master and is awarded to those who have successfully completed a year in the Chair of their chapter. Degrees beyond the 30° are strictly limited, being granted by the Supreme Council for outstanding service to the Order. These promotions are not mere investitures at which a collar or sash is awarded, but a full ritual carried out by the Supreme Council itself.
Promotion to the 33°, the highest of the Rite, is restricted to Members of the Supreme Council, Inspectors General (roughly equivalent to Provincial Grand Masters) and a few other very senior members of the Order. Past members of the 33° have included Their Majesties King Edward VII, Edward VIII and George VI, and more recently Their Royal Highnesses The Duke of Kent and Prince Michael of Kent. The Duke of Kent is Grand Patron of the Order, an office formerly held by his father, the first Duke.
The Supreme Council collectively acts as Grand Master of the Order. No Council Member can instigate change without the unanimous consent of the others, which removes opportunities for confrontation. This also helps to maintain a happy and productive environment while the Council strives to work in the best interests of the Order and its members.
The Order has a flat structure: there are no Provincial Grand Lodges. Rather, each District is overseen by an Inspector General. There is therefore no significant gap in communications between individual members and the Supreme Council, a fact much prized both by the membership and the Council itself. The Supreme Council for England and Wales is ‘in amity’ with more than 40 other countries around the world, meaning members within this jurisdiction may visit chapters in those countries, thus promoting masonic harmony across the Scottish Rite, the largest international masonic community after the Craft.
With their own terminology, structures and practices, each masonic Order is different from the next. Here we break down the origins, requirements and beliefs of Rose Croix.
Why is it called Rose Croix?
The nickname Rose Croix derives from the 18° of the Order, the Rose Croix of Heredom.
I have a friend who’s a member overseas, but he isn’t a Christian. Is he allowed to visit here?
Absolutely. So long as his jurisdiction is one of the 42 countries recognised by England and Wales, he would be welcome to visit any chapter here – subject to invitation, of course.
Where is it based?
The Order is based at 10 Duke Street, St James’s, London, traditionally known as the Grand East. It moved there in 1910 from its old headquarters, which had perhaps the most masonic address in London: 33 Golden Square!
What is the relationship between the Craft and Rose Croix?
Although neither formally recognises the other, in practice the relationship is an extremely close one. The Grand Master, Pro Grand Master and Deputy Grand Master are all members of the 33° and the Grand Master is the Grand Patron of the Order. Similarly, all nine Members of the Supreme Council are Grand Officers of UGLE.
Who runs it?
The Order is headed by a Supreme Council of nine eminent members. The current Sovereign Grand Commander (Chairman of the Council) is Alan Englefield, formerly Provincial Grand Master for Oxfordshire and the first Grand Chancellor of UGLE.
How many members are there?
There are around 27,000 members, with around 24,000 in England and Wales and 3,000 in its Districts overseas. Worldwide there are many, many more, with more than a quarter of a million in the US alone.
Is the country divided into Provinces in the same way as the Craft?
Yes, although in this Order they are called Districts. Each is headed by an Inspector General.
What is the supreme council’s emblem?
It is a double-headed eagle surmounted by a crown and holding a sword between its claws. A triangle on top of the crown displays the number 33. Underneath reads ‘Deus Meumque Jus’, which translates as ‘God and my right’.
Is Rose Croix an ‘invitation only’ Order?
Absolutely not! Membership is open to all those who have been a Master Mason for at least one year and are prepared to sign a declaration that they profess the Trinitarian Christian faith.
How many people hold the 33°?
There are around 150 members of the 33° in England and Wales, of whom the large majority are current or past Inspectors General.
How did a renowned masonic jeweller come to play a pivotal role in the union of the two Grand Lodges? Dr James Campbell explores the life and times of Thomas Harper
Visit any masonic meeting in England or Wales and you will find members dressed in the same aprons: sky-blue with rosettes for Master Masons; sky-blue with plumb rules for those who have been through the Master’s Chair; and garter-blue for Grand Lodge and Provincial Grand Lodge Officers, with standard jewels suspended from their collars. While this regalia is well known, the people who came up with these designs have been largely forgotten. One of them was Thomas Harper (c. 1736-1832).
Before 1813 there was no standard masonic regalia. There were special aprons that denoted rank, but huge variations remained in the designs – as can still be seen today in Scottish masonry.
