JULIAN REES
Wisdom, Strength and Beauty
Only beauty purely loving
Knows no discord,
But still moves delight,
Like clear springs renewed by flowing,
Ever perfect, ever in themselves eternal.
Thomas Campion
From the time when I was initiated, I
found myself fascinated by the three
‘lesser lights’. Of course I understand
why the three greater lights are the ‘greats’
of Freemasonry. The Volume of the Sacred
Law, the Square and Compasses – these are
at once the emblems of our ancient art and
the implements we use for masonic
development and progress. They constitute
the true cornerstone of masonic practice.
Yet for me personally, the three lesser
lights have a true fascination, and are more
personally relevant. Here’s something which
relates to our individual aspiration, our
journey. Here we are talking not about the
attributes of the Almighty, nor the strict rules
of the morality we obligate ourselves to
adhere to. Here we consider the qualities a
person needs to have, to develop, or to
meditate on, in order successfully and
fruitfully to follow his masonic path.
Given all this, and more, which surrounds
the three lesser lights, it’s strange that they
are passed over so quickly at our initiation.
However, the fourth section of the first
Emulation lecture dispenses some light:-
What supports a freemason’s lodge?
Three great pillars.
What are they called?
Wisdom, Strength and Beauty
Why Wisdom, Strength and Beauty?
Wisdom to contrive, Strength to support
and Beauty to adorn.
Moralise them.
Wisdom to conduct us in all our
undertakings, Strength to support us
under all our difficulties, and Beauty to
adorn the inward man.
Illustrate them.
The universe is the temple of the Deity
whom we serve; Wisdom, Strength and
Beauty are about His throne as pillars of
His works, for His wisdom is infinite, His
strength omnipotent, and beauty shines
through the whole of the creation in
symmetry and order. The heavens He
has stretched forth as a canopy; the earth
He has planted as a footstool. He crowns
His temple with stars, as with a diadem,
and with His hand He extends the power
and glory. The sun and moon are
messengers of His will, and all His law is
concord. The three great pillars
supporting a freemasons’ lodge are
emblematic of those divine attributes...
Wisdom, Strength and Beauty – these are
qualities related to the Grecian orders, which
are ‘suggested by the diversity of form in the
human frame’. The Master’s column, the
Ionic, representing Wisdom, was created to
meet the need for grace and elegance, which
were lacking in the earlier Doric order. The
Ionic order was employed in the erection of
the temple of the goddess Diana. This
column ‘is formed after the model of a
beautiful young woman, dressed in her hair’,
represented by the volutes, those lovely spiral
scrolls appended to each side of the capital.
The Senior Warden’s or Doric column,
the simplest of the Grecian orders,
representing Strength, is in a sense both
counterpart and companion to the Ionic. It
‘has no ornament except mouldings on
either base or capital . . . the composition of
this order is both grand and noble. Being
formed after the model of a muscular, fullgrown
man, it… is principally used in
structures where strength and a noble
simplicity are required’.
The Junior Warden’s or Corinthian column,
representing Beauty, is the most sophisticated
of the orders of Grecian origin. It retains the
volutes of the Ionic column, adding rows of
leaves, and is ten diameters high, giving it
more slender and elegant proportions than the
others. Paradoxically, this column, adorning
the position of the most junior of the three
principal officers, is the most graceful, elegant
and beautiful of the three.
Speaking personally, I find Wisdom
hard to apply. So often we say or do
something impulsive which, in a cooler
moment, after a period of reflection and
applying a little wisdom, we might have
postponed, or cancelled altogether. We talk
about ‘tempering with wisdom’, as the
blacksmith tempers a piece of hard steel to
make it more malleable, more amenable.
It’s closely allied to, and arises from, a
good sense of judgement. The best thing is,
working at our own sense of judgement to
nurture wisdom in ourselves.
Strength is something else again.
Although the allegory, the symbolism, is one
of physical strength, clearly we are speaking
here of strength of a different dimension.
We may be speaking of strength of
character, of exercising the strength
necessary to carry one’s convictions against
the overwhelming opposition of others.
Strength to stand up for what is right, against
the prevailing fashion, or against expediency
dictating that benchmarks other than
uprightness of purpose ought to apply. A
severe test of our morality may require more
strength than we thought we possessed.
The difference with Beauty is, that
perception is everything. It could be argued
that, of these three attributes, beauty is the
passive one. If I am not possessed of beauty,
physical, mental, spiritual or any other kind,
there isn’t a great deal I can do about it, or so
it would seem. ‘Beauty to adorn the inward
man’. What does that mean? And how do
we acquire it?
Beauty is perceived, and perceived both
ways; others’ beauty of character, purpose or
intention perceived by us, and our own
beauty, if it is vested in us, perceived by
others. Notice that we say ‘perceive’, not
‘see’, principally because our eyes are not
reliable as organs of true perception. Just as,
when listening to music, or poetry, or ritual
we must sometimes listen with more than
our ears, so too will beauty only be perceived
with something more than the eyes.
The Little Prince in Antoine de Saint-
Exupéry’s little book of the same name, wants
to know from his new friend, the fox, the
secret of his perceptiveness. The fox demurs,
but finally replies: ‘Here is my secret. It is
very simple. You can only see properly with
the heart. With the eyes, you can’t see what is
essential’. When assessing ourselves, and
those around us, let’s close our eyes
sometimes, and see with our hearts.
jrees@aol.com
Issue 26, Autumn 2003
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