Wednesday, 13 June 2012 01:00

Was Sir Christopher Wren a Freemason?

Was St Paul's Cathedral built by a mason?

With Christopher Wren’s membership of the Craft remaining disputed, Dr James Campbell explains why he chose this subject for his 2011 Prestonian Lecture

Sir Christopher Wren is so well known he hardly needs an introduction. He is England’s most famous architect, the designer of St Paul’s Cathedral. Indeed, up until the age of the railways he was England’s most prolific architect, designing more buildings in his 90 years than any other.

But what makes Wren really fascinating is that he turned to architecture rather late, having already made a considerable name for himself as a mathematician, astronomer and experimental scientist. He was a founding member of the Royal Society and later its president. He carried out the first intravenous injection, was one of the three men who suggested to Newton that gravity obeyed the inverse square law, and was a professor of astronomy at the age of 26. His contemporaries universally described him as startlingly brilliant. Indeed, the more you learn about Wren the more engaging he becomes.

My interest in Wren dates back to 1987, when I first arrived as an undergraduate in Trinity College, Cambridge, and discovered the magnificent library he built there. It sparked a lifelong interest in Wren and another in the architecture of libraries. An interest in Wren served me well and I eventually did my PhD on him and became an architectural historian. One topic kept coming up in my research on Wren: that of his link with Freemasonry. Authors were completely divided on the subject. Many, of course, simply ignored it entirely, but others could not make up their minds whether he was or was not a Freemason, let alone whether it had any effect on his architecture. That uncertainty continues to this day.

A CONTESTABLE TOPIC

If you go on the UGLE website and look at the lists of famous Freemasons, Wren’s name is nowhere to be found. Writers on the subject have also varied in their opinions. John Hamill said in The Craft that the case is ‘unproven’; David Stevenson has said in the past that there is no evidence; while Lisa Jardine, Wren biographer and distinguished historian, is in no doubt that he was. When you look further back – at the eighteenth century – the books of the time all state that Wren had not only been a Freemason, he had been the Grand Master. Some even go so far as to claim that Wren initiated Peter the Great of Russia and William III of England.

The Prestonian Lectures is the only series of lectures officially sanctioned by UGLE. Every year a new lecturer is appointed by the Trustees and announced in Grand Lodge. They choose their own topic. The subject should be suitable for delivery in open lodge or to a wider audience and should be of the broadest possible interest. Wren’s membership of the Craft seemed to me to be ideal and I am pleased that the Trustees agreed.

William Preston (1742-1818), after whom the Prestonian Lectures is named, had been interested in Wren. Preston was convinced Wren was a Freemason and wrote on the subject. He even went as far as buying what he thought was a portrait of him for his lodge. It is now known to be a portrait of the architect William Talman, and it still hangs in Freemasons’ Hall with a plaque wrongly labelled as Wren.

The lectureship Preston founded went into abeyance in the nineteenth century and was revived in its present form in 1924. Since then there have been eighty-two Prestonian Lecturers. Each is entitled to wear a distinctive jewel bearing Preston’s image. In their year of office they give ‘official’ deliveries to lodges chosen by the Board of General Purposes and unofficial deliveries to any lodges that ask for them.

Wren’s membership of the Craft has never been a subject of a Prestonian Lecture before, but is not an infrequent subject of masonic lectures. Most of those I have read are, I am afraid, rather confused.

Most lecturers rely heavily on Robert Freke Gould’s History Of Freemasonry (1883-87), which devotes over fifty pages to demolishing the previously held beliefs that Wren was a Freemason. Few lecturers bother to return to the original sources or look into more recent discoveries. This became my aim: to present clearly how the confusion had arisen and what we now know, and in presenting the evidence to allow the audience to make up their own minds.

Some history is straightforward. Through a series of reliable sources we are able to say unequivocally that something happened on a particular date. Other matters are not so straightforward – vital pieces of evidence are missing or unreliable. This is the case with Wren. The result is a fascinating story of detective work and of shifting views in history.