When the two Grand Lodges of England and Wales (the Premier or Moderns and the Antients) came together on 27 December 1813 to form the United Grand Lodge of England, an effort was made to standardise designs, including warrants, certificates, the ritual and the regalia. The Duke of Sussex, the new Grand Master, formed a Board of Works charged with working out the details. The first meeting was held on 7 February 1814. The minutes survive and record that Thomas Harper was in the chair.
There are some people for whom Freemasonry is an agreeable but small part of their otherwise busy lives, and others whose lives become so devoted to Freemasonry that it defines them. The latter was most definitely the case for Thomas Harper.
Harper’s origins remain obscure: we know nothing about where he was born or where he grew up. His first appearance in the historical record is because of his Freemasonry. We know that he was by 1774 a member of Lodge of the Antients, No. 190, in Charlestown, South Carolina. It is believed he probably first became a mason in 1761 in Bristol before setting sail for the American colonies.
A loyalist, Harper returned in 1781 with his wife and child, moving to London and setting himself up as a silversmith. He registered his mark at Goldsmith’s Hall and soon distinguished himself as a jeweller, rising to eminence in the City and acting as Master of the Turner’s Company in 1798, 1813 and 1829.
It is chiefly as a jeweller that Harper is remembered today. He made jewellery for several livery companies, but his principal output was in masonic jewels of all kinds. These are exceptionally fine and have become the most sought-after of all masonic jewels, instantly recognisable by his maker’s mark featuring his initials ‘TH’ on the reverse. His shop was in Fleet Street and he later moved to nearby Arundel Street.
There are some people whose lives become so devoted to Freemasonry that it defines them. This was most definitely the case for Thomas Harper
ANTIENTS AND MODERNS
Harper’s skill as a jeweller was such that it has largely overshadowed his other achievements and involvement in the Craft. To say that Harper was a keen Freemason is an understatement. On his return to England he had joined Lodge No. 5 of the Antients, now Albion Lodge, No. 9, whose most prominent member was Laurence Dermott, the first Grand Secretary, and the driving force behind the formation of the Antients Grand Lodge.
Harper rose quickly through the ranks of the Antients, being elected their Junior Grand Warden in 1785, Senior Grand Warden from 1786-88 and Deputy Grand Secretary from 1792-1800, before being elected Deputy Grand Master in 1800 and serving until the Union. He became a member of the Antients’ Grand Master’s Lodge, No. 1 and became Senior Warden in 1788, Master in 1793 and Treasurer from 1794-1829.
Harper was also prominent in the rival Moderns Grand Lodge. He had joined Globe Lodge, No. 13 (now no. 23) in 1787, which was then, as now, one of the lodges that nominated a Grand Steward and in 1794 his name was put forward, although it is not clear whether he took up the office.
INTRIGUE AND EXPULSION
In 1792, Harper had joined William Preston’s breakaway Lodge of Antiquity (No. 1 in the Moderns, now No. 2), helping organise its reunion with the remainder of the Lodge No. 1 in 1792, becoming its Treasurer from 1792-1803. He was thus for a brief time Treasurer of both Lodge No. 1 of the Antients and of Lodge No. 1 of the Moderns. His membership of both Grand Lodges was not without incident and he was briefly expelled from the Moderns in an intrigue in 1803 – but the expulsion was reversed in 1810.
After Dermott’s death in 1788, Harper took over producing the constitutions of the Antients (mysteriously entitled Ahiman Rezon). Like Dermott, he believed in the reunion of the two Grand Lodges, and became a prime mover in this effort. He was ideally placed as Deputy Grand Master of the Antients and a previous member of several Moderns’ Lodges, and played a leading part in the proceedings.
As a reward he was made a member of both the Board of Works and the Board of General Purposes in 1814, the ruling committees of the new United Grand Lodge of England. In these capacities he became involved in the designs for new jewels, aprons and certificates.
Harper also produced aprons alongside his business in masonic jewellery. He supplied Sir John Soane’s apron when he joined Grand Master’s Lodge, No. 1 in 1813. Both the apron and the receipt are retained in Sir John Soane’s Museum.
Harper chaired the first meeting of the Board of Works, which discussed the masonic jewels to be attached to the collars of the various officers. In the following weeks the coat of arms of the new Grand Lodge and the form of the aprons were discussed, with Harper present and involved in all of them.
It may be going too far to say he designed it, but Harper was undoubtedly an important influence on the regalia we have today, and a key player in forming modern Freemasonry.