FREEMASONRY TODAY
Michaelangelo’s The Creation of Adam. Fresco detail from the Sistine Chapel ceiling in Rome
The Three Degrees
Julian Rees Listens to Resonance
The temptation to see the three degrees as separate ceremonies in themselves
is almost unavoidable; yet these three stages are in reality parts of a whole.
There are many correspondences between the three degrees, and these need
to be examined for what they can teach us.
The first degree, we are told, deals
with the emergence out of darkness into
light. This is the journey from
unknowing to knowing; the first stage
on the path to self-knowledge. The
second degree encompasses, in more
senses than one, the journey through
life, and the Fellow Craft for this reason
is sometimes known in other
jurisdictions as the ‘Journeyman’, the
man journeying to acquire knowledge in
order to free himself from his
apprenticeship. The third degree deals
with the transition from earthly life to
the eternal.
We enter the temple as an aspirant in
darkness, but this darkness is ours alone,
because the journey from darkness to
light is an individual, personal journey.
The Brethren in the Temple are with us
in a spirit of brotherhood, first to ensure
that we meet no harm, physical or
spiritual. Secondly, they are there to
ensure that our initiation is regularly and
properly conducted. Thirdly, and
importantly, they are there to re-visit the
experience of their own initiation and to
contemplate the lessons they have
themselves learned.
When we enter the Temple for our
second degree, the contrast could not be
more stark. Where before there was no
light – except for the light we might
have found within ourselves – now all is
light, the light of day that any
journeyman might need to progress on
his journey. The whole feeling of this
degree is one of light, happiness and
peace. Where in the first degree,
disabled physically and disoriented
mentally, we had stumbled and faltered,
here we are able to journey, freely
appreciating the beauties and the joy of
nature, an allegory of our own nature
that we are in the process of
discovering.
Our admission to the Temple in the
third degree can only offer a yet starker
contrast; now all is darkness, not only
for us as aspirants, but for all those
present. The Brethren are now able to
share with us the deprivation of all but
the faintest light in the east. The near total
darkness is a bleak reminder for all
present that the quest for our Self,
newly-purged of all material concerns
and obsessions, is a serious one, and that
the goal is one we all ultimately aspire
to: first a glimpse of, and then an
experience of oneness with eternity,
should we be so fortunate. It has a
resonance with the first degree lecture:
So ought every mason to conduct
himself towards this world; to observe a
due balance between avarice and
profusion; to hold the scales of justice
with equal poise; to make his passions
and prejudices coincide with the just
line of his conduct; and in all his
pursuits to have eternity in view.
THE JOURNEY
But the resonance between the
degrees is not restricted to their
beginnings. If we view the whole of
Freemasonry as an allegory of a journey,
leading from birth, through life, to death
and perfection, then within each of those
degrees we find pilgrimages within the
overall journey. In the first degree we
first progress round the temple to show
that we are deserving of Freemasonry;
our second such journey is to prove
what we have learned. In the second
degree we first prove ourselves as
masons, secondly to prove that we have
completed the necessary work to be
advanced and then, after advancement,
the examination to test us once again.
Crucially the third degree is different.
We undertake three pilgrimages. The first
two are related to the first two degrees,
and the third to prove that we are
qualified to advance. What is missing
here is the final pilgrimage, the one with
which we are examined for proficiency
and prove our knowledge. But the secrets
demonstrated by the Wardens in the third
degree closing are but the substituted
secrets. The true secret, the one in our
hearts, is so private as to be
incommunicable to another, and that is as
it should be, for this secret concerns
eternity; and that we must discover for
ourselves.
ADVANCING TO THE EAST
Consider also the means of
advancing to the light in the east in the
three degrees. In the first degree, we are
in total darkness. The steps we take are
necessarily faltering and are achieved
only by the guidance of the Deacon at
our side. Each step is a little more sure
than the previous one, since we gain in
confidence as we progress. But all steps
in the first degree are in a straight line,
and all of them on the same level.
In the second degree, not only do we
stray from the straight line, we also
ascend; a powerful allegory of the
ascent from material pursuits to the
union hoped for in the middle chamber.
These steps are assured and purposeful
and reflect the new-found confidence
that the second degree permits.
In the third degree, the difficulties
are far greater than we encountered in
the first. True, we can see the way ahead
for the steps we are to take, but that way
is blocked by an obstacle, and the very
object over which we have to pass is the
negation of life. By these steps we
allegorically bury our old materialist
self in order to approach perfection.
WORKING TOOLS
The working tools in the three
degrees afford another interesting insight
into the correlation of the whole. Kirk
MacNulty, in The Way of the Craftsman,
points out that the only tools of true
construction are those of the second
degree. Those of the first degree are tools
of preparation – with them we prepare,
cut to size and embellish the different
stones using gavel, chisel and rule. Those
of the third degree are tools of creativity,
in laying out the ground properly
surveyed, determining the proportions
and design of the building, and then
committing that to the drawing-board.
But in a real sense it is the tools of
the second degree that are the most
telling. We have the stones, properly
prepared and ready to be set, to form the
integrity of the building. We have the
newly-created plans and the groundwork
on which to commence. The
square, level and plumb rule will enable
us to place the stones, and so they are
tools of quality control, enabling us to
be assured that our building has a level
basis; that the stones, proved by the
square to have been truly formed, will
fit together, and set in an upright way, as
will be proved by the plumb rule.
DARKNESS AND LIGHT
One of the first things we notice after
being restored to material light in the
first degree is the chequered floor on
which we stand. The white and black
remind us, intentionally, of the contrasts
of joy and sorrow, light and dark. So
although material light is restored,
fortune and adversity may always be
present through our lives. The Fellow
Craft will therefore travel, in the second
degree, through his new landscape of joy
and fruitfulness, but constantly reminded
that darkness is an ever-present contrast.
In one sense it proves to be a
forewarning since when he comes to the
third degree he finds a darkness far more
bleak than he experienced in the first
degree; it is to be hoped that the
sustenance of the second degree, the
corn, wine, and oil, will be sufficient to
support him in this last and greatest trial.
THE DESTINATION
Although the whole of Freemasonry is
depicted as a series of journeys, there are
important differences as regards the
destination in each of them. The first
degree takes us, by level steps, to that
place where, by means of the vow of
fidelity, we may receive light, material
and symbolic. But for the moment it goes
no further than that. In the second degree
our steps are no longer level; having
passed the altar, the point at which we
attained light, we have the right to ascend,
as proved by our use of the password, to
another level, one on which we gain
admittance to the middle chamber, there
to pay our dues and to show we are
worthy to receive our wages, wages
symbolising a spiritual value.
In the third degree, we remain on that
higher level but pass through the veil
separating us from the hope of eternal life
into the Holy of Holies. This is why the
third degree is referred to as sublime
since it is here that we come face to face
with the Great Architect and learn to
know and to own the divine spark within
ourselves, which may rightly be regarded
as the summit of our journey and the
object of our true aspiration.
Issue 40, Spring 2007
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