THE IDEAL SUBJECT

Wren lived around the time that Freemasonry emerged in the seventeenth century, so the question of his membership also brings up the issue of what Freemasonry was at the time he joined. It therefore provides a fascinating glimpse into the problems we have in studying all parts of early Freemasonry’s history.

Also bound up with this subject is the history of Lodge No. 2, the Lodge of Antiquity, which met near St Paul’s Cathedral. Preston was a member of this lodge in the late eighteenth century and it has a number of artefacts associated with Wren. A lecture on Wren is thus an excuse to go into the history of this wonderful lodge and its origins.

Lastly a lecture on Wren and Freemasonry is an ideal opportunity to ask the question of whether it had any effect on his architecture. Are there any masonic symbols hidden in the works of Wren?

These then were the reasons I chose Wren as the subject of the 2011 Prestonian Lecture and it was a most enjoyable year. I gave lectures all over the UK, and I even went as far as India. One highlight was being asked to give a lecture to the Christopher Wren Lodge in Windsor, which hired the town hall Wren designed for the occasion.

Modernising Wren’s hospital

The proceeds of the Prestonian Lecture and the booklet that accompanies it go to charity. Half of the proceeds from Dr James Campbell’s lecture are going to The Royal Hospital Chelsea. The hospital is undergoing a major restoration and is seeking funds to adapt Wren’s building to modern living. The other charity is the Royal Masonic Trust for Girls and Boys. So far, James has raised more than £6,500 thanks to the generosity of the lodges who have supported the lecture. The sale of the booklet will hopefully raise more. Was Sir Christopher Wren A Mason? contains the complete text of Dr James Campbell’s 2011 Prestonian Lecture and is available from Letchworth’s in Freemasons’ Hall (letchworthshop.co.uk) for £7.99.

Published in Features
Wednesday, 14 December 2011 10:22

City stories

Take a minute to look up from the pavement in the City of London and you will find historic gems that reveal a great deal about the founding of Freemasonry. Yasha Beresiner is your guide

Hello and welcome to this tour of three of the historic masonic sites in the City of London that are inextricably linked with Freemasonry and its development. We start our journey on the spot where once stood the entrance to the Goose and Gridiron Ale-house, some fifty metres north of the last step leading to St. Paul’s Cathedral. It is here that the foundation of the undisputed first Grand Lodge in the world took place on 24 June 1717.

Unfortunately, and rather surprisingly, there appear to be no mementos of this historic tavern situated in what was St. Paul’s Church Yard and the only surviving item, now in the Museum of London, is the pub sign. Up until the Great Fire of London in 1666, the Goose and Gridiron was known as the Mitre. After being devastated in the blaze, it was rebuilt and renamed The Lyre, on account of the tavern’s musical associations (a musical society met on its premises), and took as its sign Apollo’s lyre surmounted by a swan. However, this image was often unrecognised and misinterpreted and a new name was born from the error: Goose and Gridiron.

battle for the blue plaque
It was in this tavern that four London lodges came together to launch Freemasonry, electing Anthony Sayer (1672-1741/2) – the ‘oldest Master Mason and then Master of a Lodge’ – as its Grand Master. It must be noted here, however, that the only source for all the information we have about the premier Grand Lodge in 1717 is from James Anderson’s reports that were published more than two decades later in 1738.

Moving on now, if you look to your right you will see, on the last column of the building you are facing, the official blue plaque commemorating the foundation of the Grand Lodge. It simply states:
 
Near This Site
The Grand Lodge
Of English
FREEMASONS
First Met in 1717   
              
However, obtaining it was anything but simple. Persuading the City of London Corporation to place an official plaque within the City boundaries is no easy task. Our efforts began in 1995 with the formation of the Goose and Gridiron Society, and within twelve months the society had submitted a well-supported request to the City authorities for a plaque to commemorate the foundation of Freemasonry. Although the request was accepted, it then transpired that the building on which the plaque was to be placed was due for demolition.

