FREEMASONRY TODAY
Book Review

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MASQUES OF SOLOMON: THE ORIGIN OF THE THIRD DEGREE.
C. Bruce Hunter, Richmond,
Va., Macoy Publishing, 2003. Hardback, xxiii and 219 pages, £14.95. ISBN 0-88053-095-2 Available from Lewis Masonic.
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Bruce Hunter has provided a theory
to explain when, why, and how the
Hiramic legend appeared in
English Freemasonry. In the course of this
we are provided with a pleasantly-written
background to much of the century and a
half before the formation of the Grand
Lodge in London in 1717. The book starts
with a Chronology. It ends with eight
appendices, covering 56 pages, containing
some interesting texts, such as the two
Schaw Statutes, various Stuart building
proclamations, and the Master’s Part of
Masonry Dissected.
But Bruce Hunter’s case is very
flimsy. It rests on King James VI and I of
Scotland and England whom Anderson
described as a ‘Royal Brother Mason’.
Hunter sees the artists Schaw, Jones, and
Jonson as having key roles. Schaw was,
‘free to infuse the lodges under his
jurisdiction with a healthy dose of new
ideas…and he could use his contacts in
court to recruit enough “new blood” to
keep the lodges going…’ ‘When Schaw
and his masons began admitting honorary
members and created a new ceremony to
cater to them, they planted a seed that
would grow into the modern Masonic
ritual. And when Jonson created a new
version of the ceremonies with which he
was entrusted, he nurtured the seed by
creating a model for the dramatic story of
the Third Degree. When the Masons
reorganized their craft during the early
1700s…they quickly added a third degree
to pay tribute to a king named Solomon.’
Gallant imagination indeed. There is
no evidence, even from the six pages of
bibliography, that the author is familiar
with the modern relevant academic
literature, nor that he has actually read the
masques themselves.
What a pity! For there is indeed much
primary evidence bearing upon
Freemasonry to be found in such writings.
Ben Jonson is a quarry, or rather brickyard,
in himself. Hungry, serious students
must read Art and Magic in the Court of
the Stuarts, Routledge (1994) by Vaughan
Hart for real insight concerning the
astonishing auras conjured up during the
four decades following the instauration of
Great Britain in 1603. Solomon certainly
provided some flattering inspiration. But
Hiram, that genie, continues to remain
elusive.
John Acaster
Issue 40, Spring 2007
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