FREEMASONRY TODAY

Detail from the frontispiece for the Moderns Book of Constitutions of 1784.
Acknowledgement: The Library and Museum of Freemasonry, London
The Great and Lesser Lights
John Acaster arrives at the fascination of lights
The three great, though
emblematical, lights of
masonry are revealed
immediately after an initiate has been
‘restored to the blessing of material
light’. Blinking, and for the first time
conscious of his curious situation, the
newcomer has a moment to glimpse
the objects before him as each is
briefly explained. A moment later,
now standing, he is turned round. He
sees for the first time the room in
which he is situated, and the Brethren
all observing him, for they are
interested to see his reactions. And
then he has pointed out to him, by a
sweep of the Master’s arm, the three
lesser lights in masonry, oddly said to
represent the Sun, Moon and Master
of the Lodge.
There is then, or thereafter, no further
explanation. He has arrived in the masonic
universe and is left, if and when he is so
inclined, to explore it for himself. No
wonder that new Brethren feel the need
for masonic education. No wonder there is
a groundswell for lodges of instruction
and research to come to the rescue, to
change their habits of a lifetime grinding
out their own brand of instruction, and to
impart instead ‘genuine knowledge’,
directed towards helpful and immediate
understanding of their environment, to all
masonic journeymen.
There is no better place to start than
with the lights of masonry. After all,
Freemasonry prides itself on affording
light of a special sort to its Brethren.
What is the nature of this light? How do
we know when we have it? Can others
see it? What evidence is there for its
existence? If we start in the dark, how do
we hope to find it? These are questions
to ponder, for the ritual answers are
Delphic.
Unfortunately repetition and
familiarity dull the sharpness of our
senses. Ideally we ought to enter each
moment with the freshness of a threeyear
old, or do I mean the heightened
sensations of one who has returned from
a near-death experience? Surprise and
delight ought to be bubbling near the
surface. Freemasonry can offer, despite
all appearances, the stimulus to renew
this.
THE THREE GREAT LIGHTS
Let us approach the three great
lights. They are a stroke of genius. They
are little short of revolutionary. They
declare. We are their children. To remind
ourselves, they consist of the Volume of
the Sacred Law, the Square, and the
Compasses. The Sacred Writings are to
govern our faith; the Square to regulate
our actions; and the Compasses to keep
us in due bounds with all mankind,
particularly our Brethren in
Freemasonry.
You will recall that the first action
after the opening of the Lodge is an
assembling of the three great lights in
front of the Master. Separately they each
have their significances; together they
gather a collective meaning and
authority. At the very conclusion of the
Lodge meeting these fissile elements are
dispersed, closed and put away, and
Brethren return to the material world,
their masonic secrets locked away in a
certain safe repository.
The fact is that in the natural world,
both by biblical authority and by our
unvarnished senses, there are only two
great lights. In previous centuries, when
the ritual was created, every educated
person would have known this; indeed,
every uneducated person would have
known this. Before the introduction of
gas and electric light the rising of the sun
in a very real way meant the start of the
day. It meant natural warmth, and
growth. And when that great light
eventually sank down towards the brink
of the horizon, only the well-off could
light their private domestic candles. The
poor, unless enjoying the warmth and
light of a tavern fire, would settle down
to sleep. The moon, as it silently waxed
great and waned small, truly governed
the night. Its effluxions ruled men’s
possibilities for travel and for
harvesting. It was the mysterious power
which drew up, and then released, the
mighty sea. And, by the mere motion of
its rhythms, who knows what else?
These are the works of the fourth day
in the first chapter of the Book of
Genesis:
And God said, Let there be
lights in the firmament of the
heaven to divide the day from
the night; and let them be for
signs, and for seasons, and for
days, and years:
And let them be for lights in the
firmament of heaven to give light
upon the earth: and it was so.
And God made two great lights;
the greater light to rule the day,
and the lesser light to rule the
night; he made the stars also.
And God set them in the
firmament of the heaven to give
light upon the earth,
And to rule over the day and over
the night, and to divide the light
from the darkness: and God saw
that it was good.
This is a clear statement. God created
the natural lights by which we see. Of
these there are two great ones, one of
which is lesser. Later biblical traditions
produce other lights including,
symbolically, one of special importance,
the ‘Light of the World’. Freemasonry,
however, is so bold as to claim not one,
not two, but three great lights. That
statement is meant to startle us. It is no
commonplace to be muttered. It is a
highpoint, indeed the first highpoint, of
our masonic experience.
SUN, MOON AND MASTER
Now consider the context in which this
formula is stated. The initiate is quickly
drawn to discover the three lesser lights in
masonry. Situated in the east, south and
west, they are said to represent the Sun, the
Moon, and the Master of the Lodge. In
other words, God’s two great lights of
creation are relegated to a distinctly lesser
status than the three great lights of
masonry! You will now appreciate why the
elevation of masonry’s three great lights
can be viewed as revolutionary.
It is for each of us to consider and
judge whether this extraordinary,
unorthodox, conception is justified. For it
is a bold claim, is it not? It is indeed a
brilliant construct. Out of an original
twelve lights in masonry – and if you
know what these were, write
to the Editor of Freemasonry
Today – some ritual craftsman
has cut and polished them to
three. They can be
comprehended as a whole and
sparkle the more powerfully.
The first light is the
Volume of the Sacred Law.
There are many wise words
about this in the ritual.
Whatever else the Sacred
Volume might be, it is the
guide to our personal faith,
and an inspiration to many. It
speaks to the individual and
his conscience in the context
of eternity. The concept of the
masonic Sacred Volume
comprehends the whole of
religious scripture, and is
inclusive across the world.
That light floods and, at its
profoundest, binds the best.
The second great light, the
Square, is the peculiar
inspiration for spiritual
Freemasonry (‘All our signs is
taken from the square,
according to every subject in
handling’). The Square is rich
in connotations. It
is an earthly object of truth.
The third great light, the
Compasses, also connect
universal symbols across a
wide range. We may think that
they inextricably indicate
action, creativity, beauty,
balance, harmony, wisdom and
justice. Compasses are said to
belong to the Grand Master,
and we can accept that, if our
Grand Master is God. Overall,
what a grand concordance!
What spiritual power can flow
by, and from, this happy
conjunction of great masonic
lights! May our works, Brother
to Brother and within society as
a whole, ever reflect our ideals
and our three-in-one claim.
But what of our lesser
lights, those confusingly
indicated by the broad sweep of
the Master’s arm, those that
most people find difficult to
understand? How can the Sun,
the Moon, and the Master, be
linked together? Is it the Junior
Warden who represents the
Sun, who rules the day, and the
Senior Warden who represents
the Moon, who rules the night?
What curious nonsense is being
offered here? To understand
what has become an unfortunate
compression of words and ideas we need to
go back to source, the ritual of the Antients.
Jachin and Boaz, of 1762, says:
Mas. What were the next Things
that were shewn to you?
Ans. Three Candles, which I was
told were the three lesser
Lights in Masonry.
Mas. What do they represent?
Ans. The Sun, Moon and Master-
Mason.
Mas. Why so, Brother?
Ans. There is the Sun to rule the
Day, the Moon to rule the
Night and the Master-Mason
his Lodge, or at least ought
so to do.
We now can surely appreciate that the
three candles represent the realm of the
lesser, tangible, lights. Each Warden, by
his light, is expected to have control over
the masonic activities of members, at
work by day, or at leisure by night. The
duty of the Master is, in some manner, to
act as understudy for the Great Architect,
to oversee both, which great ambition
can, in fact, be seen as the ultimate
aspiration of every Freemason.
Issue 41, Summer 2007
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