Nonetheless, after eight years of perseverance, on 15 June 2005, the then Lord Mayor, Alderman Very Worshipful Brother Michael Savory, finally unveiled the blue plaque that we are now so proud of.

foundations of freemasonry
It is interesting to consider how amazed our founding forefathers would no doubt be at the spread of Freemasonry through the four quarters of the globe. You see, the four lodges did not originally meet with the aim of forming a Grand Lodge. Rather, their decision to unite stemmed from a need to strengthen each individual lodge’s membership. Indeed, in unity they found this strength and it was at the initiative of other lodges wishing to join the group that a Grand Lodge was declared and formed as a controlling body. Freemasonry has never looked back.

Follow me now please, past Paternoster Square, Goldsmiths, The Saddlers’ Hall and Guildhall Yard, and let us make our way into the passage entrance of Mason’s Avenue. Now, once we move twenty metres into the alleyway, we are standing in front of the Select Trust Building.

Let me first point out that the whole of this two- hundred-yard-long avenue has not changed in four centuries. The imitation Tudor-style buildings are recent, of course, but the shape and size of the alley has remained identical and right here, on what is now 12-15 Mason’s Avenue, stood the Hall of the Worshipful Company of Masons, one of the City of London Livery Companies with which our society is closely, and at times quite wrongly, identified.

The Masons Company has its earliest record dating to 1356 and received its Grant of Arms in 1472. By then the building on this site was already functional and it was only demolished in 1865, some four hundred years later. As a reminder of the old days, the present building, which was completed in 1980, has the beautiful stained-glass windows with masonic emblems incorporated into the design. A gilded inscription embedded into the wall serves as a further reminder. It reads:
  
On This Site Stood
The Hall Of The
Worshipful
Company
Of Masons
A 1463 – 1865 D  
        
While the Masons Company has no connection with our Craft, it is notable that twenty-one of the City of London Livery Companies have an associated masonic lodge consisting exclusively of members from that particular livery.

For our third and sadly last stop on this tour, let us walk the short distance to the Royal Exchange. From this vantage point you have a particularly good view of the main entrance to the Bank of England, which is popularly known as ‘The Old Lady of Threadneedle Street’.

The Bank of England has been situated in this area since its inception in 1694, with three bank buildings rising on this same site since 1734. As an interesting aside, did you know that the Bank of England was the first purpose-built bank in the British Isles? Another notable, and quite surprising fact is that the Bank of England remained a private entity until the Parliament Act of 1946, after which it was finally nationalised.

soane’s speedy advancement
Returning to the building, Sir John Soane (1753-1837) was the bank’s third architect and worked on it for forty-five years (1788-1833). However, the only part of his work that still remains is ‘the curtain wall’, which is the elongated windowless screen wall that you can see along the front. This wall encloses the whole of the block, which consists of an area of three and a half acres containing the premises of the bank.

The Duke of Sussex, who was elected as the new Grand Master of the United Grand Lodge of England in 1813, favoured Soane’s architectural work. As such, when the Duke of Sussex directed the extension of the Grand Lodge premises in Great Queen Street, one of his many dynamic and innovative activities, it was Soane who undertook and completed the task.

On 25 November 1813, an emergency meeting of the Grand Master’s Lodge, No. 1, under the Grand Lodge of the Antients, was held at the Crown and Anchor Tavern in the Strand. At this meeting Soane was initiated as an Entered Apprentice, passed to the degree of a Fellowcraft and raised to the degree of a Master Mason. In addition, following the inauguration of the United Grand Lodge of England, Soane was formally appointed President of the Board of Works and given the appropriate high masonic rank of Grand Superintendent of Works – both a well-deserved and speedy advancement by any standard.

This brings us to the end of our tour in which I hope to have shown you the significance of the City of London to the history of Freemasonry, along the way unearthing a few masonic gems that you may not have known existed. Thank you very much for joining me – I hope you have enjoyed your trip and I wish you a safe journey home.
Published in Features

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